Category Archives: Art

Racquel Ward: Poor me, home alone and nuttin’ to do….

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Photo: Tony Ward, Copyright 2018

Poetry by Racquel Ward, Copyright 2018

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Poor me, home alone and nuttin’ to do….

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Mmm today is one of them lucky days

The luckiest day of the month

Nobody is home

I got the house to myself

So I’m gon’ do what I want

Am I feeling like munchin’?

Puffin’ or a drink?

Sleep? Energetic?

Nah, horny I think.

And if not I can get me in the mood with this here tape

I been saving it for a time, a place

A finger to circle shape…down there

A finger to have circle shaping clockwise, counter clockwise, side to side

Back and forth

Eenie Meenie miney moe

The middle finger’s good to go

Utilize my strength and ability to be soft

I pop the tape in

Rest my feet up

2 feet between my thighs, look up

Sigh

Take the journey

Ride

Rise

Steady

Drip

Release

Sleep

Look forward to next months trip

Hell, I’ll make it next week.

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About The Author: Racquel Ward is a writer and educational therapist living in Los Angeles. She holds a BA in Culture and Media studies and a BFA in Contemporary Music from the New School University – Manhattan, New York. Racquel also holds a Master’s of Science in Teaching. She has been published on ThoughtCatalog and most recently finished her first children’s book. To access additional articles by Racquel Ward, click herehttp://tonywardstudio.com/blog/racquel-ward-60s-back/

 

Also posted in Blog, Environment, Erotica, Photography, Politics, Popular Culture, Portraiture, Women

Catherine Trifiletti: Lookbook Summer 2018

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Lookbook Summer 2018

 

 

Photography by Tony Ward, Copyright 2018

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To access the Catherine Trifiletti Lookbook Summer 2018. click herehttp://tonywardstudio.com/gallery/catherine-trifiletti-design/

 

Also posted in Accessories, Advertising, Affiliates, Announcements, Blog, Current Events, Documentary, Erotica, Fashion, Friends of TWS, Gifts, Glamour, Models, Photography, Popular Culture, Portraiture, Women

A.H. Scott: By George, He’s Got it!

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The Petulant Puppet by Thomcat23

 

 

Poetry by A.H. Scott, Copyright 2018

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Illustration by Thomcat23, Copyright 2018

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For me, this quote below was truly the kicker that set my head spinning! You can’t make this craziness from his lips up. Unbelievable!

 

Standing in front of the VFW Convention last Tuesday, he actually said this:

 “Just remember, what you are seeing and what you are reading is not what’s happening,” – Donald J. Trump, President of The United States, Veterans of Foreign Wars Convention in Kansas City, Missouri, July 24th, 2018

 70 years ago a work of fiction was written, but reality is always stranger than anything one can come up with in their imagination:

 “The Party told you to reject the evidence of your eyes and ears. It was their final, most essential command.” – George Orwell, “1984”, published 1949

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 By George, He’s Got It!

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Happening now, is not what you see

Happening now, is not what you hear

Pay attention only to the billboard on the wall with the one of tiny hands and mind that is so small

Pied piper he may never be

But, leader is the only one he is as you can see

Free press is the enemy

Stenographers are the friend of He

We must praise the leader, for He is law

Truth and justice cannot be something we saw

By George, he’s got it!

He is ever so wise

Controlling the masses with his lies

Look at the shiny orb he holds in his hands

It glistens with xenophobia and shimmers with manufactured rage

All he does hypnotizes the senses

The takeover of the muddled mind is going as planned

This is his moment

He is the CHOSEN man

Pay attention to the wall of division

Your neighbor is not your equal

Report them in accordance to the leader

Speak only of the agenda repeated like parrots

Never step out of line or think for yourself

Isn’t it better to let the leader of the state take care of those little agitations, formerly known as rights and freedoms?

Just listen to the mantra for solace and control

By George, he’s got it!

Let the cloud of conformity mollify your soul

Obey the voice of the state and you can never go wrong

Pen scratched against history has cast a shadow ever so long

Seventy-years on, the bell tolls strong

By George, he’s got it!

Now, we are through the looking glass

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About The Author: A.H. Scott is a poet based in New York City and frequent contributor to Tony Ward Studio. To read additional articles by A. H. Scott, go here: http://tonywardstudio.com/blog/a-h-scott-the-torch/

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About The Illustrator: Thomcat23 is a new contributing artist at Tony Ward Studio. The owner of a hyperactive imagination, Thomcat23 creates images based on a wide variety of categories. Everything from cartoons to politics are mangled, jumbled, smashed, merged and synthesized to create colorful and interesting works of art. The pop surrealist approach Thomcat23, stems from his formal training as a graphic designer and his love of comic book-style pen and ink illustration he’s sharpened over the years. He has a wide variety of influence, which include Jack Kirby and Renee Magritte. To access more of Thomcat 23’s work, follow him on Instagram @Thomcat23. Or Facebook: The Art of Thomcat23.

Also posted in Affiliates, Blog, Book Reviews, Current Events, History, News, Politics, Popular Culture, Portraiture

Bob Shell: Dead Cats in the Studio – Yikes!

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Artwork by Dean Rosenzweig, Copyright 2018

 

 

Bob Shell: Letters From Prison # 17

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Letters by Bob Shell, Copyright 2018

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Artwork by Dean Rosenzweig, Copyright 2018

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DEAD CATS IN THE STUDIO – YIKES!

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Some years ago my friend Steve Sint and I were eating in a Japanese restaurant in Manhattan, when the subject of discussion turned to what our personal limits were, what we would and would not photograph. Basically Steve argued for photographing anything at all, so long as the pay was good and it wouldn’t get you arrested, while I thought a photographer should have some narrower limits. Looking back on that now, I realize that my limits are pretty bizarre by many people’s standards.

Case in point: Those dead cats.

At some time in the mid-80s, Ruth Steinberger, an illustrator friend who primarily illustrates textbooks, came to me with a project. It was to illustrate an anatomy and physiology lab manual. The plan was for Ruth and the author to bring the dead cats to my studio and dissect them in stages. I was to take photos and Ruth would do line drawings to make the details easier to locate, photo on left page, drawing on right page. This project took something like two weeks with the smelly cats in my studio. I don’t know what they use as a preservative now that formaldehyde has been banned, but it sure stinks! Took weeks for that smell to leave my studio completely. Limits: they also wanted some pictures of cadavers, but I said no, no dead people in my studio!

Was I wrong? Steve would have thought so, and said go for it. But I just couldn’t wrap my mind around working with dead bodies. The cats were enough for me.

Which brings me to another weird project, dead aliens. You may remember the furor raised by the FOX TV program Alien Autopsy: Fact or Fiction broadcast, I think, in 1995.. As it turned out the owner of the film wanted my help in authenticating that the 16mm film actually dated from 1947. I knew that Kodak used edge marks exposed onto the film during manufacture to make dating of film footage possible. I was sent some pieces of the actual film to analyze, and the edge markings were correct for 1927, 1947, or 1967 (Kodak reuses the code every 20 years), but there was a hitch – the film was a copy, not camera original footage. This was explained because the camera original would have been a negative and copied onto another film for projection. The film was supposedly shot by an Army photographer after the crash near Roswell, New Mexico, of an unknown aircraft The film couldn’t have been shot in 1927 or 1967 because the film type (Kodak Super XX) wasn’t made in those years. So was it really filmed in 1947? I couldn’t say 100% yes or no, but my gut feeling is that it was.

While working on this project I was contacted by a producer from TF1, one of the French TV networks. Would I come to Paris to give my opinion on a live, two hour program they were doing on the film? Oui! So off to Paris I flew to appear on Jacques Pradel Presents. Pradel was sort of like the French Dan Rather, with an enormous following. They’d built a giant eye on the set with a working iris, and it opened and I walked out of it and down stairs to dramatic music to meet Pradel. We carried on a conversation that was somewhat stilted because I don’t speak French. So as he was speaking a babelfish in my ear was piping in a “simultaneous” translation. The same for him since he doesn’t speak English. Anyway, it was a blast, particularly the after party! Anyone interested in learning more about this episode of my photographic career can read the book that Mike Hesemann, Philip Mantle, and I wrote titled Beyond Roswell. My name isn’t on the book cover due to contractual problems, but I’m in there as co-author. And, no, I don’t get any royalties, that’s long since ended, so I don’t profit if you buy the book. Actually I’m still mad at the publisher. They sent me galley proofs so I could make corrections, I spent hours going over them and sent in a long list of corrections. Then the book came out without a single correction being made! These things happen and the authors get the blame. When my first book (Pro Guide: The Canon EOS System) came out, two of my photographs were printed upside-down! Of course those readers who noticed blamed me.

Is that really a dead Roswell alien being sliced and diced in that strange film? The jury is still out on that. Anyone interested can find tons of pro and con on the Internet, including an audio file of my interview with Art Bell on his old Coast to Coast FM radio program. I’ve just learned that Art died, a real loss to his many listeners over the years.

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About The Author: Bob Shell is a professional photographer, author and former editor in chief of Shutterbug Magazine. He is currently serving a 35 year sentence for involuntary manslaughter for the death of Marion Franklin, one of his former models. Shell was recently moved from Pocahontas State Correctional Center, Pocahontas, Virginia to River North Correctional Center 329 Dellbrook Lane Independence, VA 24348.  Mr. Shell continues to claim his innocence. He is serving the 11th year of his sentence. To read more letters from prison by Bob Shell, click herehttp://tonywarderotica.com/bob-shell-art-of-rope/

 

Also posted in Affiliates, Blog, History, News, Popular Culture, Science, Travel

Bob Shell: Art of Rope

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Bob Shell: Art of Rope

 

 

Bob Shell: Letters From Prison #16

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Letters by Bob Shell, Copyright 2018

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Just how did the book Erotic Bondage: Art of Rope come about? Basically, it was Marion’s idea. She’d been looking at my collection of books, including Tony’s Obsession, Petter Hegre’s My Wife, Ralph Gibson’s Deus Ex Machina, Lee Higgs’s Generation Fetish, and others (all confiscated by the cops, none returned, most of them signed copies given to me by the photographers) and decided she wanted The Marion Book. She was heavily into sexual bondage, said she had the most intense orgasms when restrained. She’d shown me a bunch of Polaroid snaps of her bound taken by an old boyfriend. The photography and rigging were amateurish, but she still shined. She also described the bondage sessions she’d done with a recent boyfriend, and complained that he tied the ropes too tight. So I began shooting some bondage sessions with her, something new to me. Oh, I’d played around with handcuffs and such with a few models, but nothing hardcore. I then built a suspension frame, incorporating suggestions from her dad, and built a couple of sets. It was then that I discovered rainbowrope.com, where I found nice soft 1/4 inch Nylon rope in all sorts of colors. I bought a bunch of rope from them as well as some props like an old style dental clamp that Marion fell in love with. We commenced shooting for the book each week after my other obligations were out of the way. After we had some pictures we really liked. I went looking for a publisher. I didn’t think an American publisher would be interested. so I went looking in Germany, where several of my books had been published. My main German publisher was a wing of the Vatican, so I didn’t take this project to them! After several dead ends, I found a publisher, and we began to rough the book out – and then that publisher went bust. I was discouraged, but this had happened before, and so I started over. If I had all the money publishers have gone broke owing me, I might have been as wealthy as the prosecutor thought!

I talked to Lee Higgs and he put me in touch with his publisher in Germany, Goliath. They loved the project and over the course of a year or so we put the book together. In fact they liked it so much that they decided to make it the first of a series under a new imprint, MixOfPix. In the middle of this process Marion died. I was very conflicted about going on with the project, but Marion’s best friend Samantha had seen the photos (and was in some) and said Marion would have wanted me to finish the project, and her other friends I talked to felt the same, I felt they were right, so I hired other models to do the shoots we’d planned and sketched, and finished the book. That I published under my Edward Lee pseudonym had nothing to do with Marion’s death, but had been the plan from the beginning. I had some very straight-laced clients at the time and wanted to keep things separate.

The prosecutor implied that I’d made a lot of money from the book. As photographers who have done picture books will tell you, you do not get rich from this type of book. I did not do a detailed accounting, but by the time I figured in model’s fees, cost of set building, and all the other expenses of doing the shoots for the book, I might just have broken even. I did have some quiet support from photo industry companies, and a cheering section from my dear old friend Monte Zucker, who gleefully showed me the gay bondage he was shooting and critiqued the images for me. But, no matter what the prosecutor implied, I was not rolling in money from this project. The book is out of print now, and my royalties ended long ago, but I’m told it is available from Amazon.

Marion also wanted a website along with the book. She’d been inspired by boundndetermined.com, the website owned by my friend Maria Shadoes, and wanted to call hers bound2bwild.com. I’d registered the name and Maria and I were working on the design. Maria made a good living from the websites she owned and webmastered and was to be our webmaster. All those plans came to naught, though. Marion’s website never went live. So many plans and dreams died with her.

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About The Author: Bob Shell is a professional photographer, author and former editor in chief of Shutterbug Magazine. He is currently serving a 35 year sentence at Pocahontas State Correctional Center, Pocahontas, Virginia for involuntary manslaughter for the death of Marion Franklin, one of his former models. Mr. Shell is serving the 11th year of his sentence. To read more letters from prison by Bob Shell, click herehttp://tonywardstudio.com/blog/bob-shell-letters-from-prison-15/

 

Also posted in Blog, Book Reviews, Current Events, History, Photography, Popular Culture, Portraiture, Women