Summer Palace Reflection
Posted on April 21, 2012 by Karl Gerchow
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……….My trip recently to China provided an opportunity to explore two cities – Shanghai and Beijing – largely through the lens of my camera. I specifically wanted to observe and capture images and scenes that normally escape my notice on trips such as this. I’m am avid traveler – and was one even before business school – however taking a camera with me everywhere on a trip, crouching down, leaning, or contorting my body to get the right shot was a new way to experience a city for me.
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Wuzhen
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I soon settled on a concept where a reflection, projection, or echo was an integral part of the image, if not the image in its entirety. Throughout the trip, I was left in awe of the speed of China’s progress and economic activity that we have all heard so much about. However, through this trip it became clear to me that this development has come at significant cost: traditional buildings are being torn down without an appreciation for historic value, pollution is rampant, and the country-side is little more than patches of green paddies between sprawling mega-cities.
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My first image, “Gardens of Nurtured Harmony” is an inverted reflection through a pond of the Emperor’s Summer Palace (the title of this photo being its literal name in Mandarin) in the outskirts of Beijing. It reflects the China of old, rich in culture and historical significance. Much like the Forbidden City, this palace was off-limits to all but the Emperor and his immediate family, leaving outsiders like the shadow in the bottom right of this picture left to wonder what lay beyond.
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My second image, taken in Wuzhen – a small water town in the outskirts of Shanghai – again captures the China of old, but this time a manufactured one. In an effort to show foreigners what these water towns looked like prior to being displaced by sprawling apartment complexes, the Chinese government restored a village to what it would have looked liked several hundred years ago. I have done my part, editing for age.
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French Quarter Lamp
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The third image is the shadow of a European-styled lamp taken in the French Concession in Shanghai on the tail end of a sunny day. Shanghai was one of the few places in China (Hong Kong aside of course), that saw colonial powers bring trade and cultural influence to its doorstep. The street names in the concession, once in French, have all been reverted to Mandarin, but shadows of the neighborhood’s past remain.
Development Blur
“Development Blur” was taken on a high-speed rail while traveling at 190 mph through the Chinese “country-side”. The train stands as an example of China’s achievements, but also provides insight into the level of over-development China has seen in the last decade. Sadly, in a 5 hour train ride from Beijing to Shanghai, this industrial landscape was 80% of the view.
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Lost of Translation
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My fifth image, titled Lost of Translation, was taken through a revolving door leading out of a bank in Shanghai. English or any other language other than Mandarin for that matter, is rarely spoken in China, and so communicating with others can be particularly difficult or frustrating. This warning sign shows how difficult it can be to understand even images across cultures. I had no idea what was being conveyed here. More importantly, in this shot I show what Shanghai is to China – the future, modern and new, but relegated to look like every other modern first-world city I’ve been to. This could very well have been taken in Paris, Cape Town, Tokyo, New York, or Buenos Aires.
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They say everything comes at a price, and in the case of China’s rapid rise to industrialization, that price has been paid dearly by the environment. Perhaps it is because I am from Costa Rica, a country that inches along the development scale but which defends its environment vehemently, that I found the ecological impact of this rapid development so troublesome.
About The Author: Karl Gerchow is enrolled in the MBA program: Wharton School of Business, University of Pennsylvania.
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