• Feature: Meredith Edlow

    The Trickle Down Theory

    Posted by Meredith Edlow

    ……….What inspired me to do this work was needing a change from the usual. I grew up shooting digital photography. I didn’t do work in a dark room. I shoot pictures, upload images, make corrections on a computer, if things don’t work out with corrections you can press undo. The work was very robotic. I needed to do something more organic. I wanted to work my way out of mistakes instead of being able to press a button and start all over. It’s interesting what can be made out of something that is not going the way you want. I was looking for a new challenge, I wanted to make art that committed me to my choices. I will still shoot with my camera, I need to work and I love photography, but everything works better in moderation. I can still shoot photos and now I have another outlet, doing this “scratch” art. 

    Happiness Is.....

    Everything new is influenced by the past. The decade of the 80’s is inspiring people to tap into what they idolized as kids. At least, that is what my generation is doing. I really loved this art class that I had in 2nd grade. We made art out of very simple materials, paper and crayons. It left a huge impression on me and now I find myself moved to express myself in that medium.

    Lightening Strikes More Than Twice

    The work I’m doing has many connections. There’s a personal connection tied to the motifs of the economy. When I was a kid my Dad took a buyout from Sears and Roebuck Co. before the recession of the early 1990’s. That had a huge impact on me growing up. We moved from the big city, Philadelphia, to Yorktown, VA. My dad’s home town. A very small town. That change of living really had a huge impact on who I am now. The recent economic crisis has brought back many of those same feelings and anxieties from my childhood, hence the crayons. It all seemed to come together and make perfect sense for me. 

    A Necessary Sacrifice Question

    Meredith Edlow


  • The Devil & The Fairy

    The Fairy Of Pirate's Alley

    Posted by Charlene Lanzel

    ……….I was living in New Orleans’ French Quarter for the winter season in 2007. I fell in love with the city and its past, and became curious of the history of Exchange Alley where I was living. My husband (Ronnie Magri) and I decided to do some research, and headed over to the Historical Society on Chartres Street. What we found was that the infamous painter Edgar Degas had once owned property across the alley from our building. I began studying Degas’ life and discovered he was an avid drinker of Absinthe. I had heard many tales of the mysterious wormwood elixir and longed to try it. After all, it seemed to be the official drink of some of history’s greatest artists!

    The Devil Drinks Absinthe

    Absinthe is said to evoke the spirit of “La Fee Verte” or “The Green Fairy”. I learned that Absinthe was being served at The Pirate’s Alley Cafe, just a few blocks away. So, my husband and I headed over for my first taste. These two painting’s, “The Devil Drinks Absinthe” and “The Fairy of Pirate’s Alley” are the documentation of that night. They are portraits of myself an my husband, sitting across the table from each other in Pirate’s Alley, experiencing the effects of the notorious drink. We have since become Absinthe snobs and enjoy trying different brands from around the world.

    ……….To learn more about Charlene Lanzel’s work log on to www.CharleneLanzel.com.


  • Painting Of The Day: Mikel Elam

    Bamboozled

    Bamboozled

    Red Square

    ………Mikel has informed the Studio that Spike Lee’s film of the same name, inspired the creation of this piece.


  • Art In Berlin

    Dean Rosensweig

    Dean Rosensweig

    Red Square

    ……….Philadelphia native son Dean Rosensweig and several other artists will be participating in a group show in Berlin, Germany at the art gallery, Stattbad Wedding, opening on February 5th, 2010. Mr. Rosensweig has been residing in Berlin for the past five years. The other artists participating in the exhibition are Mateo, Pauline Raguin and Kyoto Motel. The Studio wishes all of these talented artists a successful opening.

    Pauline Raguin

    Pauline Raguin

    Kyoto Motel

    Kyoto Motel

    Dean Rosensweig

    Dean Rosensweig

    LOGO


  • Painting Of The Day: Mikel Elam

    The Prophecy

    The Prophecy

    Posted By Mikel Elam

    “Numbers and letters may fitly be called eyes” Alan Ginsberg

    ……..I have a kindred spirit in another well known artist by the name of Francesco Clemente. We share in several ideals. Words can be great inspiration for future paintings, as I have always been an avid reader. I’m fascinated with the concepts of hidden messages. In my life numbers, letters and passages have become fodder for my imagination.

    In this painting, there is a woman who is in a meditative state of consciousness. A place of relaxation and exploration of her future objectives. Something unexplainable is happening to her. Perhaps it occurs in her subconscious. It’s leading her in a certain direction. She clutches a tool for choosing her fate.
    This story is one I created for this painting, yet as important to me is the viewer’s interpretation which can be quite different and equally as valuable.
    My work has been a constant exploration of the mind’s eye, intermixed with the conscious world.

    In fact eyes are the windows to the soul. It’s the place where breathing leads to meditation and ultimately to transformation.

    …….To learn more about Mikel’s work log on to www.mikelelam.com……..


  • In My Own Words: Charlene Lanzel

    Bang

    Bang

    Posted by Charlene Lanzel

    I used to do target practice in my driveway as a kid. We had a BB gun… and also a pellet pistol. I preferred the pistol. I suppose this painting has some deep hidden psychological meaning. Perhaps that I have always felt like a target. Like prey. Some men make me feel that way, when they leer at me on the street. It’s like they’re foaming at the mouth. I find that very disturbing. Sometimes I feel like I need protection. And then, I remember those days of doing target practice in my driveway.

    www.CharleneLanzel.com

    www.CharleneLanzel.com


  • The Pin-Up Queen

    Charlene Lanza

    Charlene Lanza

    …..No stranger to the studio, pin-up artist Charlene Lanza and TW met through a mutual friend, fellow painter and guest blogger Mikel Elam back in the nineties while they we’re hanging out regularly in Soho. Recently, the artist and the photographer met again for a portrait sitting and to introduce her latest works to our growing audience. Ms. Lanzel is an American artist, originally from LaCrosse, Wisconsin. Born in 1967, she started to paint with passion at the age of five. Self taught and determined to exhibit her works beyond the confines of a small town, she moved to New York City at the age of 20 and has been enjoying the creative process in the Big Apple ever since.

    We are delighted to introduce a sampling of her work to you. To learn more about Charlene’s painting’s, log on to www.charlenelanzel.com…….

    Chckita

    Chckita

    Erotica

    Erotica

    Dirty Martini

    Dirty Martini

    Kiss Me You Fool

    Kiss Me You Fool

    www.CharleneLanzel.com

    www.CharleneLanzel.com


  • Painting Of The Day

    Nirvana By Mikel Elam

    Nirvana By Mikel Elam

    …..Guest Blogger, Patrick Breslin a professor of Speech Communication at Santa Fe College in Gainesville, Florida; writes a commentary about Mikel Elam’s state of “Nirvana”, the studio’s Painting of the Day…….

    Mikel Elam’s painting titled “Nirvana” depicts a male figure seated in meditation. The painting is a partial patchwork: the figure’s head encased in an orange square, the torso in a dark gray one. The background contains light colored disks, gold leaf squares, and dark purple 5-spoked behandled circles reminiscent of Buddhist icons, all ensconced in rectangular shapes. The dominant shade at the bottom of the painting is also purple, suggesting a base or ground, and philosophically linked to the icons; the top is adorned with swaths of blue, suggesting sky.

    The meditator in the painting is a multiracial collage. The head appears African; the torso a shade of bronze; the lower abdomen and legs partake of a dark Caucasian complexion; the arms lighter—the left hinting at orange, the right bordering on pink—, and both terminating in an empty space of unpainted hands.

    The title of the piece suggests several interpretations. Nirvana by definition refers to the ultimate peaceful state, and the multiracial makeup of the subject of the painting seems to propose that the blending of races, or at least their acceptance of one another, might lead to a peaceful existence. In the context of meditation as understood in popular culture, the lower abdomen whimsically lacks a navel, the historically clichéd object of meditation, causing the viewer to wonder whether the meditator in the painting is a holy incarnation not born of a woman. The viewer observes that the head of the subject does not fully connect to the body; the two are separated by a strip of the orange color from the box that surrounds the head. One could read into this that the nirvanic state of the meditator is all within the mind, disembodied, the concept of which does align with classic Buddhist perspectives.

    The goal of meditation is enlightenment, whose common metaphor is light. Meditation is practiced in the mind—in the head—, yet the color scheme of the meditator’s body in the painting casts the darkest shades on the head and the lightest ones on the nonexistent hands, reversing the typical expectation and intimating that perhaps through the hands one expresses one’s degree of spiritual development, as Elam may be attempting to do in this work.

    Pat Breslin Vulcan Days

    Pat Breslin Vulcan Days


  • Painting Of The Day

    www.MikelElam.com

    www.MikelElam.com

    Guest Blogger Mikel Elam, “I think this self portrait says a lot about me and my work. My paintings have been mostly about signs and symbols. It started early in my life when I began to notice patterns of numbers shadowing my everyday existence.

    First I thought it was just chance and then as time passed, I realize there are very few coincidences. In portraiture and figure studies there are a great deal of measurements used to create an accurate representation. As an expressionistic painter, I use my emotions and my imagination to create images which are symbolic to my thoughts. In essence, they become these dreamscapes and very surreal in nature. I am interested in that place which is somewhere between reality and the ethereal.


  • Mikel Elam And Miles Part 2

    The Death Of Miles

    The Death Of Miles

    …..After the death of his friend Miles Davis, guest blogger Mikel Elam returned to Philadelphia to continue on with his painting. It was around that time that I was introduced to Mikel by a mutual friend. I was interested in meeting anyone that knew anything about Miles. So when my friend told me that Miles former assistant was back in town, I immediately wanted to meet him. In many way’s I idolized the jazz legend. I was introduced to his music at a very early age. Jazz music was a focal point of life growing in the Ward household.

    My father, Milton Ward adored Miles Davis and so did many of his peers. His groundbreaking album “Kind of Blue”, became an auditory mantra in our home, as well as the many collaborations that Miles produced with other noted performer’s including Gil Evans. Mikel Elam became an encyclopedia of information about Miles, intimate knowledge that any fan would love to learn about. Mikel and I have shared many evening’s reflecting about the life and time’s of the man that was ” Miles Ahead” and here for the first time at Tony Ward Studio, in his own word’s talks about the legends last days….

    Solo Works By Mikel Elam,

    Solo Works By Mikel Elam

    “Near the end of his life Miles commissioned me to create five new painting’s for his Central Park Apartment. One of the last thing’s he said to me in the hospital before his death was, how much he appreciated my artwork and growth as a person. Miles will never know how inspirational he was to me.

    There are two things which we can be certain. After birth there will be death. Yet when it happens we are always shocked. It seems like Miles worked almost to the last day of his life, excluding the three weeks in a coma before his passing. The last show was at The Hollywood Bowl. There were the usual legions of celebrities waiting to get a glance, or a few words with the great maestro. I saw Marlon Brando standing outside the entrance of our dressing room. It was a beautiful night.

    After the show, Miles rode back to his Malibu home without me. He told me to order some art supplies as he was taking a few week’s off to paint. “Have them delivered”, he said in his raspy voice.

    I now lived in Los Angeles full time and Miles was happy I had created a new life for myself out there. He encouraged the move even though he often quoted he was a die hard New Yorker. I began to get concerned when I did not hear from him for several day’s as we usually spoke by phone daily sometimes just to bounce some thought’s around. I called but there was no answer.

    One of our mutual friends, Marie Christine called to tell me he was in the hospital. I called him at St. John’s and Miles told me he was only going to be there for one to two day’s, just to check his lung’s. He was prone to pneumonia and was diabetic, so extra precaution’s were taken by hospital staff. He asked me to bring him some friend chicken from a place near where I lived in Hollywood.

    I arrived at the hospital and found him sitting in a chair in his room. He was very happy to see me. He was watching television. We talked about everything. He was full of compliment’s for me. I was surprised, as he was always supportive, yet in a less sentimental way. This time it was different, like a father talking to his son.

    The next day Miles went into a coma brought on by a stroke. He laid in his hospital bed for about three week’s with his family and closest friend’s around, all hoping he would pull through.

    Family had to investigate so many issues. Miles was very close to his brother Vernon and his sister Dorothy. Unfortunately they didn’t have a clue about how to handle his affair’s. I tried to help them with what I knew, yet I only had a small knowledge of his vast empire.

    I didn’t expect him to die. Miles was incredibly resilient even though I realized he had a great number of maladies. Somehow he always managed to keep moving, like a phoenix rising out of the ashes.

    Many of his friend’s in the inner circle were in a state of shock. Some said thing’s like, “I just talked to him yesterday, he sounded great”. There was a fall tour planned. We all thought we would continue on that splendid journey that everyone knew so well. Now the journey is in my head, even though it has been eighteen year’s since his passing. I still think about Europe in the fall, Japan in the summer, South America in winter and North America in between.”

    www.MikelElam.com

    www.MikelElam.com