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		<title>Elizabeth Southward: I Love Your Mind</title>
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		<pubDate>Fri, 27 Jan 2012 21:19:59 +0000</pubDate>
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		<description><![CDATA[Posted on January 27, 2012 by Elizabeth Southward . &#8230;&#8230;&#8230;.As I was going through my wardrobe in anticipation of the sitting with TW, an overwhelming feeling of anxiety came over me. I was born and raised in a catholic environment with fairly conservative parents. I wondered how my family would react to a compilation of [...]]]></description>
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		<title>Elizabeth Southward: Gender Ambiguity &#8211; Part 2</title>
		<link>http://tonywardstudio.com/photos/elizabeth-southward-gender-ambiguity-part-2/</link>
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		<pubDate>Thu, 19 Jan 2012 00:33:39 +0000</pubDate>
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		<guid isPermaLink="false">http://tonywardstudio.com/photos/?p=9025</guid>
		<description><![CDATA[Posted on January 18, 2012 by Elizabeth Southward . &#8230;&#8230;&#8230;.Gender discrimination is revealed through the transformation of a male to a female. Orlando is brought up in an aristocratic society and is exposed to famous philosophers and poets like Nicholas Greene. Orlando has the capability to choose a woman and ability to be an ambassador [...]]]></description>
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		<title>Readings: Gender Ambituity &#8211; Part 1</title>
		<link>http://tonywardstudio.com/photos/readings-gender-ambituity/</link>
		<comments>http://tonywardstudio.com/photos/readings-gender-ambituity/#comments</comments>
		<pubDate>Sun, 15 Jan 2012 20:00:16 +0000</pubDate>
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		<guid isPermaLink="false">http://tonywardstudio.com/photos/?p=8996</guid>
		<description><![CDATA[Posted on January 15th, 2012 by Elizabeth Southward . Virginia Woolf is ambiguous with her definition of the genders. In the beginning of the novel, Orlando’s gender is skewed and she sets readers up for confusion. Woolf portrays Orlando to be partially feminine when she states, “But, alas, that these catalogues of youthful beauty cannot [...]]]></description>
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		<title>Readings: Gender Gap and the Reprecussions of Disguise</title>
		<link>http://tonywardstudio.com/photos/readings-gender-gap-and-the-reprecussions-of-disguise/</link>
		<comments>http://tonywardstudio.com/photos/readings-gender-gap-and-the-reprecussions-of-disguise/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 17:09:18 +0000</pubDate>
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		<guid isPermaLink="false">http://tonywardstudio.com/photos/?p=8960</guid>
		<description><![CDATA[Posted on January 12, 2012 by Elizabeth Southward . How can women gain an upper hand with the eighteenth century limitations and man’s superiority in society? In the two texts, Moll Flanders by Daniel Defoe and Fantomina by Eliza Haywood, one protagonist connives their way to fulfill empty vanity whereas the other manipulates for financial [...]]]></description>
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		<title>Month of May: Carnal Pleasures</title>
		<link>http://tonywardstudio.com/photos/spring-fling-carnal-pleasures/</link>
		<comments>http://tonywardstudio.com/photos/spring-fling-carnal-pleasures/#comments</comments>
		<pubDate>Mon, 02 May 2011 00:03:41 +0000</pubDate>
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		<title>Paulette Fallon: Poetry For Today</title>
		<link>http://tonywardstudio.com/photos/paulette-fallon-poetry-for-today-3/</link>
		<comments>http://tonywardstudio.com/photos/paulette-fallon-poetry-for-today-3/#comments</comments>
		<pubDate>Mon, 28 Mar 2011 18:11:33 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://tonywardstudio.com/photos/paulette-fallon-poetry-for-today-3/</guid>
		<description><![CDATA[Posted on March 28, 2011 by Paulette Fallon . C-NOTE . clinical diagnosis&#8230;.fragments. fragmented light that bursts forth, brilliant and dark&#8230;., open and shadowed, obscure, yet eclectic, to whom do you want to address? to whom do you want to speak? what is it you want? what are you looking to find? i am&#8230;that is [...]]]></description>
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		<title>Picture Of The Day: 3-27-2011</title>
		<link>http://tonywardstudio.com/photos/picture-of-the-day-3-27-2011/</link>
		<comments>http://tonywardstudio.com/photos/picture-of-the-day-3-27-2011/#comments</comments>
		<pubDate>Mon, 28 Mar 2011 01:56:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<title>Paulette Fallon: Poetry For Today</title>
		<link>http://tonywardstudio.com/photos/paulette-fallon-poetry-for-today-2/</link>
		<comments>http://tonywardstudio.com/photos/paulette-fallon-poetry-for-today-2/#comments</comments>
		<pubDate>Sun, 27 Mar 2011 15:02:00 +0000</pubDate>
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		<description><![CDATA[Posted by Paulette Fallon on March 27, 2011 . READY TO EAT . Open up, spread yourself, Like a banquet of pleasure unto me&#8230; Supple, sweet, delectable. Sinner, suffer, selectable. I nibble, i nip, I taste, you tempt&#8230;. A meal, a morsel&#8230;. A bacchanalian feast! I dive in to your divinity, I delve into your [...]]]></description>
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		<title>Paulette Fallon: Poetry For Today</title>
		<link>http://tonywardstudio.com/photos/paulette-fallon-poetry-for-today/</link>
		<comments>http://tonywardstudio.com/photos/paulette-fallon-poetry-for-today/#comments</comments>
		<pubDate>Sat, 26 Mar 2011 18:55:22 +0000</pubDate>
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		<description><![CDATA[Posted on March 26, 2011 by Paulette Fallon . SLAP! . SLAP! 360 degrees. What do you see? what you believed to be? Not me, wrong answer. SLAP!180 degrees. what do you see? What you envisoned was me? Wrong answer SLAP! 45 degrees. What do you see? what you thought was me? Wrong answer. SLAP! [...]]]></description>
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		<title>Model Of The Month: Playtime With The Bombshell</title>
		<link>http://tonywardstudio.com/photos/playtime-with-the-bombshell/</link>
		<comments>http://tonywardstudio.com/photos/playtime-with-the-bombshell/#comments</comments>
		<pubDate>Thu, 24 Mar 2011 19:01:33 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://tonywardstudio.com/photos/playtime-with-the-bombshell/</guid>
		<description><![CDATA[Posted on March 24, 2011 by Tony Ward &#8230;&#8230;&#8230;.I waited in anticipation of the atomic arrival. I had worked with the bombshell before &#8211; but this time around I knew things were going to be a little bit different. We have been working on a pretty tight friendship over the last year or two &#8211; [...]]]></description>
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