Category Archives: Travel

Night Fever: 1977-1979

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Night Fever: 1977 to 1979

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It was the end of the 1970’s. I was a graduate student at the Rochester Institute of Technology,  when  I discovered an electric atmosphere at a Rochester, New York discotheque called Club 747.  The fun and excitement of this unique night club drew me back frequently to make photographs. Inside the energy and unusual décor, inspired by the interior design of a 747 jumbo jet, typified the Zeitgeist in nightclubs of the Disco era.  New York’s Studio 54, where the famous and not so famous partied until dawn epitomized this same period in time.  In 1977, the famous American actor, John Travolta introduced his Fred Astaire-like moves on the big screen in the smash hit, Saturday Night Fever.  Travolta’s ode to a neighborhood Brooklyn nightclub was represented with the same enthusiasm by the Saturday night fever of Club 747 in Rochester, New York.

The characters at Club 747 enhanced the mood. There was the African American man whose face and hands were marked by the scars of severe burns. He looked upscale in his three piece suit dancing to the rhythms of Donna Summer, The Bee Gees and the Village People. A young determined white college student with her hand in a sling was deterred from receiving her drink. She simply waited for her shot from an anonymous donor with her functional left hand outstretched, as if the drink was already received. The crowd was from all walks of life, the young and the old, the upper class and the less fortunate.  They all seemed oblivious to their differences in age, gender, race, social class, religious beliefs, political persuasion or sexual preference. As a body they were universally seduced, united and enlightened by the music and dance of this uniquely American period in time: the 1970’s.
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Tony_Ward_photography_early_work_night_fever_portfolio_rochester_new_york_club_747

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Click here to view next Galleryhttp://tonyward.com/early-work/composites-1980s/

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Fashion Fetish 25 Years: Now Available!

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FASHION FETISH 25 YEARS: ORDER NOW!

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Now taking orders for this special limited edition print run of 500 copies on superior quality, Proline Pearl Photo 140# paper stock.  Standard portrait size, image wrap cover 8 x 10 in, 21 x 26 cm. 240 pages. Each copy sold is printed to order, signed and numbered until the edition is sold out. U.S. customers please allow 14 days for printing and delivery. International customers please allow 30 days for printing and delivery. Click here to enter check out: http://tonyward.com/shopping-cart/books-bonus-gift/#gallery/537ab8257ae5dd811ebdcab8cff3523a/102/cart

I would like to thank all of the incredible models, editors, stylists, magazines and companies that made this book possible! 

In order of appearance:

Mikala Mikrut, Alice Chaillou, A.H. Scott, Titziana, Michelle Seidman, Anthony Goaslin, Pascale Descance, Bill Weiting, Ayesha, Dana Rochelle, Sandy Ward, Sharon Franklin, Monica Miraglilo, Marita, Paul Mojica, Deborah Shaw, Richard Elms, Ingrid Cesares, Lee Henshaw, Sandra Bauer, Angelique, Wendy Taw, Nami, Vibe Magazine, Scott & Richard, Bob & Becky Marker, Deann, Paulette Fallon, Bobbi Eden, Kianna Dior, Shay Sights, Rachel Louise, Kelly, Holly Singelyn, David, Savanna, Hallie, David & Devon, Diana Desiderio, Tyson Beckford, Thandie Newton, Quincy Jones, Keith Murray, Heidi & Michelle, Andrea Suwa, Blend Magazine, BLVD Magazine, Lilian DeJong, Steffi, Justine Bakker, Ivita Rence, Jana, Anna Borleffs, Allison Dunlap, Dagmar Rose, Ettore Salon, Elizabeth Southward, Jennifer Cole, Cosmopolitan Magazine, Vault Productions, Domina Barbie, Jilian Nonemacher, Leg Show Magazine, Isabella Reneaux, Esther Young, Sascha Lilic, Spoon Magazine, Neiman Marcus, Penthouse Magazine, Natascha, Emina Cunmulaj, Sonya Bright, Tony Ward (the model), GQ Magazine, Thomas Kramer, Park Avenue Magazine, Guinevere Van Seenus, Atomic Bombshell, Catherine Trifilleti Design, Alex Wagner, Louva, Alejandra Guerrero, Floore Jansen, Kimberly Kane, Jennie Shapiro, Maggie Stein, Delicious Corsets, Taboo Magazine, Rachel V, Ashlynn Brooke, Bonnie Rotten, Jessica Saint, Jennifer Lester, K Vaughn, Aradia Ardor, Kevin Stewart, Becky Marker, Katie Kerl.

Also posted in Advertising, Announcements, Art, Blog, Book Reviews, Covers, Current Events, Documentary, Erotica, Fashion, Film, Gifts, Glamour, History, Models, News, Nudes, Photography, Popular Culture, Portraiture, Student Life, Women

Repost: Larry Fink – Interview

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LARRY FINK: INTERVIEW

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Editor’s Note: Larry Fink: The Boxing Photographs is presently on view at the Philadelphia Museum of Art from August 11, 2018 – January 1, 2019. The interview between Tony Ward and Larry Fink took place in January of 2013.

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TW: Taking pictures for Conde Nast titles such as Vanity Fair and W  is an aspiration for many photographers around the world. What is your advice to those photographers that share similar goals and aspirations?

L.F.

Watch out for what you ask for….. it might ask more from your soul than you would be comfortable with giving up…

TW: Are you specifically referring to contractual agreements with the publishing house? Work for hire agreements and the like? When a photographer shoots for Conde Nast, who owns the rights to the picture?

L.F.

Never have I given my copyright to anyone…….. but some other more desperate types have sold the apple with the tree…

TW: You’ve photographed a large variety of people from all walks of life over the course of your career; where do you draw your inspiration from these days?………

L.F.

..   Inspiration comes  with  breakfast….. and an obsessive  need to merge within  the soul of each who I am attracted to..   the  shape of the pictures  is constructed within the moment of impulse…

TW: What was the most fun assignment you’ve ever worked on?  What was the worst?

L.F.

Over the course of 56 years  there have been many assignments which were  fun  but the  deeper truth is that each and any  job I have ever taken and done has been vital to my life and craft…working under contract  with Vanity Fair was a  very good time…

TW: Which photographers did you look up to when you were in your teens and first learning the craft?  Who do you admire today? 

LF.

Henri Cartier Bresson… Simpson  Kalisher,,, Bruce Davidson..  Lisette Model,  Brassai…

Todays workers could be…Gilles Peress…. Mitch Epstein …,  Debbie Flemming Caffery   

TW: How did your growing up influence the way you frame a shot?  Were your parents artistic and teach you to interpret the world through composition and structure, via the lens of a camera?

LF.

I was reared by leftist parents with a deep if  rigid appreciation of  art and music …….  It was of great inspiration to be  cuddled within culture…

TW: Henri Cartier Bresson was known for the “decisive moment”. In your picture making, the “indecisive moment” seems to be your hallmark.  Which visual standards must be met before you decide to make a print for the world to see?

LF.

Indecisive is not something that I am known for and if the images  are such then they fail… visual standards  are fleeting and fixed…. The answer to the question is a dissertation  of  which I will not write here.

TW: During your recent talk at the University of Pennsylvania you mentioned you were beginning to explore the use of the digital camera?  How will the new medium transform your interpretations of new ideas, concepts or assignments?

LF.      

Creative  visual promiscuity…….  Is not a sin……… it  opens up my  photographic eyes by its ease of experimental  rendering ..

TW: You’ve been teaching at Bard for decades: what do you find most rewarding or challenging with regards to the instructor/student classroom experience?.

LF:

………………………………………….I love kids and fear for the future of culture amongst other things…..      I teach in order to contribute to the richness of life experience… I teach in order to learn ..   each student is a lesson…

TW: You’ve accomplished so much in your storied career, from one man shows at the Museum of Modern art, to the glossy editorial pages of W and Vanity Fair: what is the next big goal or desire for Larry Fink in 2013?

LF.

I have no goals.  In the beginning we wished for revolution .. a new spirit for man… but we have not gone there in fact.  We here in the USA are the bastion of  reaction and art is  dominated by commerce not soul…… the essential goals have been squelched.

However each picture has the possibility of being a miracle  even if it  is not  often received as such…. Of course, I have projects and books in mind  One thing which is interesting as well.. as  I have been  respected I have not had a retrospective show in a major venue in my country the USA…..    I would love to do that before I die. That said  my health is sound so we have time.

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Biography

​Besides working as a professional photographer for over fifty-five years, Larry Fink has had one-man shows at New York’s Museum of Modern Art, and the Whitney Museum of Modern Art amongst others. On the European continent, he has had one-man shows at the Musee de l’Elysee in Lausanne, Switzerland and the Musee de la Photographie in Charleroi, Belgium. Recently, in the last three years, he had a traveling retrospective shown in six different Spanish museums. He was awarded the “Best of Show” for an exhibition curated by Christian Caujolle at the Arles Festival of Photograph in France. As far as being represented in group shows, the list is longer than the eye can see. Most recently, Larry has been awarded the
2015 International Center for Photography (ICP) Infinity Award for Lifetime Fine Art Photography. He has also been awarded two John Simon Guggenheim Fellowships and two National Endowment for the Arts, Individual Photography Fellowships. He has been teaching for over fifty-two years, with professorial positions held at Yale University, Cooper Union, and lastly at Bard College, where he is an honored professor. 
Larry’s first monograph, the seminal Social Graces (Aperture, 1984) left a lasting impression in the photographic community. There have been twelve other monographs with the subject matter crossing the class barrier in unexpected ways. Two of his most recently published books were on several “Best Of” lists of the year: The Beats published by Artiere /powerhouse andLarry Fink on Composition and Improvisation published by Aperture. His most recent book is Opening the Sky, published by Stanley / Barker. As an editorial photographer, The New Yorker and Vanity Fair have been amongst a long list of accounts.
 
Coming early 2017, Fink On Warhol: New York Photographs of the 1960s, featuring rare photographs of Andy Warhol and his friends at the Factory interspersed with street scenes and the political atmosphere of 1960s New York. Additionally, he is currently working on a massive retrospective book to be published by the University of Texas Press. Grafiche dell’Artiere in Bologna will make the exquisite prints for the book..

To access Larry Fink’s web site, click herehttp://www.larryfinkphotography.com/

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All Rights Reserved. Copyright, Larry Fink, 2018.

Also posted in Art, Blog, Cameras, Documentary, Film, Friends of TWS, History, interview, Men, Photography, Popular Culture, Portraiture

News: Pennsylvania Convention Center Launches New Website

Tony_Ward_Studio_early_Work_House_of_Prayer_portrait_Pennsylvania_Convention_center

Photo: Tony Ward. Preacher. House of Prayer. Pennsylvania Convention Center. Copyright 2018

 

 

Pennsylvania Convention Center Launches New Website 
featuring its $1.5 million West Wing Art Collection
Paconventionart.com hosts information about 69 artists and their works
 
PHILADELPHIA (Oct. 16) – The Pennsylvania Convention Center announced today the launch of a new website to serve as an online platform for the public and art lovers to discover and learn about 131 pieces of fine art installed throughout public spaces within the facility’s 2011 expansion, which increased the venue’s saleable space by more than 60 percent to 1 million square feet. 

 

The Pennsylvania Convention Center invested $1.5 million in the acquisition and installation of the artworks, produced by 69 Pennsylvania artists, which are now placed throughout the facility’s West Wing Expansion. The Center hosted a formal public unveiling of the art earlier this year, as well as public tours of the art in connection with Wawa’s Welcome America’s summer festival.  The venue’s West Wing art collection features 42 paintings, 31 works on paper, 26 photographs, 10 sculptures, eight cased objects, eight textile installations, five tile mosaics, and one video artwork by Pennsylvania’s most inspiring artists. 
 
The site, www.paconventionart.com, provides a detailed map of the facility that identifies the location of each piece of art, images of the artwork itself, as well as biographical information and additional facts on each artist. The website also features video interviews with 38 artists and allows users to search works by title, artist, and location within the Convention Center.  A two-minute introductory video can be viewed on YouTube.  Previously, the collection was available only for viewing during conferences, meetings, or private events hosted at the Convention Center.
The website also contains a downloadable brochure that people attending events at the Convention Center can print or reference for self-guided tours. Website visitors can sign up for mailings and notices of future art-related activities at the Center.
 
 “This artwork was selected with the goal of utilizing our facility to showcase some of the incredible talent of Pennsylvania’s many gifted artists,” said Gregory J. Fox, Esq., Chairman of the PCCA Board of Directors. “Our facility hosts more than 1 million visitors each year who have the opportunity to enjoy and appreciate this art in person, but we wanted to provide even greater access to the public.  This new website makes these works accessible to art lovers anywhere in the world while also showcasing our facility as the cornerstone of the region’s hospitality industry.”
 
The website was launched to coincide with the year-long 25th anniversary celebration of the opening of the Pennsylvania Convention Center. Half of the artists featured in the collection attended the Center’s free, public Community Festival on June 30 to discuss their works with attendees.  The new art website can be reached through the Center’s website at www.paconvention.com.
 
“I am delighted that the Convention Center is making its art collection available online to a wider audience with significant detail on the artists and their individual backgrounds,” said Astrid Bowlby, whose 100 foot-long, commissioned work, “That Music Always Round Me,” is featured at the Center. “The website also provides convention and meeting attendees with a resource to learn more about specific pieces of art, as well as seek out additional works during their visit.  The site is not just an archive of the collection, it greatly enhances individuals’ experience and their ability to appreciate both the art and the artists who created these works.” 
 
The Convention Center joined with Pennsylvania arts organizations to select and curate the works in the collection.  The Center received significant administrative assistance from the Pennsylvania Council on the Arts (PCA) in Harrisburg under the direction, guidance, and counsel of now-retired Executive Director Philip Horn.  The new website lists the names, titles, and organizations of both the Art Purchasing Committee and the Pennsylvania art professionals who served on the Blind Jury who were all instrumental in the art selection process for the pieces in the Center’s West Wing Art Collection. 
 

“Our incredible collection of outstanding works of museum-quality art, which can be found in public spaces throughout our facility, really differentiates the Pennsylvania Convention Center from other meeting venues,” said John J. McNichol, President & CEO of PCCA. “This new website showcases Pennsylvania’s talented artists and the diverse creative culture of our region.  It also allows the Center to highlight our unique collection for prospective customers as an added benefit that their event attendees can enjoy.” 

  
About Pennsylvania Convention Center
The Pennsylvania Convention Center is celebrating its 25th year in the center of Philadelphia’s cultural offerings and world-class dining and entertainment scene. The Convention Center is managed by SMG, the nation’s leader in public facility management. It is the 14th largest such facility in the nation and features the largest exhibit space and ballroom in the Northeast. It has won numerous awards and recognition, including a designation as the Best Government/Public Building of 2011 by the Engineering News Record of New York. For more information, visit www.paconvention.com.
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Media Contacts:
Deirdre C. Hopkins, Tel. 215-680-1526. Email: dhopkins@paconvention.com
Pete Peterson, Tel.  215-893-4297, Email: ppeterson@bellevuepr.com
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Ed Simmons: Jay Adams Local Hero

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Photography and Text by Ed Simmons, Copyright 2018
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JAY ADAMS LOCAL HERO
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This town, “Venice_90291”, is a tolerant town, a town that gives you room to grow.  I made my way to Venice, California for the first time in 1968.  Throughout the years I’ve gotten to know so many interesting people. At Jay Adams memorial service, what was so surprising, but really not, was that all of these old friends of mine, knew all these other old friends of mine. There I was back hanging with all these people, with all my old friends again, at a somber time. Ya know I ain’t seen most of these people in years, all these people here hanging for Jay at the Venice Pier.
 
I didn’t know Jay. Certainly knew of him, frankly: maybe just a little scared of him. Ya see, this guy Jay Adams was not some “Weeping Judge” kind of Local Hero, a man made from privilege, a man fed from a silver spoon,  oh no these streets of Venice were hard.  Jay stood up, yeah the man made mistakes, but just like a fine wine, he got better with time and age!
“PRAY FOR WAVES” I heard from his homies, hanging on a Mexican Beach was how he started his day.
 
A prayer, some waves, good food with close friends, then some rest. God Bless You Jay Adams. REST IN PEACE.
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Tony_Ward-Studio_Ed_Simmons_Venice_Beach_Jay_Adams

Jay Adams Local Hero

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Portrait of Ed Simmons by Tony Ward, Copyright 2018

Portrait of Ed Simmons by Tony Ward, Copyright 2018

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About The Author: Ed Simmons is a documentary photographer and assistant to Tony Ward, based in Los Angeles, California. 

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