Montage and Text by Mu Qiao, Copyright 2018
Jerry Uelsmann’s “Poets House” and John Szarkowski’s “Looking at Photographs”
After reading JERRY UELSMANN’s “Poet’s House”, which is in the book of “LOOKING AT PHOTOGRAPHS”, I am quickly drawn into the idea of synthesized photographs. I really appreciate the point that photographs can be constructed to produce an assembled effect, which the photographer wants the audience to see instead of showing the audience purely realistic photography, which may mis -convey the photographer’s points of view.
One of the examples that I used most for the synthesized photographs is montage.
Montage is a manifestation of freedom. Making good use of montages or collages, in the early stages of design, we architects can get many ideas and inspiration. The essence of collage is the creation of relationship between things. This relationship is not just a juxtaposition of two nearby elements, but also a spatial affiliation. In composition, the height of each collage element, before and after cover, material color, size and so on all related to their hierarchy in the entire collage works. A good collage or montage can portray a less clear story.
For example, Richard Hamilton’s very famous pop art collage “Just What Is It that Makes Today’s Homes So Different, So Appealing?” (1956). This work is composed of images tailored from American magazines. There are many representatives of elements such as the explosion of multimedia information and the popularization of electrical appliances at that time. The elements create interest and conflict while expressing the author’s ideas. For example, the photo of the earth at the top of the room was taken from the cover of Life Magazine. Although it appears on the ceiling as an irrational phenomenon, it is indeed the result of the development of science and technology at that time. This shows that collages are often humorous.
In the procedure of synthesized photographs, there are many tips. Collage is to construct an order, what is new, what is old, what is important, what is secondary, and what is the role played by people in the scene character of. This information is generated by, but also the audience need to think about.
Appropriate to add some lines to help collage to form a complete space. Simply use the background pattern and white space to distinguish space outside. Another common practice is to use a natural scene or material texture as a material to create a silhouette of people or things. Such silhouettes will carry the emotions and atmosphere of the pictures they contain or reflect some of the characters.
The montage also breaks the perspective and combines the building with a flat map. The two parts interact to show the geographical orientation and at the same time add a visual texture to the map area.
In the model, people are used to represent the scale, while people in the collage can increase the sense of substitution and let the audience see the content of the painting from his perspective.
For the “Builder”, I used several photos of famous architects, who are working at a table. The table becomes the connection and also the center of that scene. Taking the photo of New York city view as the background creates the sense of space. The whole picture then presents a fantasy scene that architects are working together and designing the world.
About The Author: Mu Qiao is a Graduate student enrolled in the School of Architecture, University of Pennsylvania. To access additional articles by Mu Qiao, click here: http://tonywardstudio.com/blog/mu-qiao-left-or-right/