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About: TonyWard.com

Self-Portrait With Katie. Copyright 2018

Self-Portrait With Katie. Copyright 2018

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Tony Ward Ward began his professional career in 1980 as a corporate photographer for the pharmaceutical giant, Smithkline Corporation. After several years of working in the department of corporate communications for Smithkline, he opened the Tony Ward Studio in 1984, to service a variety of Fortune 500 companies and smaller business entities.

In 1998, TW achieved global notoriety for his first published book on erotic photography, the controversial and highly praised OBSESSIONS. The monograph was followed by four more challenging, innovative and critically acclaimed volumes on eroticism and photography at the turn of the century. Scholars that specialize in the history and aesthetics of photography such as A.D. Coleman, Rick Wester and Reinhold Misselbeck have written illuminating essays that accompanied the artist published works.

Ward’s  photographs have been widely collected, exhibited and syndicated around the world. His unending quest for inspiring subjects, and new projects compels him to divide his creative time between diverse cosmopolitan centers, including: New York, Los Angeles, Miami, London, Paris, Hamburg/Berlin and his beloved Amsterdam, The Netherlands.

Tony Ward has been teaching Photography courses at the University of Pennsylvania since the Fall of 2010, and has published the work of his students in the blog section. The daily blog features articles by Tony Ward and guest contributors who are invited to write on a variety of topics including; Art, Architecture, Photography, Fashion,  Erotica, Politics, Science, Travel and Current Events.

Tony Ward’s online Store is currently open. To access the Store, click herehttp://tonyward.com/shopping-cart/

Also posted in Announcements, Art, Blog, Current Events, Documentary, Erotica, Exhibitions, Fashion, Friends of TWS, Men, Popular Culture, UPenn

Bob Shell: Car Reviews in a Photo Magazine?

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Cars. Rush Hour Boston, Mass. Photo: David Pang, Copyright 2018

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 Bob Shell: Letters From Prison #24

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Letters by Bob Shell, Copyright 2018

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CAR REVIEWS IN A PHOTO MAGAZINE?

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At some point in the mid-90s, Don Cooke, our national sales manager at Shutterbug, had an idea to diversify our advertising base. Glenn Patch, Sbutterbug’s owner, had a policy that there would never be any tobacco ads in his magazines, so we turned away their money, but what about car ads? The car companies had crazy money to throw at magazines, too. Don had worked for car magazines in the past and knew everyone in that business. He thought a series of articles on cars for photographers would get the attention of the right people.

That’s why I found myself early one cool desert morning in a parking garage at McLaren Airport in Las Vegas picking up the keys to a sparkling new black Land Rover Discovery. Don had arranged this through the president of Land Rover U.S.A., who was an old friend. I was to take the car out into the desert for a week and put it through it’s paces as a field outfit for a nature photographer. I’d brought a bunch of outdoor gear with me on the overnight “redeye” flight from Charlotte, and I loaded it all into the Rover’s cavernous back.

In the 70s and 80s my “go anywhere” vehicles had been Toyota FJ-40 Land Cruisers, first a 1966 that I bought from Arthur Godfrey (now there’s a story for another time) and later a 1972 that I bought new for $ 3,400. That sounds cheap today, but in 1972 that was a relatively expensive vehicle. The FJ-40 series were built to withstand rough use and to last, but in common with other Japanese vehicles of the day, the steel used to make the body panels was prone to rust. Both of mine suffered from body rust. I see that restored FJ-40s are commanding high prices today.

I backed the Rover carefully out of its parking place and headed out for Highway 15 northeast and let the big V8 open up (I love to drive fast!) My destination, The Valley of Fire State Park. I’d conducted photo workshops there for years, ever since Wayne Collins and David Brooks had hipped me to the location back in the early 80s. The Valley of Fire is one of the prettiest places on the planet, and in all my world travels I’ve never found a better place for photography. The red rocks and clear desert air cast a warm glow on anything and anyone you photograph there. Of course, if you’re doing commercial photography there you need to jump through some hoops, get a photo permit, and pay into workman’s comp for any assistants and models you use. I was keeping it simple this time, no assistants, no models, just me and the car, and a basic photo permit. I did have to get special permission to go off road, and the rangers gave me a limited selection of places where I could do that, and a couple of brooms to hide my tire tracks going off and back onto the road.

You may not know it, but unless you’re that rare person who never watches TV, you’ve seen The Valley of Fire. It’s a favorite location for commercials for cars, and many other products, and as a standin for other planets in SiFi programs.. At the time of writing there’s a commercial for “tactical” sunglasses airing on ESPN that was shot there. Being located not far northeast of Las Vegas, it’s convenient to Los Angeles and the photo and movie businesses. If you saw the movie Star Trek: Generations you’ve seen the Valley. The climactic scenes of the two Captains fighting Malcolm McDowell was filmed on the red rocks there. It was near those rocks that I chose to position the Rover, on top of a big rock.

I’d decided to shoot medium format in case we wanted to use one of the pictures on the cover, so I’d brought my Mamiya 645 Pro and 50, 80, and 150 Mamiya lenses, and several “bricks” of Fujichrome Provia in a Styrofoam cooler. Of course I’d brought a sturdy tripod (I don’t recall which one, probably a Manfrotto) and my Sekonic light meter for both spot and incident readings. I didn’t anticipate needing any wider or longer lenses, but had a 30 fisheye, 40 and 300 in the bag just in case, and I turned out to shoot most of the photos with the 150, a few with the 80. The light was perfect, a high overcast sky serving as a giant softbox. We did use one photo on the cover, and some detail shots with the article. We got a lot of reader feedback, most of it positive, with a few, “Whaddaya think you are, a car magazine??” letters. Unfortunately, the hoped for advertising never materialized, and we never ran any more car tests. But a while later my friend Scott, who worked for Nikon, stopped by my house in his brand new — Land Rover Discovery! He said he’d bought it on the strength of my review. So Land Rover sold at least one car from our experiment. Too bad the advertising didn’t follow, I was looking forward to test driving other cars in a variety of locations.

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About The Author: Bob Shell is a professional photographer, author and former editor in chief of Shutterbug Magazine. He is currently serving a 35 year sentence for involuntary manslaughter for the death of Marion Franklin, one of his former models. Shell was recently moved from Pocahontas State Correctional Center, Pocahontas, Virginia to River North Correctional Center 329 Dellbrook Lane Independence, VA 24348.  Mr. Shell continues to claim his innocence. He is serving the 11th year of his sentence. To read more letters from prison by Bob Shell, click herehttp://tonyward.com/2018/09/bob-shell-the-weinstein-matter/

 

Also posted in Accessories, Advertising, Blog, Engineering, Friends of TWS, History, Photography, Popular Culture, Travel

Bob Shell: Remembrances

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Photo: Bob Shell. Copyright 2018

 

Bob Shell: Letters From Prison #22

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Letters by Bob Shell, Copyright 2018

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REMEMBRANCES

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One of the cruelist things about being incarcerated is that friends and family die while you’re unable to see them. I’ve lost count of how many have gone in the last ten years.

Last October I was sitting at a table in the pod with three friends on a Saturday evening. We’d just fixed and eaten an elaborate meal, and were feeling well fed and relaxed, talking about things of interest. An announcement came over the PA system, “Shell, go to the sergeant’s office.”. Now, being called to the sergeant’s office is rarely good news, particularly on a weekend evening, so I went out there in an apprehensive state of mind. When I got there a young lieutenant and several officers were there. I asked what was up, and the lieutenant told me to sit down. He said that someone named Headie had called and asked them to let me know that my sister had died. I nearly passed out from the shock. (Headie is my nephew’s wife.)

My only sister, Karen, was six years younger than me. Since I was six she was always there for me, and since I’ve been locked up she had been writing to me at least once a month. She knew that I was incapable of doing the awful things I was accused of. I knew she had been diagnosed with cancer, and had surgery, chemo, and radiation treatments. Her last letter was from the beach and she was happy and in remission, so her sudden death was a complete shock. Now, I could have gone to her funeral, but in a prison jumpsuit, with handcuffs, leg shackles, and shock belt, with two armed guards. I thought I’d just be a distraction if I went like that, so I made the painful decision not to go. I was the only family member absent.

The DOC used to grant compassionate furloughs, but too many abused that privilege by not coming back, so they no longer do this. Once you’re inside, you stay inside. Hell, just to transport me from one prison to another they put more chains on me than an organ grinder’s monkey. Those escapes during transport that you see in movies are purely fairytales.

One of the most fiendish devices ever invented is “the box”, a device that fits over the chain connecting handcuffs. and attaches to a waist chain. Once it’s in place you have almost no mobility of your hands and arms. You might just be able to scratch your nose, maybe. When I got here to River North both my wrists were bloody from this contraption.

Unfortunately the men who wrote our Constitution prohibited “cruel and unusual punishment,” and our literal-minded Supreme Court has held that it’s OK for punishment to be cruel so long as it isn’t unusual. “The box” is definitely cruel, but since it’s used almost everywhere now it’s not unusual. If every state used iron maidens the Court would probably say that was OK! Sometimes courts are just plain silly.

But, back to my original topic. Last night I received the June issue of Shutterbug and turned to Dan Havlik’s Editor’s Notes. I learned there of the death in March of Chuck Wesrfall, one of my oldest and best friends in the photo industry. Chuck was a genius, the top technical expert at Canon USA. When I needed an expert in digital imaging to testify at my trial, Chuck came down from New York and gave detailed technical testimony for me at my trial. Unfortunately his testimony sailed right over the heads of the jurors, the judge, and over the head of the reporter from the Roanoke Times, which published a totally garbled version of Chuck’s testimony the next morning. The issue was simple: could the police have accidentally or intentionally changed the time codes on my photographs? Chuck demonstrated how this could have happened accidentally and explained it in great detail. The newspaper reported that he’d said the times were correct, exactly the opposite of what he’d actually said! Even though the jury had been instructed not to read the newspapers or watch TV news, they were not sequestered and I know that some of them probably disregarded this instruction.

Anyway, I’d first met Chuck in the 80s when I was writing my first book, on the Canon EOS system. We “clicked” because we were both tech heads. Over the years I took advantage of every opportunity to spend time with Chuck because he knew how everything worked and could explain so even I could understand. Plus, he was just one of the nicest people you could ever meet, a true gentleman in the old meaning of the term. He had relatives in Roanoke, and would often pop up to Radford to spend a day with me when he was in the area, always bringing a satchel of Canon’s latest goodies to play with. We were friends, not just business friends. He told me how he met his wife on an airplane flight to Japan, and later proudly showed me pictures of their son as he grew up. Chuck will be sorely missed by all who knew him.

Among other good friends who have died while I’ve been in prison are: Derek Grossmark, owner of Hove Foto Books, publisher of my first books; Henry Froehlich, Chairman of Mamiya America, and the first man to import Japanese cameras into the USA after WW II; Steve Sint, longtime Popular Photography columnist; Lino Manfrotto, maker of high quality tripods and other photo gear; Don Sutherland, writer for Shutterbug, Playboy, and many other magazines; Bill Hurter, Editor of Rangefinder, who gave me work when I lost my Shutterbug job; Hilary Araujo, long-time industry executive; and probably many more I don’t yet know about. News reaches me slowly in here.

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About The Author: Bob Shell is a professional photographer, author and former editor in chief of Shutterbug Magazine. He is currently serving a 35 year sentence for involuntary manslaughter for the death of Marion Franklin, one of his former models. Shell was recently moved from Pocahontas State Correctional Center, Pocahontas, Virginia to River North Correctional Center 329 Dellbrook Lane Independence, VA 24348.  Mr. Shell continues to claim his innocence. He is serving the 11th year of his sentence. To read more letters from prison by Bob Shell, click herehttp://tonyward.com/2018/08/bob-shell-we-all-steal-ideas/

 

Also posted in Affiliates, Blog, Current Events, Environment, Erotica, Friends of TWS, Glamour, History, Men, Models, News, Photography, Popular Culture, Portraiture, Travel, Women

Thomas Kramer: From Riches to Rags

Thomas Kramer at Home on Fisher Island, Miami Florida

Thomas Kramer. Photo by Tony Ward, Copyright 2018

 

 

Photography and Text by Tony Ward, Copyright 2018

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FROM RICHES TO RAGS

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A little over a decade ago in the Spring of 2007,  I received a phone call from a journalist from Hamburg, Germany to discuss a photo assignment. He wanted me to illustrate a photo story he was working on for the German Press about Thomas Kramer, a property developer that ignited the real estate boom in Miami Beach during the 1990’s. I was immediately intrigued by the story and agreed to take the assignment.  I met the journalist in Miami Beach, at a cozy boutique hotel  located on Ocean Boulevard.  At a meeting on the eve of the shoot the journalist provided more background about the reason for the story.  I was told that Mr. Kramer had just been sued by one of the wealthiest families in Germany for fraud. The lavish lifestyle that I was about to witness may be short lived.

We arrived at the mansion on the magnificent Fisher Island at around 10:00am the next day to be greeted by a gregarious man who appeared to be happy to have our company as I photographed him around his lavish estate. Mr. Kramer mentioned the suit quite openly during our time together but evoked a certain confidence throughout the day that he would prevail.  During our lunch break, he had several servants serve us a wonderful lunch with lots of fresh fruits and vegetables lean meat and fresh juices.  There were a few ladies around as well since he was known for being an unapologetic playboy.   After the first day of shooting he  invited  me to a Shaquille O’Neill party (his neighbor) who also resided on the tiny exclusive island.

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Thomas Kramer on his way to a Shaquille O'Neil party

Thomas Kramer on his way to Shaquille O’Neil’s party.

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One of the most memorable moments of the photo shoot with Thomas Kramer was when he invited me and my assistant to visit his master suite.  I vividly recall seeing in his bathroom, a massive amount of fragrances of all the various designer brands that lined his vanity of excess.  During the tour, in the same setting, was a security door where he placed his palm on what appeared to be a keypad. He said it was his safe room. The room was not that big like other rooms in the mansion, but it was lined floor to ceiling with a seemingly endless supply of various types of  guns and other weaponry. Clearly the man was paranoid and for good reason.

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Thomas Kramer and his Gold cross.

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It would take another 10 years, but on September 28, 2017; Thomas Kramer lost his battle in court and received a $192.4 million judgment against him.  His greatest paranoia may have been realized.  The plaintiffs in the case used that judgment against him to credit bid foreclosure and ultimately take title to his luxurious lifestyle and property. He seemed to have had fun while it lasted.

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To access more Diary entries by Tony Ward, click herehttp://tonyward.com/2018/04/diary-a-fashion-shoot-at-the-jersey-shore/

 

Also posted in Accessories, Architecture, Blog, Documentary, Environment, Fashion, Glamour, History, Men, News, Photography, Popular Culture, Portraiture, Travel, Women

Bob Shell: American Justice System

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Portrait of Marion Franklin by Bob Shell, Copyright 2018

 

Bob Shell: Letters From Prison #20

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Letters by Bob Shell, Copyright 2018

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AMERICAN JUSTICE SYSTEM

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In 1923 the great American journalist H. L. Mencken wrote:

You will find as many intelligent and honest men in the average prison as you will find in the average club, and when it comes to courage, enterprise, and determination — in brief the special virtues which mark the superior man — you will probably find many more.

Here is Menckin’s description of a trial:

With a crowd of poltroons in the jury box venting their envious hatred of enterprise and daring upon a man who, at worst, is at least as decent as they are: with a scoundrel in the bench lording over a scoundrel in the dock because the latter is less clever than he is.

Menckin pretty much nailed the “American Justice System,” which has never really been about justice, if we’re honest about it. A real justice system would provide the accused with resources equal to those of the prosecution. A person should not be forced to bankrupt himself to defend against false charges. When you are accused of a crime. the state martials all its resources against you, and unless you are rich, you most likely can’t come up with equivalent resources. Criminal investigators, expert witnesses, paralegals, and good criminal lawyers are very expensive. When I was charged I contacted the best criminal lawyer I knew of. He listened to my story and asked if I could raise several million dollars, and when I said no, he said that I couldn’t afford him. As actor Robert Blake said, “In America today you are presumed innocent until you are found broke.”.

And think about that presumption of innocence. In the USA you are “presumed innocent until proven guilty.”. Note the use of the word “until” which carries the implication that you WILL be proven guilty. The word should be “unless.”. But in most cases you will be found guilty because most people think “they wouldn’t have charged him if he didn’t do it.”

Just how did I end up in prison at the age of 60 with a 32 1/2 year sentence? I’d had my studio in Radford, Virginia since the end of the 1970s. I had been working for Shutterbug magazine for years, first in the 70s as a columnist, then as Technical Editor, and in 1991 I became Editor in Chief, and held that position until I “retired” in 2001, staying on as Editor At Large. Actually, “retired” was a euphemism for ” forced out in a palace coup.”. I first had my studio in Radford starting in 1981, when I took over an existing business that was studio/photo shop. I had been working for Gentry Studios in Blacksburg. Gentry also had a location in Radford and had decided to close it. I took the risk and took it over. At first I made hardly any money there, but in time it picked up and by the time Shutterbug offered me the Editor’s job it was doing well enough that I was able to sell the business. We were living on a small farm at the time, so we sold the farm and bought a house in Radford. (Oddly enough, we sold the farm back to the man we’d bought it from fifteen years earlier. It was his wife’s old home place and she was homesick for it.)

My original Radford studio was in downtown just a block off main street. Once I was living in town, I went looking for a new studio and found it at 239 West Main Street, just a couple of blocks from the police station.

Let me make something clear, during all those years I worked for Patch Communications, publisher of Shutterbug, PhotoPRO, Outdoor and Nature Photography, and other magazines I was never an employee. My company, Bob Shell Ltd., contracted with Patch for my services. This arrangement allowed me to work from my home office and set my own hours, for a flat monthly fee. It saved Patch money, too, since they didn’t have to provide me benefits. I took care of my own medical insurance and dealt with the IRS myself. I valued my freedom and my right to take time off whenever I wanted without being tied down to an office.

In 1991 I found the ideal studio location in a storefront between a drugstore and an antique shop. The space was about 40 X 80. I wanted a big space because I wanted it to be a teaching studio where I could hold my studio lighting and posing workshops. With the help of a friend I built a wall across the front for a small office, and built a dressing room in back, with big mirrors for the models. There was already a storage room and restroom in the back. The same friend and I remodeled the restroom. The floor was covered with old wall-to-wall carpet, which was in terrible shape. I hired a couple of strong young college men to take up the carpet, which had to be scraped up with shovels, and to use a big commercial sander to sand the wood floor smooth. Then I painted all the walls and floor with white pigmented shellac, which I’d used before and is very durable. I then approached photo equipment companies to loan me equipment and props, which they were all too glad to do because they knew my students would buy equipment they had used in my workshops. It was a win-win for them and me. I soon had s studio bulging with equipment and props. The studio was big enough that I could have three sets going at once. To keep the flash units on one set from interfering with another I used Wein Products infrared flash triggers, and later radio slaves. My studio workshops were held three or four days a year, each for two days on a weekend.

In the late 80s I’d bought a tract of forest land and had a road built into it and began conducting outdoor workshops there. It was beautiful forest, and my plan was (and still is) to put a house or cabin there at some point.

On June 3, 2003, I returned to my studio in the evening and found my girlfriend, Marion Franklin, passed out. When I could not awaken her I called 911 and then my nightmare began. I was accused of killing her based on false testimony of an incompetent medical examiner, and I sit here today because the man is too stubborn to admit that he was wrong. That’s today’s American Justice System.

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About The Author: Bob Shell is a professional photographer, author and former editor in chief of Shutterbug Magazine. He is currently serving a 35 year sentence for involuntary manslaughter for the death of Marion Franklin, one of his former models. Shell was recently moved from Pocahontas State Correctional Center, Pocahontas, Virginia to River North Correctional Center 329 Dellbrook Lane Independence, VA 24348.  Mr. Shell continues to claim his innocence. He is serving the 11th year of his sentence. To read more letters from prison by Bob Shell, click herehttp://tonyward.com/2018/08/bob-shell-warning-environmentalist-rant/

 

Also posted in Affiliates, Blog, Environment, Friends of TWS, History, Photography, Politics, Popular Culture, Portraiture, Science, Women