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LouPop Collection

Posted on May 19, 2012

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Editor’s Note: To learn more about the life and times of LouPop and the collection of vernacular photography, go to the search bar at the top of the page: enter name and click the green icon.
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Photo: Courtesy of The Estate of Anthony Colagreco.

Luciano Ruiz: Instagram

Posted on May 19, 2012 by Luciano Ruiz

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……….New York City – 1965. 231 East 47th Street. Andrew Warhola, known as Andy Warhol, revolutionized the way in which people look at art. His emblematic technique has become an icon of modern art. As the 50th anniversary of his famous Factory studio approaches, it seems proper to explore the not so conventional aspects of his artistic career.

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Luciano Ruiz: Instagram

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Some of his earlier works show deliberate preparation through photographic images and sketches. Warhol’s “organized mess” took much more than simply selecting contrasting colors and backgrounds to create the perfect design. By taking photographs of the objects he was drawn to, Warhol anticipated the shapes and patterns he would later recreate.

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Luciano Ruiz: Instagram

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His final works do not resemble his initial sketches in any way. The use of color and contrast was purely Warhol’s own creation. Additionally, he developed his own movement by venturing into techniques never seen before. However, without his photographic eye for design, his creations would have never been the same.

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Luciano Ruiz: Instagram

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By examining several of Warhol’s filmstrips, it is evident that he was drawn to peculiar characters. His interest in high fashion provided him access to avant-garde ideas and techniques. Although not commonly exhibited or explored, these filmstrips provide an insight into one of Warhol’s main inspirations.

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Luciano Ruiz: Instagram

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As his interests expanded into other sectors of society, Warhol began using political and social agendas as inspirations for art. Controversial political events and social movements began to spark an interest in Warhol. Terrifying political figures soon took the form of colorful characters, revolutionizing the way in which people looked at them.

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Warhol Exhibition

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Throughout Andy Warhol’s career, he created numerous works of art that express diverse interests and subjects. Anything from fashion to current events caught the attention of this artistic idol. Through skillful preparation and innovation, nowadays his works are amongst the most renowned in the world. Five decades later and Warhol continues to surprise us all.

About The Author: Luciano Ruiz is a Candidate for Bachelor of Arts, University of Pennsylvania – Class of 2013

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Editor’s Note: To access additional articles by Luciano Ruiz, go to the search bar at the top of the page: enter name and click green icon.

Photo: Bob Shell

Posted on May 16, 2012 by Bob Shell

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……….Nothing new to report on my case. But I really don’t expect to get a ruling from the court until around the middle of the year. Courts move at their own speed, and the general rule seems to be the longer the better, because that means they are actually considering everything. My case generated a massive amount of paperwork, and the court must go through all of it to consider my claims.

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I got a letter the other day from one of the models who worked with me on the bondage book back in 2003-04. She said she got to wondering about what had happened to me and did a Google search and found out where I am. Like every model I ever worked with, she knows that I am not guilty. I told her about TWS and suggested that she post here about what it was like to work with me, so maybe she will.

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One lawyer I know made the point that the cops and prosecution had from June 2003 until my trial in August of 2007 to search for any model I worked with who would say anything negative about me. They couldn’t find anyone. If I really had been the serial molestor they portrayed me as being, they ought to have been able to find at least one of my earlier victims, but they found no one. That should have meant something to the jury. I don’t think they really thought things through and simply voted with a knee-jerk reaction.

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I also don’t think the jury understood how sentencing works. Not one of the sentences they gave me was very long, and I believe they assumed that all of them would run concurrently. Indeed, running sentences concurrently is the norm. But in Virginia the judge makes that decision, not the jury, and the jury can’t even be told that they have the option to recommend concurrent sentences. My judge ignored the VA sentencing guidelines and ran my sentences consecutively. The guidelines called for 1 1/2 to 3 years. But the Virginia guidelines are merely recommendations, they carry no force, and judges routinely ignore them. I don’t know why they even bother to have guidelines.

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If the jury in a state of Virginia case asks the judge if sentences will be run concurrently or consecutively, the judge will tell them that it is none of their concern! The jury is not allowed to know!! But the law requires that jurors be fully informed prior to their deliberations. None of this makes any sense, since a jury can intend a light sentence and a judge can arbitrarily convert it into a very long sentence. The more research I do on this, the less sense it makes.

About The Author: Bob Shell is a professional photographer, author and former editor in chief of Shutterbug Magazine. He is currently serving a 35 year sentence at Pocahontas State Correctional Center, Pocahontas, Virginia for involuntary manslaughter for the death of one of his models, Marion Franklin. He is currently working on his appeal.
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Editor’s Note: To read more letters from prison by Bob Shell, go to the search bar at the top of the page: enter name and click the green icon. To learn more about the case log on to www.BobShellTruth.com.

LouPop Collection

Posted on May 15, 2012

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LouPop Collection

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LouPop Collection

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LouPop Collection

Editor’s Note: To learn more about the life and times of LouPop and the collection of vernacular photography, go to the search bar at the top of the page: enter name and click the green icon.

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Photos: Courtesy of The Estate of Anthony Colagreco

Jean Ward

……….On July 9, 2012 my mother will celebrate her 92 birthday. Happy Mother’s Day mom and to all the mother’s in the world!

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Mom's Kitchen Mother's Day

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Editor’s Note: To learn more about Jean Ward, go to search bar at top of the page: enter FAMILY LEGACY PROJECT, and click green icon.

Barlow Holley

Posted on May 12, 2012 by Barlow Holley

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……….I despise imposing my own subjective idea of this photographic message upon you the viewer and wish to leave its meaning as open-ended as possible. That being said, one could reasonably say that this image is of a more humorous rather than serious nature in comparison to some of the other exhibits in The Philo Project series. To me, this picture hints at a variety of themes: a parody of the concept of “erotic art” through the absurd juxtaposition of a formal space and stodgy musical instrument with near complete nudity, a glimpse of the sitter with see-through vision, or merely the whimsical appreciation of the human form in the position of musical performance. Is erotic art a nominal practice more than other genres of art, does erotic art require reference to physical acts or parts to be erotic, what is erotic art’s place in the hierarchy of artistic content, assuming that such an ordering exists? These are just a handful of my personal musings.

To Be Continued……….

Photo: Ryan Feit

Posted on May 9, 2012 by Ryan Feit

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……….Entrepreneurship used to be setting up a large factory. It used to be knocking on doors for months to convince a bank or wealthy investors to provide you millions of dollars before you could operate. But everything we know about entrepreneurship is changing. This is what Entrepreneurship looks like today.

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Photo: Ryan Feit

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Today, all you need to build is a laptop. The computer has replaced the hammer and the Internet has replaced the assembly line. The cost to create has declined exponentially.

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Photo: Ryan Feit

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Only one thing remains constant. It’s all about the team. The right team can operate like a heat-seeking missile, varying its path in a rapidly changing landscape in order to succeed. Nowadays teams are more agile and can work together from across the globe.

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Photo: Ryan Feit

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SeedInvest will change the game. For the first time in history, entrepreneurs don’t need to knock on doors to find and convince the 1% to invest in them. They will be able to pitch millions at once and raise small amounts from lots of people.

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SeedInvest empowers entrepreneurs to raise capital in a way that has never been done before. Convince “The Crowd” and fund your business. Fail and you’ll know your idea wasn’t worthy.

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Photo: Ryan Feit

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For the first time in 80 years, anyone will be able to invest in the new restaurant down the street or the next hot startup. SeedInvest is about the 99%. You don’t need to be rich, you just need a computer. Join us at seedinvest.com.

About The Author: Ryan Feit is enrolled in the MBA program: Wharton School of Business, University of Pennsylvania.

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Editor’s Note: To read more articles by Ryan Feit, go to the search bar at the top of the page: enter name and click green icon.

30th Street Station

Posted on May 3, 2012 by Florentin Juillet

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……….This series was inspired by a feeling of nostalgia. One photo sowed the seeds of my approach: a photograph of the French Alps, taken from a summit by the German photographer Michael Schnabel, in the middle of the night. To create a landscape with an extreme absence of light, he exposed the film for a prolonged exposure time for about an hour. The result was a dark, extremely cold photo displaying all of the range of grays that could possibly come to mind. The stillness of the mountains made the photos really sharp, except for the clouds that left lighter marks in the sky. At first, I could not say exactly what moved me most about the photo. Was it the cold aesthetics? The method used to take the shot?

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Apartment Tower

I soon found out what feeling it was: nostalgia. These photographs reminded me of the cold air of the Alps, the silence of the upper slopes when I used to go skiing with my family, reminded me of how it felt to be back home in France. This feeling was reinforced by the aesthetics of the picture – it reminded me of a dream, something surrealistic.

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Reflections

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These images were created during a special period for me; as I am about to leave the place where I have been living for a year, a feeling of nostalgia slowly emerges. Influenced by this feeling created by the night shot of the Alps, I tried to capture views of Philadelphia in the same way: night photos with really long exposure times of places I know by heart, with the goal to see them differently, and anticipate the way I might dream about those places in the years to come.

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Street Lights

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One of the main purposes of photography is to create memory, to find again an exact view we had back in time. By creating these kinds of pictures, slightly different from what my eyes are used to seeing, compelled me to create a variation of what I would have normally remembered. Is that cheating, lying? No: memory is exactly the truth anyway, it is always distorted by subjectivity and the mindset we had at the time, for the place remembered. I just wanted to shape my memories as I would like to remember them.

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Self-Portrait 2012

About The Author: Florentin Juillet is a junior enrolled in the College at the University of Pennsylvania as a foreign exchange student.

Lorena

Posted on April 30, 2012 by Lorena Nicol

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Illocality.

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Erotica intrudes on the illimitable grotesque. The erotic experience is paradoxical, at once infinitely expansive but also divisive. The notion of privacy establishes borders within the erotic moment, as the subject is isolated by subjective perceptual experience that is pervasive. Genuine passion manifests as all-consuming, and thus illimitable.

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Lorena

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True carnal understanding arises internally and from the expression of grotesque (unre?ned) impulses. The erotic moment does not have an isolated locus, but engages the entire self. This includes what is visible to the intruder and what isbeyond the intruder’s experience. The erotic moment acts previous to super-egorestraints that might modulate its primordial traits.

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Lorena

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To this end I propose an image of self-examination – the activity of analysis, the primary purpose of Philo as a space. My composition will showcase an intrusion on a moment of seeking internal understanding. The viewer should understand herself as having interrupted the subject’s concentrated effort to understand the erotic moment by engaging with it. Within the piece, the principle symbolic element will be the juxtaposition between the insistently polite/sterile setting of the Philomathean meeting hall and the blatant engagement with grotesque/unclean subject matter (in this case, literally mud).

Copyright 2012

To Be Continued……….