Category Archives: Photography

A.H. Scott: Tatiana’s Theme

Photo: Tony Ward, Copyright 2019

Poetry by A.H. Scott, Copyright 2019

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Tatiana’s Theme

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Tatiana knew there was something interesting about Stu.

She was amazed how his horn always blew.

At Club Caliente, she sat in the first row.

Stu played sax nice and slow.

After his midnight set. Tatiana was feeling oh so mellow.

Burgundy halter dress and red hair like a wild mane down her back, Tatiana waited for Stu in his dressing room.

When Stu walked in, an intimate improvisation would begin.

Sitting in the edge of the mirrored vanity Tatiana smiled, “You sure know how to hit the right notes, Stu”.

“Using a trusty instrument it’s true”, Stu winked back and placed sax on its’ stand.

Tatiana folded legs, as burgundy dress revealed a slit that left skin on display.

“I’ll take you for a late-night bite as soon as I get my things together, Tatiana”, His response was quickened by the lovely lady in his midst, as he started changing from stage clothes to street threads.

Stu unbuttoned his white silk shirt.

Tatiana didn’t want food, but decided to flirt.

“Maybe a burgers, fries and shake aren’t on the menu tonight”, Sliding off that vanity, she wrapped arms around his neck.

“Oh, heck”, Stu replied with a kiss to her lips.

His hands in her hips moved with such ease.

Both of them were eager to please.

Tatiana’s burgundy dress was released with a few flips of his fingers and fell to the floor.

Stu held her with right arm, as his left hand made sure of the closure of that dressing room door, “No interruptions will make this oh so nice”.

“Nice and slow, just like your horn right now I’m gonna’ blow”, Tatiana stood braless and only in a lime green thong, slowly bent down to get closer to his instrument inside of black pants.

Unzipping his pants and releasing his flesh from within, Stu began to grin.

She gave him something good to start off their symphony of lust, as he knew to meet her moist meadow was a must.

Each of them had the taste of the other upon their lips. Stu inserted himself inside of Tatiana atop the vanity’s edge, exchanging whispers and kisses in a melodic pledge.

Motion of bodies made the mirror begin to shudder.

Tatiana breathlessly uttered, This is so divine”.

He gave her several kisses and concurred, “Baby, you are so right”.

Tatiana’s theme was one of being a tempting orchestrator for an adlibbed anthem of arousal.

Notes of flourish filled that dressing room, as an entanglement of ecstasy drifted in the air around them.

Pressed against one another, they lingered a little longer.

Strands of Tatiana’s red hair made contact with his chest like a few strokes into canvas.

As for Stu, his hands softly patted her bare ass and exhaled, “You are my most tempting tune”.

Tatiana laughed, “And, you know how to play me, Stu”.

Dressed and ready to leave Club Caliente in under fifteen minutes,  Stu took Tatiana by the hand and spoke to the club manager who was over by the bandstand.

His name was Jerry and he had a chuckle in his voice, “Stu, it is always nice to hear you blow. It really classes up the joint, my man”.

Stu shook his hand, “Thanks , Jerry. I’m glad I can count you as a fan”.

Both men ribbed each other as friends for over many a year, as each laughed so hard they almost came to tears.

Tatiana smiled, as  she watched Stu and Jerry joke.

She was still tingling all over from this musician’s pleasurable poke.

Diner down the avenue was about to close in under thirty minutes.

Jerry said his farewells, as Stu and Tatiana waved to him goodnight.

Making their way to a diner nearby to get a hearty bite, the crescent moon and a few visible stars seemed to be winking down at them in delight.

Beautiful duet of desire was shared by Stu and Tatiana on that memorable night.

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About The Author: A.H. Scott is a poet based in New York City and frequent contributor to Tony Ward Studio. To read additional articles by A. H. Scott, go here: http://tonyward.com/a-h-scott-unraveled-we-fall/

 

Also posted in Blog, Erotica, Friends of TWS, Glamour, lifestyle, Models, Poetry, Popular Culture, Portraiture, Student Life, Women

Bob Shell: Learning Photography

Photo: Tony Ward, Copyright 1977

 

Text by Bob Shell, Copyright 2019

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Learning Photography

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Many aspiring photographers want to learn more about the art and craft of photography. There are lots of ways to do this, ranging from reading books, watching videos, taking classes, attending lectures, and attending photography workshops.

If you’re the type who learns by reading, there are many excellent books available that will teach you all the basics. When I was getting started I bought every photography how-to book I could afford and devoured them. I think I learned something from every one of them. For those just getting started in digital photography I’ll recommend the book I wrote with Steven Greenberg; The Complete Idiot’s Guide to Digital Photography Like a Pro (4th edition). It’s a little bit dated by now, but is still one of the best books for beginners. My favorite photography book of all time is Nude Photography The French Way by Laurent Biancani. It’s probably out of print, but I’m sure Amazon can find copies. It’s great, not so much for photographing nudes, but because it contains the best primar I’ve ever seen on photographic lighting. I learned a hell of a lot about lighting from that book. There was also a very good book on lighting by my friend David B. Brooks. Beyond those basics, there are many good books. The photographic lighting series of books from Rotovision are all good. They use a simple formula, a photo on one page and a lighting diagram and brief text on the facing page. The National Geographic photo guides are excellent, well written and illustrated with great photos.

It used to be that you could learn a lot about photography by reading the many photography magazines, but these days they’re pretty much extinct. The only two I read anymore are Rangefinder (rangefinderonline.com) and Photo District News (pdnonline.com). Rangefinder is directed primarily at portrait and wedding photographers (I used to write for them) and PDN is directed at high-end commercial shooters and photojournalists. My other favorite photo magazines are Vogue, National Geographic, and Rolling Stone, for the exclence of their photography.

I used to have instructional videos sent to me for review all the time when I was at Shutterbug. They ranged from exceptionally good to garbage. There was one set from a really well known portrait photographer on lighting that was completely wrong! Light is basic to photography (the word photography means writing with light), and behaves very predictably. Some of the best produced videos are those from my friend Ken Marcus. I really enjoyed watching them. Ken is a master of using multiple lights for glamour and nudes. I haven’t seen them, but I’m told there are some good instructional videos on Youtube.

If you’re the type who learns best in a classroom setting, then check out adult education photography classes. Local community colleges often conduct photography classes that don’t cost very much to take. Here in my area I used to teach an adult ed photography class through Virginia Tech and the local YMCA. We met once a week in the evenings for a couple of hours for classroom lectures, at my studio for demos, and also did some “field trips.”. Everyone who took those classes seemed to enjoy and learn from them. They didn’t cost much, and the money went to support programs at the Y.

Another possible source of learning is photography schools. The Washington School of Photography in DC offered some excellent programs. I conducted lecture/demonstrations for tbem. These were done in hotel ballrooms, and consisted of a lecture portion illustrated with medium format slides projected on a big screen, followed by a live lighting and posing demo with nude models. These were fun to conduct and I think the audience learned. My sponsor for those was Mamiya America Corp. who provided the special projectors for my 6 X 6 and 6 X 7 slides. Medium format slides are eye-popping on a big cinema screen.

Once a year in October the Photo Plus Expo is held in NYC. It can be a great learning experience, with lectures, photo shoots, portfolio reviews, and a big trade show where you can see and touch all the latest new gear. Info at photoplusexpo.com . They’re affiliated with WPPI, Wedding and Portrait Photographers International, but you don’t have to be a member to attend. I’ve given lectures there.

Of course, the best way to learn is by doing. That’s where the hands-on workshops come in. What exactly are these workshops? It depends; depends on who is conducting them. Some have a lot of classroom instruction as well as actual photography on location. The best of these that I’m aware of were those conducted by the Disney Institute at Walt Disney World in Orlando. I don’t know if they still have their photography workshops. You’ll have to check on their website. When I was there the program was a mix of traditional classroom and photo shoots at Epcot, Animal Kingdom and a Disney wildlife preserve. The photo sessions at the theme parks were conducted in the mornings before the parks opened. Walking around Epcot taking pictures with no one around except a few maintenance workers was a once in a lifetime experience. I got some great photos and I’m sure the students did as well. That year Pete Turner was one of the lecturers. If you do a Google search on photography workshops, you’re sure to find a bunch in various places on a variety of topics.

I used to conduct two-day glamour and nude workshops several times a year. Some were held in my large studio in Radford. Others in my nearby forest land. And still others at St. Petersburg Beach in Florida, the Valley of Fire State Park in Nevada, on St. Thomas, US Virgin Islands, in London, and other locations here and abroad. I’ve had as many as 60 students attend these from as far away as Hong Kong and Japan, with a ratio of one model for every five photographers, so everyone got plenty of opportunity to work with each model.

I also conducted one and two day one-on-one workshops in my studio. These were one student, one or more models depending on the student’s desires and budget, and me. These were intense photo shoots, real learning experiences in lighting and posing plus the technical aspects of studio shoots. I charged for my time plus the model’s fee and two hour film processing. After digital came along, most of my students were shooting digital, so no film processing fees. They just had to remember to bring enough storage cards, since we tended to work fast and shoot a lot of photos. I had several repeat customers who came over and over for these.

I conducted my first photo workshops in the 80s, initially with Tampa Bay photographer Wayne Collins to get my feet wet and learn the ropes, and before I had my big studio I rented a ballroom in town so I could have multiple sets active at the same time. Those were a lot of work because I had to haul all of my equipment and props there from storage and back again afterwards. I was really happy when I found the big studio space, since I could leave everything there and ready to go. I usually had a couple assistants for the group workshops, one of them, Herb, a very big man, former football player, who acted as my “enforcer” when very occasionally one of the workshop participants got out of line with a model, either verbally or with straying hands. Believe me, no one did it twice! Herb wouldn’t have hurt a fly, but his 400 pound size was intimidation enough. Thankfully he wasn’t needed often, and he was a photographer as well, so he got to take pictures for himself.

Before each workshop I sent each person who had signed up a sheet with the workshop rules. These were pretty simple: don’t touch the models, no alcohol during the workshop, no off color jokes, know how to operate your camera beforehand. I wanted to keep the tone professional and respectful. While most workshop students were men, I did get some female participants. I never had any serious problems at a workshop, although one model did get sick one time and spent a good part of a day in the dressing room throwing up in a bucket! For my outdoor workshops I had a portable dressing room I designed that Lastolite made for me. We were going to sell them, but the price turned out to be too high when you could just buy a cheap tent and accomplish the same thing. I kept the two prototypes for use at my workshops. Even when a woman is modeling nude, she needs privacy to get ready. I always provided a catered lunch at my workshops, and the lunch break was time to ask questions and discuss photography. I wanted everyone to have a good time, learn things, and come away with some great photos. I never had a dissatisfied attendee.

One special treat that set my workshops apart from others was a prize giveaway at the end. My photo industry sponsors contributed items to be given away, ranging from camera bags, tripods, flash units, lenses, to gift certificates. Each workshop attendee wrote their name on an envelope and put a tip for the models in it. The envelopes were put into a box and as each prize was shown one of the models pulled out an envelope and that attendee got the prize. The money was divided evenly among the models. Everyone loved this, and everyone got a nice prize worth much more than the money they’d tipped. Sponsors were glad to do it for the good will it generated. I had many different sponsors over the years, including Canon, Mamiya, Vivitar, Adorama, Beseler (camera bags), Fuji, Tiffen, Kodak, Photoflex, Plume, Chimera, Paul C. Buff, Sekonic, 3M, and others. Canon used to bring loaner cameras and most of their lenses for attendees to try out. Tiffen sent a bunch of filters in 72mm size with stepping rings to fit them to most lenses. Kodak, 3M and Fuji sent free film. Adorama sent a variety of photo gadgets.

I wanted my workshops to be fun, as well as learning experiences.

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About The Author: Bob Shell is a professional photographer, author and former editor in chief of Shutterbug Magazine. He is currently serving a 35 year sentence for involuntary manslaughter for the death of Marion Franklin, one of his former models. Shell was recently moved from Pocahontas State Correctional Center, Pocahontas, Virginia to River North Correctional Center 329 Dellbrook Lane Independence, VA 24348.  Mr. Shell continues to claim his innocence. He is serving the 11th year of his sentence. To read more letters from prison by Bob Shell, click here: http://tonywardstudio.com/blog/bob-shell/

Editor’s Note: If you like Bob Shell’s blog posts, you’re sure to like his new book, COSMIC DANCE by Bob Shell (ISBN: 9781799224747, $ 12.95 book, $ 5.99 eBook) available now on Amazon.com . The book, his 26th, is a collection of essays written over the last twelve years in prison, none published anywhere before. It is subtitled, “A biologist’s reflections on space, time, reality, evolution, and the nature of consciousness,” which describes it pretty well. You can read a sample section and reviews on Amazon.com.

Also posted in Affiliates, Art, Blog, Cameras, Documentary, Environment, Film, Friends of TWS, History, Philadelphia, Popular Culture, Portraiture, Student Life, Travel, UPenn Photography

Portrait of the Day: Carmen

Photo: Tony Ward, Copyright 2019

 

 

Editor’s Note: To see more pictures of Carmen as well as other pictures and films from Tony Ward’s erotica collection, click herehttp://tonywarderotica.com/category/membership-account/

 

Also posted in Accessories, Art, Blog, Cameras, Documentary, Erotica, Fashion, Glamour, History, Jewelry, lifestyle, Models, Popular Culture, Women

Bob Shell: Objectifying and Exploiting Women

Photo: Bob Shell, Copyright 2019

Text by Bob Shell, Copyright 2019

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Objectifying and Exploiting Women?

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An English friend once gave me a really hard time; she said I was objectifying and exploiting women in my photography. That disagreement caused me to spend some time thinking about this issue. Don’t all photographers objectify their subjects and exploit them? Did Ansel Adams objectify and exploit Halfdome? Did Edward Weston objectify and exploit bell peppers? Is the whole argument ridiculous?

Let’s look at both prongs of this argument. Objectifying is a somewhat strange concept, since it means turning something into an object. But, when you think about it, everything we photograph is already an object, or we couldn’t photograph it in the first place. When we photograph something, we’re. taking a three dimensional object and converting it into a two dimensional representation of itself. So in a sense, we’re de-objectifying it. Hmmmm.

No, that’s not what she was talking about. When she argued that I was “objectifying” women, she meant that I was looking at them as objects, specifically as sex objects. Was I? I’d have to say yes to that. After all, the intent of many of my photographs was to create a sexual frisson in the viewer, be that viewer male or female. If I punched the viewer in the libido, I felt that the photograph was a success. So, was I turning my model into a sex object? I’d argue no, that she was already a sex object before I ever clicked the shutter. I didn’t make her into a sex object, God or evolution did; take your pick. Either way, women are shaped the way they are to arouse interest in men. That’s simply a fact. Her rounded form is designed/evolved to attract men. We even say of a pretty woman that she is “attractive,” usually without really thinking of the implications of that statement.

Let me put on my biologist hat for a moment. Whether we like it or not, we are animals, mammals to be a bit more precise. We are advanced apes. Jared Diamond even says we’re the third species of chimpanzee, after the common chimp and bonobo.. If that offends you, skip on to the next paragraph. In our cousins, the gorillas, chimps, and bonobos sexual attraction is a matter primarily of scent. Females have nipples up high on their chests, practically in their armpits. They have no breasts and wouldn’t know what to do with a bra. There is nothing about their chests to arouse or attract the male. At the other end, they have narrow flat asses without bulging buttocks. We humans, on the other hand, are almost totally visual in our sex cues and have de-emphasized our sense of smell, so much so that our females borrow scents from other animals and plants when they want to send a scent signal. The perfume industry has gotten rich off of that.

But what first gets a man’s attention? Its two rounded areas of protruding fatty tissue, either in front or in back. What Americans call T & A (the English say T & B, “tits and bums.”) This fact keeps “cosmetic surgeons” busy, adding breasts where there are none, or those nature provided are considered inadequate, and reshaping behinds, to produce the “perfect” rounded shape. I’ve always counseled my models against “cosmetic surgery” at either end, preferring their natural shape.

But, back to our argument. Do women objectify themselves when they augment their tops and/or bottoms? I’d argue yes, they do. Do I objectify them? No! One of my models was a former Playboy model. To reach her goal of being a Playboy featured model, she had most of her body reworked. She got there, but who objectified her? Basically I consider that part of the argument silly. How can I objectify someone who has already done it to herself?

Now, on to the second point. Did I exploit my models? Damn well, yes, I did! Did they complain about it? No! Why? Because I paid them well for posing with the thought that I’d someday make money from the pictures. Did I always profit? No!!! And sometimes pictures sat in my files and my agents’ files for years before finding a buyer. Some never did. From a business perspective, my images were my stock, and no business person wants stock sitting in a warehouse for years. At the same time, unlike the warehouse stock of most businesses, my photos don’t lose value from sitting there. My overhead is minimal; some filing cabinets and some digital storage devices. I’ve had substantial sales from images many years old. Most of what I shoot never goes out of fashion.

So on the question of objectifying and exploiting women, I plead innocent to the first and guilty to the second.

As I have said before, I photographed my first nudes in 1969 in the woods at Roanoke’s water reservoir. Looking back at those many years later it was clear that I didn’t have a clue about posing a model, but the results weren’t awful. By 1973-4 when I photographed Kathy G. at the old farm/apple orchard where we lived, I’d spent time reading books on posing, and got some pretty good images, images I’d not be embarrassed to show today. It helped that she was a natural at graceful posing. In those early days I found my models by running ads in the school newspaper at Hollins College, a woman’s school (It’s now Hollins University and co-ed), and in the Roanoke Times classified ads. Later, when I had my camera shop just blocks from Roanoke College, I never had a problem coming up with good models, because word of mouth, the best advertising, spread that I was fun to pose for and treated my models respectfully. Was I attracted to these beautiful young women? Absolutely! After all, I was young myself with a full. complement of raging hormones. Did I come on to them? No way! Photographers as a group already had a dodgy reputation, and I cared to set myself apart from the crowd. I’d have no qualms today about facing any of the women who modeled for me from 1969 to 2007. Of course there were none past 2007 because I was in prison!

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About The Author: Bob Shell is a professional photographer, author and former editor in chief of Shutterbug Magazine. He is currently serving a 35 year sentence for involuntary manslaughter for the death of Marion Franklin, one of his former models. Shell was recently moved from Pocahontas State Correctional Center, Pocahontas, Virginia to River North Correctional Center 329 Dellbrook Lane Independence, VA 24348.  Mr. Shell continues to claim his innocence. He is serving the 11th year of his sentence. To read more letters from prison by Bob Shell, click here: http://tonywardstudio.com/blog/studio-news-bob-shells-new-book/

 

 

 

Also posted in Affiliates, Blog, Documentary, Friends of TWS, Glamour, lifestyle, Models, Nudes, Popular Culture, Portraiture, Women

Studio News: Bob Shell’s New Book!

 

NEW BOOK RELEASE!

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Text by Bob Shell, Copyright 2019

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COSMIC DANCE

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Those of you who have enjoyed my rambling discourses here will probably like my new book, my first in twelve years. It’s titled COSMIC DANCE by Bob Sbell and is available from Amazon now. (ISBN: 9781799224747, $ 12.95 quality paperback; $ 5.95 EBook; 203 pages). You can get a feel for the book by reading the sample pages on Amazon.

This book is a collection of essays developed from notes written in a series of notebooks during the last twelve years while I’ve been a prisoner in Virginia. But this book is not about that story. While my body has been imprisoned, my mind has been free to wander and explore, and conduct the type of thought experiments, that Einstein favored so much.

The book is divided into four sections about things that deeply interest me:

I. Physics and Cosmology;

II. Biology and Evolution;

III. The UFO Phenomenon;

IV. Religion “Christianity”;

followed by some appendices.

The book is intended for the general reader interested in these subjects. I’ve avoided technical language and math as much as possible.

Each section steps off from established facts to explore my personal take on things. For example, did you know that you can never photograph the event happening now? To find out why, read page 73.

I’ve been an “armchair physicist” since the early 1970s when my old friend Robert Anton Wilson (see his bio on Wikipedia if you don’t know who he was) introduced me to that strange creature Schrodinger’s Cat, who is even more mysterious than the Cheshire Cat, being simultaneously both dead and alive until observed. The title COSMIC DANCE is a tip of the hat to Bob, whose most influential book is titled COSMIC TRIGGER.

Whether we like it or not, quantum physics is how the universe works. This little tablet I write on wouldn’t work in a strictly Newtonian universe. Neither would your TV, cellphone, computer, digital watch, and all the other electronic devices of modern life. Quantum physics does not follow human logic. Or maybe I should say that human logic does not follow quantum reality. Either way, there’s a mismatch between the two. For example, we humans tend to believe that the past is fixed and invariable, but it’s not. In our quantum universe neither past nor future is fixed, and much of the past has yet to be developed. Cause does not have to precede effect. The equations of quantum physics are time neutral; time may not even really exist.

In cosmology, the accepted theoretical model of the evolution of the universe tells us that galaxies should be evenly distributed throughout space, but in reality they aren’t, they’re in clumps, clusters, “walls,” so the theory must be wrong. That’s important, but cosmologists mostly ignore that fact.

In biology, even though I was originally a biologist myself, I’ve never been satisfied with Darwinian/neo-Darwinian evolution as an explanation of the biological diversity we see in the world. The theory simply doesn’t fit the facts. We need a new theory that does.

Back in the 1960s, when I was on staff at the Smithsonian Institution in Washington, it was pointed out to me that there was something wrong with dinosaur footprints. They’re simply not deep enough for the projected weight of the animals, and some animals that we’ve reconstructed as walking on four legs left only prints of their hind feet, their forelegs never touching the ground. On page 137 I dig into this mystery and propose a new theory to explain this odd fact.

On page 159 I delve into the UFO phenomenon. The fact, as the New York Times recently uncovered, is that the Pentagon knows that AAVs, Anomalous Aerial Vehicles, their term for UFOs, are real and has spent millions of taxpayer dollars studying them. UFOs are real, remember that. Some official documentations of what they call “incursions” have recently been declassified. Why the secrecy in the first place? Because the Pentagon doesn’t know what they are, where they come from, or why they’re here, buzzing our ships and planes. Simply put, if they were hostile, and some may well be, our military would be helpless to defend us from them. Government is all about control, and something they can’t control scares the bejaysus out of them.

In my section on religion, I tackle religion, specifically so-called “Christianity,” on the simple premise that it’s a political system, not a religion, and is terribly dangerous because of that. It seeks to control the bodies and minds of all, believer and nonbeliever alike, as the current brouhaha about abortion shows anyone with open eyes. Our nation’s founders wanted separation of church and state for damned good reasons, and laws based on religion violate that principle, and should not be on the books. The “Christian” Church held back scientific progress and intellectual freedom for centuries, brought us the Dark Ages, and continues to try to do so today. Today’s “Christianity” has little or nothing to do with the simple, peaceful, and beautiful teachings of Yeshua, the man the Romans called Jesus.

I didn’t write this book to have readers agree with me and accept my ideas. I wrote it to make readers think, often outside their everyday comfort zones.

Like Robert Anton Wilson, I seek to make people agnostic, not just agnostic about religion, but agnostic about everything.

I hope you’ll buy and read my book, agree or disagree.

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About The Author: Bob Shell is a professional photographer, author and former editor in chief of Shutterbug Magazine. He is currently serving a 35 year sentence for involuntary manslaughter for the death of Marion Franklin, one of his former models. Shell was recently moved from Pocahontas State Correctional Center, Pocahontas, Virginia to River North Correctional Center 329 Dellbrook Lane Independence, VA 24348.  Mr. Shell continues to claim his innocence. He is serving the 11th year of his sentence. To read more letters from prison by Bob Shell, click here: http://tonywardstudio.com/blog/bob-shell-female-nudes/

 

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