Category Archives: Erotica

Catherine Trifiletti: Summer Lookbook 2018

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Catherine Trifiletti: 2018 Lookbook

 

Photography by Tony Ward, Copyright 2018

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To access Catherine Trifiletti, Summer Lookbook 2018, click herehttp://tonywardstudio.com/gallery/catherine-trifiletti-design/

 

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Bob Shell: Letters From Prison #12

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Portrait of Marion Franklin by Bob Shell, Copyright 2018

 

Letters From Prison: Part 10, 2018

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Letters by Bob Shell, Copyright 2018

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One thing that always comes up when people talk to me about Marion is our age difference. When I first met her in April of 2002, she was eighteen and I was fifty-four. Some have been highly critical of me for having a relationship with such a great age difference. In 2002 I had been working with models since the sixties, and the only reason I can say with certainly that I’d photographed over two hundred women is that I have signed model release forms from all of them (minus some the police took and never gave back!). You may not believe me, but I swear it’s true that in all those years with all those beautiful young women, I never had a romantic relationship with any of them. The opportunity was there, but I was a straight arrow, keeping business and personal life totally separate. As any woman I ever photographed will attest, no matter how sexually suggestive the poses, I was always completely professional and respectful. That’s just me. Sure, there has to be a sexual tension – a spark – between photographer and model to produce good images, but it works best when this connection is sublimated, kept simmering below the surface. Anything else and the sexual tension gets in the way and you might as well forget photography. Now I know I speak only for myself here and other photographers may have a different philosophical approach, but I learned over the years what works for me. And it worked very well, so much so that the federal judge in a suit I filed in 2005 (that’s a story for another time) called me “a renowned photographer with a long-established reputation.” Although I didn’t have romantic relationships with them, many models I worked with became good friends. Five of them write to me here regularly, and one even sends me money.

The point of this is that the Radford police and prosecutor knew nothing about me, and instead of learning the truth as the federal judge had done, they created a fantasy Bob Shell. who was nothing like the real me.

When Marion first walked into my studio that day in April of 2002, something happened that had not happened to me since 1967 (that, too, is another story.). It was like a lightning bolt shot between us. We both felt it as Marion later told me. We shot a lot of still photos that afternoon and about twenty minutes of video. Marion was simply a natural model. Although she’d had minimal experience, doing her first modeling earlier that year, I hardly needed to direct her at all. She moved from pose to pose fluidly, and seemed to just know what looked good to the camera. After that first test session I couldn’t wait to bring her back. Problem was that she was living in Boone, NC, more than four hours away, and her old Subaru wagon wasn’t in the best of shape. But we made do and I brought her up for sessions as often as I could. That summer she was living with a tattoo artist, and she told me that he tied her up for sex. She liked being restrained, she said, but complained that he tied the ropes too tight. She brought some Polaroid photos one time that a former boyfriend had made of her tied up. The photography was amateurish, but it was clear that she enjoyed it.

By late summer I was forced to admit that I had fallen for her – hard! We had begun spending time together in the bed in my studio after shoots, but there was no sex because I was still very conflicted about the idea of a relationship with a model, and did have concern about the age difference.

Marion had taken to my studio quickly, and began assisting me when I was working with other models. In October I offered her a full-time job modeling and assisting me in my studio and office. I found her an apartment one block from my studio and she moved to Radford. The apartment was owned by the same people I rented my studio from, and was half the ground floor of a large old building. It had two bedrooms, a living room, a dining room, and the usual kitchen and bath. Lots of room. We set about furnishing it with trips to factory outlets in Southside Virginia, where there are furniture factories. Ended up with some nice stuff at very low prices.

So, we spent the rest of 2002 and the beginning of 2003 in a frenzy of work, doing photo sessions almost every day, some in my studio, and some in my “outdoor studio,” forest land I owned about a half hour’s drive away. Marion loved the outdoor shoots. She was a country girl at heart and felt completely at ease in the woods. Frequently I had to end the shoots because I was worn out, or she would want to stay until the light was too dim for pictures. After the shoots we’d usually lie around for a while on a blanket and talk just as we did in the studio bed.

I still feel that some of those outdoor photos are the best in my career. Some of them, though not bondage images, are featured in my book Erotic Bondage: Art Of Rope. I put them in as counterpoint to the bondage images. (At this time in late 2002 and early 2003 I was transitioning from film to digital. Some of the book’s images are from film, some from digital, and I don’t believe anyone can tell which is which. I’d worked since the 80s with Canon EOS cameras, so it was natural for me to take to the EOS 10D when it came along – all my lenses fit! But Nikon had invited me out to Colorado in 2002 for a product introduction, and gave me a Nikon D100 and accessories to evaluate, and so some of the photos for the book were taken with that camera, and those taken on film were shot with a Rollei 6008i, a Minolta Maxxum 9 and a Leica M7. So much for brand loyalty! All major camera brands are capable of professional results in the right hands.)

To be continued…..

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About The Author: Bob Shell is a professional photographer, author and former editor in chief of Shutterbug Magazine. He is currently serving a 35 year sentence at Pocahontas State Correctional Center, Pocahontas, Virginia for involuntary manslaughter for the death of Marion Franklin, one of his former models. Mr. Shell is serving the 11th year of his sentence. To read more letters from prison by Bob Shell, click herehttp://tonywarderotica.com/bob-shell-letters-from-prison-10/

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Catherine Trifiletti: 2018 Lookbook

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Catherine Trifiletti: 2018 Lookbook

 

Photography by Tony Ward, Copyright 2018

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To see the complete Catherine Trifiletti 2018 Lookbook, click herehttp://tonywardstudio.com/gallery/catherine-trifiletti-design/

 

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Catherine Trifiletti: 2018 Look Book

Catherine Trifiletti Design: 2018 Look Book

Catherine Trifiletti Design: 2018 Look Book

 
                                                                                                                                     

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Achieving an interesting combination of Hollywood Glamour, Aristocratic elegance and earthly naturalness, these three elements combined to form a type of glamour that is associated with Italy and Italianess.  A world made up of gorgeously stylish designs, culture and a Mediterranean nature. Known for her own signature style, the style of Hollywood boudoir, Italian elegance, luxury and fashion combined with a nod to playful femininity.  Each and every item from the Catherine Trifiletti luxury loungerie collection is elegant sensuality with a tiny touch of Vegas sparkle.  

 
Catherine’s total belief in the power of self confidence is a serious inspiration to her designs for the cosmopolitan woman who has travelled the world but who never forgets her roots.  A woman who always wears her head high.  That gives her both an extremely feminine and sexy way of feeling and of course lounging when almost always required.
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BEHIND THE SCENES
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CREDITS

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Models:

Mikala Mikrut

Serenity Rodriguez

Alexanne Wagner

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Assistant to the Photographer:

Gary Smuts

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Staff:

Master Cutter – Ubaldo Vazquez
 
Head Seamstress – Reina Ponce 
 
Asst. Head Seamstress – Rosenda Navarro 
 
Seamstress – Ana Romero 
 
Seamstress – Carolina Serrano 
 
Seamstress – Demi Quezada
 
Head Presser – Carmen Vazquez
 
Accounting – Leigh Harrison 
 
Asst. Coordinator – Mikala Mikrut
 
Production Assistant L.A. -Erika Mark 
 
C.O.O. – Jeff Jacobs
 
Creative Director, C.E.O. – Catherine Trifiletti 
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Rongrong Liu: Me

 

Photography and Artist Statement by Rongrong Liu, Copyright 2018

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ME

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I woke up in the morning, looking into the mirror. That was a face I am so familiar with for 22 years, but how well do I actually know it? For most of the time, our face faces others. I didn’t realize how much I have changed when comparing the photos taken this year with the ones taken in my freshman year. I am just too used to it to recognize any everyday change. Then how about me, as a person? How much have I deviated from the me two years ago?

My photography experience started from my interest in fashion. I wanted to use this individual project to push me back to where I started, and use myself as the subject to let me re-examine and look into myself. I enjoy the paradoxical freedom and constraint of self-studio. During the photoshoots, there was no one else there, so I was completely free. I can control the camera. I can control the setting. I can control my facial expressions and my styling. However, the vacant viewpoint controlled me. I was not instructed, therefore I didn’t know how the photos would turn out to be. This makes self-studio harder than the regular photoshoot, but I enjoyed the unplanned surprises it brought and revealed the true me in front of the camera.

I didn’t plan for a specific theme in fashion to shoot, instead, I put together everything I love. There are some standard aesthetic stylings and self portraits – it is a regular me. There are some beauty photos, the starry night and the sakura (cherry blossom makeup), the ideas of which have jammed in my mind for a long time, but I wasn’t bold enough to wear those makeups outside. And there are ironic high-street fake design collaborations – it is a me to explore. The co-branding collaboration in high-street fashion becomes a way for brands to earn incredible profits through successful marketing. The supreme shirt is 50 dollars originally, but after its collaboration with Louis Vuitton, the t-shirt was sold at 395 dollars and more. What about this Colgate and Louis Vuitton collaboration, whose brand logo is so similar to Supreme? I guess via some systematic brand marketing, it could achieve the same. Other than that, there are some other collaborations like Joshua Sanders’ symbolic smiley face versus Acne Studios’ emoji, and the most recent rainbow burberry pattern in trend versus bandage. All these ideas popped up in my mind and I used the camera to record them visually. It is like my brainstorming diary.

This individual project on myself is not completed yet and it won’t be completed because I will continue doing it on my way to further self-exploration.

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Portrait of Rongrong Liu by  Lilibeth Montero, Copyright 2018

Portrait of Rongrong Liu by Lilibeth Montero, Copyright 2018

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About The Author: Rongrong Liu is a Junior enrolled in the College of the University of Pennsylvania, Class of 2019. To access additional articles by Rongrong Liu, click herehttp://tonywardstudio.com/blog/rongrong-liu-a-colorful-favela/

 

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