TonyWardStudio.com

Dalet Gallery: January 21 - February 25, 2012

Posted on February 3, 2012

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Editor’s Note: Dalet Gallery is located at 141 N. 2nd Street, Philadelphia, Pa. To see more of Leah MacDonald’s work, go to the search bar at the top of the page: enter name and click the green icon.

Model: Elizabeth Southward

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Posted on January 23, 2012 – Copyright 2012

Live Targets

Posted on January 22, 2012 by Ted Adams

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ARTIST STATEMENT

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I’m generally interested in what things look like (as opposed to any sort of inherent meaning), although sometimes events converge to create irony, humor or interesting juxtapositions. These usually happen by accident – I think that when you’re actually taking the pictures, you have to react to things in an immediate, visceral way – then something akin to “meaning” creates itself later when you’re looking at the negatives and deciding what to print.

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Cig Lady

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Barrier

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Picture-taking also has a psychological aspect which reminds me of going fishing or sifting through junk at a flea market: It involves an obsessive-compulsive drive to put your line in the water to see what you reel in – a subtle mood, an ambiance, a visual structure that tickles your brain.

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Double Hugs

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I’m also interested in photography as a way of cropping the world into rectangles, as a way of selectively taking things out of context – which often results in stripping the original meaning out of the subject matter, or at least in making the image open to interpretation. Kind of the opposite of photojournalism, whose intention is to create “narrative” and “context” rather than to discard them.

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The Saint

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Jesus Number

Photography is, in its very essence, the art of cropping – whether in the camera or in the darkroom.

About The Author: Ted Adams was born in Louisville, Kentucky USA. The artist resides and works in Philadelphia as an Art, Street and Documentary photographer. He is also Owner/Director of the Southwark Gallery, Philadelphia. To learn more about Ted Adams’s work log on: www.TedAdams.net.
Copyright 2012

www.TonyWardStudio.com

Posted on January 20, 2012 – Copyright 2012

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Elizabeth Southward

Posted on January 15th, 2012 by Elizabeth Southward

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Virginia Woolf is ambiguous with her definition of the genders. In the beginning of the novel, Orlando’s gender is skewed and she sets readers up for confusion. Woolf portrays Orlando to be partially feminine when she states, “But, alas, that these catalogues of youthful beauty cannot end without mentioning forehead and eyes” (Woolf 12). Rarely is a male described as being beautiful – a male is praised for her masculinity or for his chiseled jaw. Woolf though adds a sentiment of feminity to Orlando’s character. He is known for his shapely legs, another feminine attribute. Through Woolf’s female touch she better explains her sexuality and underlying hardships. She uses Orlando as a way of expressing her own difficulty with coming out. Woolf is affected by her own hidden sexuality, but she opts to set the novel in the Elizabethan time period, a time of limited expression for women.

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Elizabeth Southward

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……….During the Elizabethan time period women were unable to express themselves through writing or to hold their own opinions without criticism. Women had to depend on men, whether they had a choice or not. In the excerpt of Woolf’s A Room of One’s Own, she exemplifies women’s lack of independence, “She had no chance of learning grammar and logic, let alone of reading Horace and Virgil. She picked up a book now and then, one of her brother’s perhaps, and read a few pages. But then her parents came in and told her to mend the stockings or mind the stew and not moon about with books and papers” (Woolf 47). Women were at a major disadvantage in comparison to men. Men were able to receive education and women were domesticated to house chores. Parents reinforced the inferiority of women by forcing them into the kitchen. In relation to Orlando, Woolf works backwards to demonstrate gender discrimination

Copyright 2012

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About The Author: Elizabeth Southward currently studies English at Saint Joseph’s University in Philadelphia, Pennsylvania. She hopes to pursue the field of Public Relations upon her graduation. She sought out modeling at the end of May 2011, and currently spends her free time partaking in shoots. She was signed to Reinhard Agency in Philadelphia in August of 2011. She hopes to continue modeling full-time upon graduation and model internationally.
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Her interests include volunteering at the Camden County Animal Shelter in Blackwood, NJ. She specifically nurtures felines in preparation for adoption. Other interests include: tutoring elementary age children, fashion, reading the classics, baking, traveling, and attending cultural events in the Philadelphia area.

Zoe Strauss

Posted on January 13, 2012

Elizabeth Southward

Posted on January 12, 2012 by Elizabeth Southward

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How can women gain an upper hand with the eighteenth century limitations and man’s superiority in society? In the two texts, Moll Flanders by Daniel Defoe and Fantomina by Eliza Haywood, one protagonist connives their way to fulfill empty vanity whereas the other manipulates for financial satisfaction. Moll, the protagonist from Moll Flanders discovers her independence from the exchange of sexual favors for monetary value and eventually begins a career in thieving when she reaches middle age. Moll is on the low end of the totem pole. Fantomina who is considered aristocratic is intrigued by the idea of prostitution in order to win over an unreliable suitor. Each protagonist views the manipulation of man as the starting point of feminism. Although both women seize control by the means if manipulation only Moll attains true satisfaction, whereas Fantomina does not.

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Elizabeth Southward

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Throughout the course of each novella and novel the usage of disguise is crucial to each character’s means of control. Fantomina is first intrigued by a prostitute, which spurs her many disguises. Fantomina can envision herself consuming attention that this particular prostitute receives. Ultimately she decides to dress down for acknowledgement.

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Copyright 2012

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About The Author: Elizabeth Southward currently studies English at Saint Joseph’s University in Philadelphia, Pennsylvania. She hopes to pursue the field of Public Relations upon her graduation. She sought out modeling at the end of May 2011, and currently spends her free time partaking in shoots. She was signed to Reinhard Agency in Philadelphia in August of 2011. She hopes to continue modeling full-time upon graduation and model internationally.

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Her interests include volunteering at the Camden County Animal Shelter in Blackwood, NJ. She specifically nurtures felines in preparation for adoption. Other interests include: tutoring elementary age children, fashion, reading the classics, baking, traveling, and attending cultural events in the Philadelphia area.