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Cyclist And A Car

Posted on May 23, 2011 by Scott Roslyn

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……….As the weather improves along the Eastern seaboard, not only shorts, sundresses and flip-flops are being seen out on the streets on a sunny afternoon. Folks are back on their bikes too. When commuting from Philadelphia, a bike is oftentimes a more efficient –and certainly more enjoyable – ride than your average SEPTA bus. Even on a day when the weather was not so nice, however, this writer saw many cyclists pushing their pedals across the Schuylkill River on their way to class or work. What is this sub-culture all about? A different breed of folks, driven by different motives, I sought to delve deeper into this biker (or rather is it cyclist) world.

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The first incarnation of the bicycle was developed by Baron von Drais in 1817 and was known as the walking machine since one actually walked alongside it rather ride it. In 1865, an improved version was known as the velocipede, or more commonly the boneshaker, a reflection of the still less than ideal ride the early bicycle offered. We have clearly come a long way.

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Pushing Walnut Bridge

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The bike is back. We are seeing its resurgence in daily culture across the country. Urban planners and architects in Portland, Oregon are re-imagining the city with a vision of bikers having a more equitable share of the roadways with cars and buses. In New York City, the young and blossoming New York High Line has become an incredible thoroughfare for walkers and bikers along the previously tough-to-access West Side of Manhattan. Across many corporate campuses, shared bicycles dot the entrances of many office buildings and sidewalks, offering an easy connection from meeting to meeting.

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A recent ideation project launched by San Francisco-based innovation consultancy IDEO imagines the modern day bicycle as an environmentally conscious vehicle as well as energy generator. The turning of the gears charges a portable battery affixed on the handlebars, which can then be unplugged and used to charge smart phones, portable music devices, laptops and other technological gadgets.

About The Author: Scott Roslyn is an MBA Graduate, Class of 2011, The Wharton School – University of Pennsylvania

Infinite Pathway

Posted on May 15, 2011 by Brandon Fischer

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The way we see the physical world is very dependent on our position in space and partially on our mood. Pictures are a way of sharing a particular moment in time and space with someone else but they do not quite capture the whole image. The emotions felt while observing the scene are lost. Different people react differently to a given image or moment. Photographers attempt to get around this limitation of imagery with words; titles carefully chosen to focus the observer on the meaning of the image. The image becomes more of a message than a scene; a message trying to instill some emotion.

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Post Horizon

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This series of pictures showcases a very simple distortion of reality: perspective. The deception that parallel lines appear to approach a single point in the distance is just a trick of viewing angles but can distort the perceived dimensions of an object. I focused on larger objects such as roadways, buildings, and sidewalks to emphasize the shrinking distance between the parallels. I’ve always been fascinated by distortions of reality due to having two eyes and only occupying one space. The view from your location is difficult to share with someone. You may see the trees while someone else might see the cars. These views can switch too for different times of day or levels of happiness.

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Uphill Walkway

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Recently, I’ve been feeling life close tighter in on me as if I’m travelling down a pair of parallels that start approaching each other. Looking at the bigger picture, I can see a straighter path but the nature of being a living person, my view comes with some perspective. I can’t quite make out the figures on the horizon that look so small and far away. I just hope they open my world back up.

About The Author: Brandon Fischer is a Computer Science major enrolled at the University of Pennsylvania, Class of 2012

The Death Of OBL: Artwork by Rebekah Boyer

Posted on April 13, 2011 by Tony Ward

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……….On the eve of our final class, media outlets reported the death of Osama Bin Laden. As reported in the news, Navy Seal team six commandos were given the orders to visually record that moment in history when the most wanted man on the planet met his ultimate fate. One of the Seal team members was also a photographer, an integrated part of his skill set as I often referred to the mediums relevance, applied and practical aspects in class. Think of the pressure this person was under at that moment he clicked the shutter and to make certain everything was properly exposed and recorded to have proof that Bin Laden was dead. The integration of the medium of Photography in to the hands of a Navy Seal was part of the job description for that mission. To record significant moments in history uniquely belongs to the realm of photography, like it has been since its invention in the 1850′s and just as it will continue to be as you record your moments in history.

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I predicted on our last day of class that there was going to be a fire storm of controversy regarding the release of Bin Laden’s death photos and President Obama correctly resisted the usual urge of some governments to use photography as a “propaganda tool” or as the president referred to as “spiking the football”. Mainstream media outlets reported that the photographs were rumored to be particularly gruesome- a gunshot through the left eye was reported to be the fatal blow and perhaps so gruesome that the release of the pictures would stir more violence around the world.

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Recently, there has been some softening of the administrations position with respect to the viewing of the photographs. Yesterday, 35 members of congress (senate and house intelligence committee members) have been given security clearance to visit the CIA offices in Langley, Virginia where the pictures have been archived. Eventually, those images will be leaked or released to the general public.

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In summary, when the Navy Seal took his first photography class and became intrigued by the technical as well as the magical qualities of the medium, it is very doubtful he ever imagined that an interest in photography would lead him to Abbottabad, Pakistan. That is part of the essence and nature of the medium and the reason why the camera should remain at your side. You just never know where the medium will lead you.

And The Journey Continues

Posted on May 12, 2011 by Taehyun Kim

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“The goal of education is the advancement of knowledge and the dissemination of truth”
– John F. Kennedy

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……….“Knowledge is power.” Long time ago, someone must have realized that it was useful to use tools for hunting and making fires. Ever since humans acquired this knowledge, people learned to use tools for their survival. They invented metal weapons, gun powder, automobiles, and now, we live in one of the most technologically advanced societies in the history of human civilization.

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Sunglass Purchase

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We live in a new world where information is available to everyone at no cost. After the invention of computers and internet, people have largely depended on these mediums to acquire information cheaply. The technology has advanced so far that it is now possible to connect with people on the other side of the planet using computers. People do their shopping, take classes, attend business meetings, and even socialize online. Photography has played a large role in this process of technological advancement. Capturing an image on a piece of paper has served to be one of the most important tools for our society. This was because pictures can capture so much information on one piece of paper, and they don’t lie.

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Pictures

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“All men by nature desire knowledge” -Aristotle

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Study

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I am passionate about learning, and as a result, I understand the importance of education. Education does not necessarily mean learning from lectures in classrooms. Education can occur anywhere and at anytime. I came to the University of Pennsylvania because it provides the finest education in the field of my studies, and there is no doubt that I acquired a vast amount of knowledge from my curriculum. However, I learned so much more outside the classrooms, whether that be dinner conversations with fellow classmates or visiting museums in Philadelphia.

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Self-Portrait 2011

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This is a little story about a boy and his journey that he set out about four years ago wishing to learn about the world. And this journey still continues…

About The Author: Taehyn Kim is an Economics major, enrolled in the College of the University of Pennsylvania, Class of 2011

Secret Window

Posted on May 11, 2011 by Connie Yuan

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As a freshman at the Wharton School, I am surrounded by a group of competitive, type-A individuals. The rest of the student body at UPENN often joke that Wharton students are unsympathetic to normal human emotions and are financial robots of some sort. However, I came into the school with one goal in mind—creating my own nonprofit organization. Although it completely contradicts the goals and career-choices of my peers, I attribute this desire to my temperament. Having taken the Keirsey Temperament Sorter, I discovered that I am an Idealist Counselor and thus, part of only 2% of the world. As a member of this temperament, I tend to notice and appreciate little things in life that are often overlooked or ignored by others.

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Alleyway

With this personality type, I subconsciously chose the themes in this portfolio. Choosing the subjects of my shots always takes days of thought and decision-making. I go through innumerable ideas before choosing one that satisfies my expectations. I cannot name one specific formula that I use to make this decision, because the choice is often made based on a vibe. However, when looking back on my assignments, I notice a pattern. I tend to go out of my way to find subjects that are under-appreciated.

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Hidden Garden

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This portfolio is a photographic journal of my journey as a Penn student. It follows me as I embark on adventures throughout campus as I go to different parts of the university and attend various events. The portfolio begins with my self-portrait as I depict myself as a prisoner of Wharton ideals. The rest of the assignments show the mindset, which helped me to break out of this suffocating mentality. By noticing the small things in life, I come to realize that I am but a small player in this universe. I am not all-important, and I am certainly not considered more important than the ignored fire hydrant on the empty street corner. With this portfolio and my photography posts to my personal blog, I hope to influence pre-freshmen as well as current students to change their way of thinking. My goal is for everyone who sees my portfolio to abandon the academic mindset for a day and just enjoy life. Find your own quiet niches on campus. Notice the animal life. Explore the city.

About The Author: Connie Yuan is a freshman enrolled in the University of Pennsylvania’s Wharton School, Class of 2014

Balance

Posted on May 6, 2011 by Scott Roslyn

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I like the idea that a photograph should reveal a perspective you’ve never seen before. A photo is nothing if you look at it and know that you’ve seen the shot before. This sense of creation, exploration, and moving things to a new place, a higher place, is what I love most about photography.

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What I also like about photography though is that it’s not about what that observer of the photograph might feel. It’s really about what the photographer himself is feeling as he captures that image.

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I create art because of this opportunity to see something new in my surroundings and in myself. It helps that I love it and that I can completely and utterly get lost in it.

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In this shoot with a rock climber at a nearby indoor climbing wall, I was interested in the study of the subject and his environment but I was also drawn to it because of the metaphor that I was wrestling with in my own mind about the walls we encounter in life, and the walls we build within ourselves.

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I enjoy studying what happens within the human psyche and the human spirit when we come upon one of these barriers. We all have a choice. We can either embrace that challenge and rise to it, or we can crumble under its weight and allow that challenge to crush us.

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Leap

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One of the things that I have learned over the last few years is that we are the ones who oftentimes build these walls for ourselves. Not always. Sometimes life is like that. No doubt. But other times we are own worst enemy.

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For example, over the course of our lives, we have constructed facades to allow us to be successful. We know the questions to things to say in an interview, the questions to ask at a dinner party, the right jokes to tell, to always put our best foot forward. Many of us had not experienced failure in our lives. The fear of uncertainty, the fear of failure, of not being perfect, and of what it feels like to not be superhuman, to not be invincible. We want to think of ourselves in this light, as indestructible, and oftentimes that’s how others have begun to see us too, and that’s what we want.

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But in the end, we are building walls that prevent us from seeing the real me. This is self-limiting. We are not at our greatest with these limits and these walls in place. We are awesome and we are extraordinary, but we must face these walls, and climb these walls to realize our true potential.

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Through the metaphorical medium of a climbing wall, a climber I had just met, and a 35mm camera loaded with TMax 400 film, I sought to document the walls that we climb, the walls that we build, and the walls that we overcome.

Trust

About The Author: Scott Roslyn is an MBA Candidate, Class of 2011, The Wharton School – University of Pennsylvania.

Brent Wahl

Posted on May 5, 2011

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Vox Populi of Philadelphia – presents the fourth solo exhibition from Brent Wahl, entitled ‘Group Show’.

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Fabricating three-dimensional “situations” that move through contextual and visual shifts is an ongoing interest in Brent Wahl’s work, as reoccurring themes that investigate cultural phenomena, abstraction, architecture and illusion. For Wahl, abstraction has often been the “glue” that binds together the disparate visual forms in his varied work.

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In Group Show, Wahl focuses his interest in abstraction in full force. Drawing on his fascination with the optical and spatial shifts that happen between three-dimensional structures imaged in two-dimensions (via photography), he embraces a playful and experimental stance with this work. Collaborating with himself, he compiles a “group show” of imagery that at once thematically linked and visually diverse.

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The artist received his MFA from the University of Pennsylvania and his BFA from Pratt Institute in Brooklyn. Brent teaches in the School of Design at the University of Pennsylvania

One Headlight

Posted on April 5, 2011 by Paige Willoughby

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A 1969 Chevrolet Camaro, Hugger Orange with white Z/28 stripes, RS/SS package. 350 cubic inch small block Chevy engine, a bit more than slightly modified. Before one can understand why I chose to take pictures of this car a brief history must be given. My parents drag raced this car in central California before I was born. My mom raced the car when she was seven months pregnant with me. My first race (out of womb) was in Bakersfield, California. I was two weeks old.

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Modified

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……….My dad and I restored the car while I was in elementary and middle school. I helped rebuild and install the engine. Once it was finished, it became a cruising car. We’d take it out during the summers, windows rolled down. I always wished I could be listening to Led Zeppelin but my dad always said that the sound of the engine was the only music we needed. One time we were driving up Main Street on the fourth of July and we passed some bikers drinking on the side of the street. One of them got down on his knees and started praising the car. This car will one day be mine. It is the reason I decided to become a mechanical engineer.

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Cockpit

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The Camaro is the thing I take the most pictures of. It is an obsession. This car is a symbol of my family, my history, and my life. I was elated when I found out that the beginning of this assignment was over spring break so that I could take pictures of the car while I was at home. It wasn’t really a choice I suppose. I was going to take pictures of the car anyways and work them into whatever assignment was most fitting. The car lends itself well to picture taking. I captured several different perspectives in this shoot. There are detailed and holistic shots. The bodywork of the first generation Camaro, and especially the ’69, is bad and beautiful; but even the pictures don’t do it justice.

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Spoiler

About The Author: Paige Willoughby is a freshman engineering major at the University of Pennsylvania, Class of 2014

A-1

Posted on May 2, 2011 by Anthony Caicco

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Memories live in buildings…how can we have memories with modern buildings?

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………In the throes of western civilization, architecture was a participatory agent within culture. For the ancient and medieval peoples, the building was the source of their literacy, not the book. Ornamental reliefs (sculpture) and frescoes (paintings) wed the production of visual arts in the building. All, but…

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A-2

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In the 18th century, this state of affairs was seriously challenged by both the intellectual environment as well as the theological consequences of the enlightenment and the printing press. Architecture no longer contained such a status, and it soon fell from an important deliverer of culture to an applied art. At this moment the tension caused a deep separation between the fine arts and applied arts, but not because of architecture, but the industrial revolution. In such a tenuous milieu, thinkers maintaining architecture as a fine art turned to style and a nostalgia for the past, as Hübsch said – in what style shall we build? Almost forgotten?

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A-3

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When I enter Skirkanich (UPENN campus), I know something is very different from the past. Architecture, like the other Arts of the 20th century, radically transformed. This transformation is a moment we still possess, and when we visit such a building (Skirkanich Hall), we recognize the past is the past. But if one is adept at looking at things, especially architecture, one cannot help but recognize the painterly surfaces of the façade and interior, the sculptural like walls and figures…You cannot understand this building or any other modern building without having some knowledge of modern art…Forgotten for the better.

About The Author: Anthony Caicco is a graduate student in the study of Architecture at the University of Pennsylvania’s, School of Design.