TonyWardStudio.com

Beach Beauty

Copyright 2012

Dalet Gallery: January 21 - February 25, 2012

Posted on February 3, 2012

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Editor’s Note: Dalet Gallery is located at 141 N. 2nd Street, Philadelphia, Pa. To see more of Leah MacDonald’s work, go to the search bar at the top of the page: enter name and click the green icon.

TWS

Editor’s Note: To see more pictures of Brittany Reese, go to the search bar at the top of the page: enter name and click the green icon.

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Posted on February 1, 2012 – Copyright 2012

Playboy Centerfold 1995

Copyright 2012

Long Legs Reclining

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Posted on January 28, 2012 by A.H. Scott

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She had long legs
He was built like a tree
She wrapped those long legs around his back
Relishing this aspect of human nature, she waited to extract his sap
Against the window sill, they rocked back and forth
Strands of raindrops outside fell
Furling white curtain slightly blown by a breeze through the window
Her ass so tan and beautiful
Long black hair down her back was brushed aside by his roving hands
Down and up against the black metal sill they exhaled and inhaled each other
His crew-cut gave him a bit of fuzz on top
Her wine colored fingernails were like a roll on the top of his head
Pumping and humping on a rainy night
Intermingling on a window sill with no care or fright
A couple walking on the street below saw a curtain of white wave in the night air
Flag of fantasy’s surrender was what they saw
As the couple grinding gave into completion’s courtyard
Couple on the street tittered and stood watching
Lady with long legs and her man kept on bopping
Realizing that the curtain was no longer their mask of privacy
She laughed and he asked with a shrug, “Stop?”
Whisper came from the lips of wine, “Never”
Rain kept rolling
Body flow of desire kept growing
Couple on the street heard that moment, gazed at one another
A simple howl from the parted window sill occurred
Couple below didn’t need to say a word, as they kissed in the rain
Long legged lovely and crew-cut lumberjack of love held onto one another tightly
Couple above and couple below both found the rain to be quite magical on that breezy night

About The Author: Draped in freedom’s spirit, A.H. Scott is a sizzling scribe of unveiling sensuality. Residing in New York City, this writer is armed with pouting pen of passion and pulsating digits pounding against keyboard. Between this lady’s manicured fingers, a snaggy stylus lacerates parchment and masticates digits against a misting keyboard towards a just climax literary longing. She’s a new voice and vision of fiction. who has been writing short stories and poetry ever since childhood.
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Copyright 2012

Model: Elizabeth Southward

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Posted on January 23, 2012 – Copyright 2012

www.TonyWardStudio.com

Posted on January 20, 2012 – Copyright 2012

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Elizabeth Southward

Posted on January 15th, 2012 by Elizabeth Southward

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Virginia Woolf is ambiguous with her definition of the genders. In the beginning of the novel, Orlando’s gender is skewed and she sets readers up for confusion. Woolf portrays Orlando to be partially feminine when she states, “But, alas, that these catalogues of youthful beauty cannot end without mentioning forehead and eyes” (Woolf 12). Rarely is a male described as being beautiful – a male is praised for her masculinity or for his chiseled jaw. Woolf though adds a sentiment of feminity to Orlando’s character. He is known for his shapely legs, another feminine attribute. Through Woolf’s female touch she better explains her sexuality and underlying hardships. She uses Orlando as a way of expressing her own difficulty with coming out. Woolf is affected by her own hidden sexuality, but she opts to set the novel in the Elizabethan time period, a time of limited expression for women.

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Elizabeth Southward

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……….During the Elizabethan time period women were unable to express themselves through writing or to hold their own opinions without criticism. Women had to depend on men, whether they had a choice or not. In the excerpt of Woolf’s A Room of One’s Own, she exemplifies women’s lack of independence, “She had no chance of learning grammar and logic, let alone of reading Horace and Virgil. She picked up a book now and then, one of her brother’s perhaps, and read a few pages. But then her parents came in and told her to mend the stockings or mind the stew and not moon about with books and papers” (Woolf 47). Women were at a major disadvantage in comparison to men. Men were able to receive education and women were domesticated to house chores. Parents reinforced the inferiority of women by forcing them into the kitchen. In relation to Orlando, Woolf works backwards to demonstrate gender discrimination

Copyright 2012

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About The Author: Elizabeth Southward currently studies English at Saint Joseph’s University in Philadelphia, Pennsylvania. She hopes to pursue the field of Public Relations upon her graduation. She sought out modeling at the end of May 2011, and currently spends her free time partaking in shoots. She was signed to Reinhard Agency in Philadelphia in August of 2011. She hopes to continue modeling full-time upon graduation and model internationally.
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Her interests include volunteering at the Camden County Animal Shelter in Blackwood, NJ. She specifically nurtures felines in preparation for adoption. Other interests include: tutoring elementary age children, fashion, reading the classics, baking, traveling, and attending cultural events in the Philadelphia area.

Elizabeth Southward

Posted on January 12, 2012 by Elizabeth Southward

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How can women gain an upper hand with the eighteenth century limitations and man’s superiority in society? In the two texts, Moll Flanders by Daniel Defoe and Fantomina by Eliza Haywood, one protagonist connives their way to fulfill empty vanity whereas the other manipulates for financial satisfaction. Moll, the protagonist from Moll Flanders discovers her independence from the exchange of sexual favors for monetary value and eventually begins a career in thieving when she reaches middle age. Moll is on the low end of the totem pole. Fantomina who is considered aristocratic is intrigued by the idea of prostitution in order to win over an unreliable suitor. Each protagonist views the manipulation of man as the starting point of feminism. Although both women seize control by the means if manipulation only Moll attains true satisfaction, whereas Fantomina does not.

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Elizabeth Southward

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Throughout the course of each novella and novel the usage of disguise is crucial to each character’s means of control. Fantomina is first intrigued by a prostitute, which spurs her many disguises. Fantomina can envision herself consuming attention that this particular prostitute receives. Ultimately she decides to dress down for acknowledgement.

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Copyright 2012

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About The Author: Elizabeth Southward currently studies English at Saint Joseph’s University in Philadelphia, Pennsylvania. She hopes to pursue the field of Public Relations upon her graduation. She sought out modeling at the end of May 2011, and currently spends her free time partaking in shoots. She was signed to Reinhard Agency in Philadelphia in August of 2011. She hopes to continue modeling full-time upon graduation and model internationally.

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Her interests include volunteering at the Camden County Animal Shelter in Blackwood, NJ. She specifically nurtures felines in preparation for adoption. Other interests include: tutoring elementary age children, fashion, reading the classics, baking, traveling, and attending cultural events in the Philadelphia area.