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Photo: Ryan Feit

Posted on May 9, 2012 by Ryan Feit

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……….Entrepreneurship used to be setting up a large factory. It used to be knocking on doors for months to convince a bank or wealthy investors to provide you millions of dollars before you could operate. But everything we know about entrepreneurship is changing. This is what Entrepreneurship looks like today.

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Photo: Ryan Feit

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Today, all you need to build is a laptop. The computer has replaced the hammer and the Internet has replaced the assembly line. The cost to create has declined exponentially.

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Photo: Ryan Feit

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Only one thing remains constant. It’s all about the team. The right team can operate like a heat-seeking missile, varying its path in a rapidly changing landscape in order to succeed. Nowadays teams are more agile and can work together from across the globe.

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Photo: Ryan Feit

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SeedInvest will change the game. For the first time in history, entrepreneurs don’t need to knock on doors to find and convince the 1% to invest in them. They will be able to pitch millions at once and raise small amounts from lots of people.

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SeedInvest empowers entrepreneurs to raise capital in a way that has never been done before. Convince “The Crowd” and fund your business. Fail and you’ll know your idea wasn’t worthy.

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Photo: Ryan Feit

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For the first time in 80 years, anyone will be able to invest in the new restaurant down the street or the next hot startup. SeedInvest is about the 99%. You don’t need to be rich, you just need a computer. Join us at seedinvest.com.

About The Author: Ryan Feit is enrolled in the MBA program: Wharton School of Business, University of Pennsylvania.

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Editor’s Note: To read more articles by Ryan Feit, go to the search bar at the top of the page: enter name and click green icon.

Smile: www.PhiladelphiasDentist.com

Editor’s Note: April 26, 2012 – To contact Dr. Jeff for consultation: 215-592-4747. Sponsored in part by Dental Health Care Group.

Christopher

Posted on April 6, 2012 by Madeleine Shiff

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For this series of portraits, I was influenced both by Diane Arbus’s photographs of so-called “deviant or marginal” individuals, as well as Nan Goldin’s candid style of photography. I admire both of their photographic styles for their abilities to create photographs that are blunt and honest. They also both raise questions about a photograph’s ability to reveal hidden truths.

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Christoper

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My series depicts a man getting ready for a night out, and in the process of transforming himself into a woman. Each photograph is a different step in the process and conveys him methodically putting on makeup and changing his clothes until the transition is complete.

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I chose to explore the boundaries of gender and sexuality through my series. In the process, however, I also learned about the boundaries of photography. Diane Arbus’s work is controversial both for the starkness with which she depicts individuals’ defects, and for the questions it raises about a photographer’s potential exploitation of his or her subjects. My friend Christopher, the subject of this series, has never before dressed in drag. This raises questions about the authenticity of the photographs. Is it enough that Christopher was eager to explore a side of himself that he had always been curious about, or must a photograph always depict reality for it to be credible? Does Christopher’s background really matter? Christopher explained to me that as a gay man he is far more open to exploring his sexuality and femininity than a heterosexual man. His point lends itself to questions about the very nature of the society in which we live. If individuals are born with a range of sexual orientations than why does society impose restrictions in which one must adhere to one of two categories completely. Contemporary debates in American society regarding gay rights, address the core of these questions of societal restrictions on gender identities. I became interested in these issues when I moved to America two years ago. I am Canadian and unlike the United States, gay marriage has been legal in Canada since 2005. Although Canada is by no means perfect, it has provided equal rights for those considered by other countries to be “marginal or deviant.” Nevertheless, it is likely that sexual orientation and gender roles will continue to be explored and debated in both Canada and the United States for the foreseeable future.

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Christopher

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With regards to the question of the authenticity of these images, one might argue that my photographs are inauthentic because Christopher is not a “real” drag queen. However, I do not believe that any photograph can truly be “authentic.” Every photograph demonstrates either the subject or the photographer wishing to portray himself or herself in a certain way. The power of photography to distort reality yet also reveal hidden truths about its subjects is a concept that I find particularly interesting and have explored throughout all of my photography assignments this semester. As Diane Arbus once said, “A photograph is a secret about a secret. The more it tells you the less you know.”

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Christopher

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Christoper

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Madeleine Shiff: Self-Portrait 2012

About The Author: Madeleine Shiff is enrolled in the College of the University of Pennsylvania, Class of 2013.

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Editor’s Note: To access additional articles by Madeleine Shiff, go to the search bar at the top of the page: enter name and click green icon.

Photo: Luciano Ruiz

Posted on May 5, 2012 by Luciano Ruiz

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Photography is the medium by which one creates art through visual observation and careful deliberation. Over time it has allowed us to see the world in a different way by recreating images that are often overlooked by the naked eye. Being able to explore this contemporary form of expression over the past months has dramatically changed the way in which I interpret the environment around me. Throughout the course of this semester I have learned to make sense of every situation that surrounds me in order to produce frames that are both innovative and captivating. For this individual project I have decided to explore fashion and its relation to this flexible medium.

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Photo: Luciano Ruiz

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……….Fashion and photography have been evolving side-by-side for decades. Photographers are essential in capturing novel tendencies, while their images at the same time create trends themselves. It is this interplay of novelty and creativity that inspired me to create a fashion project. The subject’s exotic traits were my main inspiration. The subtlety of her skin along with the fine features of her face presented me with a blank slate from which to produce unique photographs.

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I was quickly moved by the subject’s reminiscence of the casual interplay between texture and color that characterize the Incas, native peoples of her home country Peru. For that reason I decided to use opposing colors and fabrics in order to create the perfect contrast between the subject and the setting surrounding her. By layering different clothing pieces and accessories I was also able to create this contrasting effect.

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Photo: Luciano Ruiz

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I soon realized that fashion shoots do not only entail good styling, but also require detailed preparation of the setting in which the subject will be placed. As stated above, the model’s subtle facial features were one of my main inspirations. In order to create that contrast I was trying to achieve throughout the shoot, I decided to place her in a setting with rough lines and strong textures. The presence of concrete walls and stainless steel elements fit perfectly with the subject. This allowed me to manipulate her and draw attention towards the aspects that I found most intriguing. As soon as I took out my camera I began to see with different eyes the environment around me. I set my imagination free and naturally captured what caught my attention. Allowing my creativity to wonder not only yielded results that were amazing, but that were also in tune with own personal beliefs and pleasures.

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Photo: Luciano Ruiz

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As I look back to the progress I’ve made throughout this course, I cannot help but feel proud of what I have achieved. I was able to produce amazing results by positively incorporating feedback into every subsequent project I undertook. The fact that I was able to integrate a setting and adapt it to the needs of this project is a vast improvement from previous assignments. Additionally, I kept true to my interests and desires throughout each project. Individually, they reflect different facets of our daily environment, but as a whole they mirror my own creative, social and political agenda as an aspiring photographer.

About The Author: Luciano Ruiz is a Candidate for Bachelor of Arts, University of Pennsylvania – Class of 2013
Photographs by Luciano Ruiz – Copyright 2012

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Editor’s Note: To access additional articles by Luciano Ruiz, go to the search bar at the top of the page: enter name and click green icon.

30th Street Station

Posted on May 3, 2012 by Florentin Juillet

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……….This series was inspired by a feeling of nostalgia. One photo sowed the seeds of my approach: a photograph of the French Alps, taken from a summit by the German photographer Michael Schnabel, in the middle of the night. To create a landscape with an extreme absence of light, he exposed the film for a prolonged exposure time for about an hour. The result was a dark, extremely cold photo displaying all of the range of grays that could possibly come to mind. The stillness of the mountains made the photos really sharp, except for the clouds that left lighter marks in the sky. At first, I could not say exactly what moved me most about the photo. Was it the cold aesthetics? The method used to take the shot?

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Apartment Tower

I soon found out what feeling it was: nostalgia. These photographs reminded me of the cold air of the Alps, the silence of the upper slopes when I used to go skiing with my family, reminded me of how it felt to be back home in France. This feeling was reinforced by the aesthetics of the picture – it reminded me of a dream, something surrealistic.

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Reflections

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These images were created during a special period for me; as I am about to leave the place where I have been living for a year, a feeling of nostalgia slowly emerges. Influenced by this feeling created by the night shot of the Alps, I tried to capture views of Philadelphia in the same way: night photos with really long exposure times of places I know by heart, with the goal to see them differently, and anticipate the way I might dream about those places in the years to come.

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Street Lights

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One of the main purposes of photography is to create memory, to find again an exact view we had back in time. By creating these kinds of pictures, slightly different from what my eyes are used to seeing, compelled me to create a variation of what I would have normally remembered. Is that cheating, lying? No: memory is exactly the truth anyway, it is always distorted by subjectivity and the mindset we had at the time, for the place remembered. I just wanted to shape my memories as I would like to remember them.

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Self-Portrait 2012

About The Author: Florentin Juillet is a junior enrolled in the College at the University of Pennsylvania as a foreign exchange student.

Jennifer Cole

Posted on May 1, 2012 by Jennifer Cole

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MOVING ON

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……….Here is something I think everyone ought to know: Sometimes in order to get anything done, or maybe just progress to the next step in life, you need to have your heart broken. The emotional devastation caused by heartbreak – forces us to exist at an emotional bottom so low that there arises only 2 options: 1. We Die, or 2. Climb out of the hellhole we have found ourselves in.

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This dilemma is actually a good thing. It is not only the state of misery that teaches us so much, but it is also important to understand the journey and the reason for the misery (when we thought we were happy), where we must realize, acknowledge, and accept the truth of the situation in it’s entirety. Upon acceptance, there is no turning back. More importantly, opportunity is now so obviously in the forefront, that wallowing simply isn’t an option, nor do I feel the need to even pretend it’s an option anymore (turning back, that is).

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Editor’s Note: To see more pictures of Jennifer Cole, go to the search bar at the top of the page: type in name and click the green icon.

Lorena

Posted on April 30, 2012 by Lorena Nicol

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Illocality.

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Erotica intrudes on the illimitable grotesque. The erotic experience is paradoxical, at once infinitely expansive but also divisive. The notion of privacy establishes borders within the erotic moment, as the subject is isolated by subjective perceptual experience that is pervasive. Genuine passion manifests as all-consuming, and thus illimitable.

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Lorena

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True carnal understanding arises internally and from the expression of grotesque (unre?ned) impulses. The erotic moment does not have an isolated locus, but engages the entire self. This includes what is visible to the intruder and what isbeyond the intruder’s experience. The erotic moment acts previous to super-egorestraints that might modulate its primordial traits.

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Lorena

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To this end I propose an image of self-examination – the activity of analysis, the primary purpose of Philo as a space. My composition will showcase an intrusion on a moment of seeking internal understanding. The viewer should understand herself as having interrupted the subject’s concentrated effort to understand the erotic moment by engaging with it. Within the piece, the principle symbolic element will be the juxtaposition between the insistently polite/sterile setting of the Philomathean meeting hall and the blatant engagement with grotesque/unclean subject matter (in this case, literally mud).

Copyright 2012

To Be Continued……….

Photo: Santiago Peredo

Posted on April 29, 2012 by Santiago Peredo

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……….For this series of pictures I decided to explore the world of public transportation and its importance in our daily lives. In today’s world, public transportation plays a vital role in society; people need to move from one place to another as fast and efficiently as possible. Without an efficient and well-planned system, the functioning of an entire city could be jeopardized.

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Photo: Santiago Peredo

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From a simple taxicab to an entire subway system, these pieces of machinery have to withstand wear without taking a day off. Some have to withstand 16 hours of service per day, regardless of the weather conditions without breaking.

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Photo: Santiago Peredo

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Some might be able to take you to the specific location that you need to go, while others can carry thousands of people at the same time.
Some have been in service only for a couple of months, while others might have traveled thousands of miles. The only common thing is that they are there to help make our lives easier by providing a needed service at an affordable cost.

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Photo: Santiago Peredo

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Photo: Santiago Peredo

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In these series, I tried to capture motion by using a slow shutter speed in a few of the pictures. By doing so, I was able to show these vehicles as they are intended to be seen, which is in a constant state of movement.

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Photo: Santiago Peredo

About The Author:Santiago Peredo is enrolled in the MBA program: Wharton School of Business, University of Pennsylvania.

Photo: Chen Fu 2012

Posted on April 29, 2012 by Chen Fu

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……….Many times I look back to those days and events which have shaped my life most, I see farewells. Born and raised in a very small city in China, I was educated to study hard to struggle my way out of it. So my life was always saying goodbye to those people around me, saying goodbye to my parents, to the girl I love, to my cousin, and to go further and further against the way home.

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Photo: Chen Fu 2012

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The first time was 200 miles from hometown when I was 15. Then 680 miles towards Shanghai, the city never sleeps. Then after 4 years, it was 5000 miles to Romania – where I was even dreaming of becoming a vampire, and finally now here in America, 12000 miles away from home. I heard America is the land of freedom and dreams since I was a little kid. Over the years, I have learned to never look back to those seeing me off when I was walking into the security zones at airports, because I knew anyway I had to leave. All these years I have gotten used to calling home only once a week or month, because I know living with the most important people to me was just not my life. When Google Map told me to kayak across the Pacific Ocean to get back home, I somehow learned that farewells to those I love – had already become a part of my life.

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Photo: Chen Fu

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So recently I decided to walk to University City Station (Penn stop) and take the train to the airport, as many times as I have done with my girlfriend. Those buildings and scenes along the road were always reminders to me – that my time with her was getting shorter and shorter: empty archways; green bicycle lanes; Septa signs, and rusted tracks. What are in those people’s minds? Are they seeing someone off like I did? They are smiling just like I was, but was that also as untrue as mine? I cannot stop wondering.

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Photo: Chen Fu

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What I discovered a bit surprising was that I didn’t see hugs, cries, kisses and tears. Maybe it was just not necessary because they were actually traveling together, or they could be like me, getting used to farewells. I suddenly found that sunshine in the airport was actually quite nice, and I was again standing outside of security. It’s just this time I was all alone.

About The Author: Chen Fu is enrolled in the Master of Architecture program at the University of Pennsylvania. May 2012