TonyWardStudio.com

Kissing Booth

Artwork by LouPop: With permission of the estate of Anthony Colagreco. Copyright 2012

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Editor’s Note: To learn more about the life and times of LouPop, go to the search bar at the top of the page: enter name and click the green icon.

Model: Elizabeth Southward

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Posted on January 23, 2012 – Copyright 2012

Live Targets

Posted on January 22, 2012 by Ted Adams

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ARTIST STATEMENT

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I’m generally interested in what things look like (as opposed to any sort of inherent meaning), although sometimes events converge to create irony, humor or interesting juxtapositions. These usually happen by accident – I think that when you’re actually taking the pictures, you have to react to things in an immediate, visceral way – then something akin to “meaning” creates itself later when you’re looking at the negatives and deciding what to print.

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Cig Lady

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Barrier

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Picture-taking also has a psychological aspect which reminds me of going fishing or sifting through junk at a flea market: It involves an obsessive-compulsive drive to put your line in the water to see what you reel in – a subtle mood, an ambiance, a visual structure that tickles your brain.

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Double Hugs

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I’m also interested in photography as a way of cropping the world into rectangles, as a way of selectively taking things out of context – which often results in stripping the original meaning out of the subject matter, or at least in making the image open to interpretation. Kind of the opposite of photojournalism, whose intention is to create “narrative” and “context” rather than to discard them.

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The Saint

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Jesus Number

Photography is, in its very essence, the art of cropping – whether in the camera or in the darkroom.

About The Author: Ted Adams was born in Louisville, Kentucky USA. The artist resides and works in Philadelphia as an Art, Street and Documentary photographer. He is also Owner/Director of the Southwark Gallery, Philadelphia. To learn more about Ted Adams’s work log on: www.TedAdams.net.
Copyright 2012

www.TonyWardStudio.com

Posted on January 20, 2012 – Copyright 2012

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Elizabeth Southward

Posted on January 18, 2012 by Elizabeth Southward

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……….Gender discrimination is revealed through the transformation of a male to a female. Orlando is brought up in an aristocratic society and is exposed to famous philosophers and poets like Nicholas Greene. Orlando has the capability to choose a woman and ability to be an ambassador to Constantinople as well. Orlando has the capability to compose poems and express himself through writing. Orlando has the upper hand in society as a male in society, but even if he were of the middle class he would still be in the same position. Orlando’s transformation shocks, yet excites the town, especially with the trumpets blaring. In effect Woolf hypothesizes what would happen in society if she were to come out as well as demonstrates her own hesitations with her true nature. A critic named Toni A. H. McNaron focuses on Woolf’s homosexuality within her article A Lesbian Reading when she claims, “The whole question of identification became central to my evolving connection with Virginia about seventeen years ago” (McNaron 15). McNaron characterizes Woolf’s sexuality as a way of characterization. Woolf demonstrates the transformation of Orlando as her own attempt to express empowerment with women.

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Elizabeth Southward

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Orlando realizes once he is a woman that she does not have the advantages she once did. Orlando attempts to reconcile her writing ability and does so successively. She travels with a tribe of gypsies and Orlando recognizes the separation between the socio-economic classes. Men from the tribe observe her intellect and as a reaction plot her murder. In Woolf’s excerpt, she illustrated men’s disapproval of women’s discernment, when she clarifies, “…There was an enormous body of masculine opinion to the effect that nothing could be expected of women intellectually. Even if her father did not read out loud these opinions, any girl could read them for herself; and the reading, even in the nineteenth century, must have lowered her vitality, and told profoundly upon her work” (Woolf 54). Men’s opinion of women’s discernment was extreme disgust and denied women’s capability of intellectual expression. Woolf stresses the major disadvantage of women and subservience in the eighteenth and nineteenth centuries. Orlando is a prime example of Woolf’s contempt with societal standards in the eighteenth century and difficulty with her own sexual desires.

Copyright 2012

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About The Author: Elizabeth Southward currently studies English at Saint Joseph’s University in Philadelphia, Pennsylvania. She hopes to pursue the field of Public Relations upon her graduation. She sought out modeling at the end of May 2011, and currently spends her free time partaking in shoots. She was signed to Reinhard Agency in Philadelphia in August of 2011. She hopes to continue modeling full-time upon graduation and model internationally.
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Her interests include volunteering at the Camden County Animal Shelter in Blackwood, NJ. She specifically nurtures felines in preparation for adoption. Other interests include: tutoring elementary age children, fashion, reading the classics, baking, traveling, and attending cultural events in the Philadelphia area.