Joel Levinson: Behind The Scenes


Text by Joel Levinson, Copyright 2023

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Behind  The Scenes

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I FELT LIKE I was Marcello Mastroianni walking onto the film set for La Dolce Vita; a colorful cast of characters assembled in slightly exotic circumstances later than scheduled. The Dolce Vita feeling stayed with me, even intensified, as the afternoon progressed.

Tony had invited me to be a BTS (behind the scenes) photographer and I did my best to remain behind the scenes. It was his project and he had a specific vision of what was going to happen, in what order. So…in that context I knew I was merely a passive participant. I had once before shot in another photographer’s studio. On that occasion, it was my show with the model. But on this day, I happily marched to Tony’s drumbeats.

I have almost always photographed with natural light, not studio lights. My eye has been trained over many decades to see the results in advance…that is to say when I deem the daylight just right. Fortunately, there were several occasions through the day to shoot in natural light…in the studio, in his house, and in the garden that separated house from garden. In those moments, between setups, when I knew I didn’t have to be behind the scenes , I was free to pick my subjects and my moments to click the shutter. Not unusual, I shot things that were totally unrelated to the goal of the day. During the shoot, I kept wishing the studio had skylights but that isn’t Tony’s artistic MO.

One of my goals was to capture Tony at work…Tony in his element. It didn’t sink in when Tony invited me to the Dolce Vita event that there would be an artistic director. But first to arrive was KVaughn, a force unto himself; high energy, purpose-driven, stylish in his attire, and from my perspective, the most photogenic character in the studio and on the property. He was OK with me taking a few snaps when he was sitting near me on two occasions, when the daylight struck me as just right. He insisted on always having his glasses on…and he won out…most of the time.

Tony, dressed like he was on vacation but worked with focus…he worked like he was on anything but vacation. He was a pro through and through. I stayed out of the way, mostly behind him as he moved about. Sometimes he was up on a low stool to explore an alternative perspective. He seemed to be in three places at once.

Frankly, I went hoping to see some skin, but I saw less skin on this shoot than in a shopping center. I like shooting nudes (a great challenge to do well), but today the goal was otherwise. Ellen Tiberino, Tony’s subject, has a face that for me, was not easy to capture in studio lighting. When she sat down for a few minutes in the soft up light of a make-up counter, I saw what I was after in reflections of her in the makeup counter’s mirror. She was not aware, at the counter, that I was shooting (happily so…because I do best with candid shots), but at one point, I let on what I was doing and she willingly responded. Those mirror shots were some of my best ones of Ellen.

I also took a few candid shots of Tracey Olkus as she applied makeup or tweaked a few hairs on Ellen’s brow or around her shoulders. Regrettably, I took no separate shots of  Sam Binder as he did Tony’s bidding with the lights, the hand-held diffusing scrim, and the backdrop behind Ellen.

After the session, it was great to sit at a table under roof with everyone for a late but tasty lunch. We all relaxed and became old friends. The only person missing was La Dolce Vita’s director Federico Fellini.

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Portrait of architect and photographer Joel Levinson
Joel Levinson. Photo: Tony Ward, Copyright 2023

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About The Author: Joel Levinson is a veteran architect and photographer based in Philadelphia. Joel is currently working on a book of his photographs. This is his first contribution to TWS.

 

Neal Slavin: Enola Gay. An Assignment That is Hard to Forget

photograph of the cock pit of the Enola Gay. photo by Neal Slavin
Enola Gay. Aircraft Restoration Technicians. Photo by Neal Slavin, Copyright 2023

Text by Neal Slavin, Copyright 2023

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An Assignment That is Hard to Forget

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As the movie Oppenheimer is about to be launched I wrestle with thoughts and feelings I’ve had since 1987. In that year I was commissioned by the Washington Post Magazine to create a Neal Slavin Groups page comprised of Washington based Groups. I was introduced to Molly Roberts, the Picture Editor and together over the next two years we created 79 Group Portraits which ran on the back page every week under the title NEAL SLAVIN’S GROUPS. While there were many portraits that remain embedded in my mind the one pictured here remains the most potent. The picture is called AIRCRAFT RESTORATION TECHNICIANS. It ran on 9 August 1987. If you look closely you will see the technicians working on the outside of the famous/infamous airplane called the ENOLA GAY the airplane that dropped the bombs on Hiroshima and Nagasaki. I remember walking up to the plane, looking at all the hand painted graffiti outside the fuselage wishing the men aboard good luck on their mission; (of course the grafftti was much more direct, specific and lurid than I describe here).

Looking for a location from which to shoot, my assistant Steve Hall and I decided to shoot from inside the cockpit looking out at the restorers. We were told we were the first civilians to enter the interior of the plane as restoration was still being completed. I remember trying to make sense of my feelings as we continued the shoot. I remember talking to Steve to check his feelings and his matched mine.

More recently as I think about the experience shooting this picture I found a position taken by “Revisionist” scholars which posits that Japan was ready to surrender and that the use of the bombs could have been avoided if Emperor Hirohito could remain on his throne. What would have happened to his people is not knowable but the unleashing of the atomic age where we could extinguish entire civilizations with one or two bombs might have been avoided.  Man’s cruelty to man is hard to talk about; it’s legendary, but talking about history that didn’t happen is wishful thinking because it looks back. Civilization’s role is to look forward. I just remember the sickening, quizzical feeling I got sitting in the Enola Gay’s cockpit.

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Portrait of famous photographer of large groups, Neal Slavin
Portrait of Neal Slavin by Ted Kawalerski, Copyright 2023

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About The Author: Neal Slavin is a world renowned photographer and film maker based in New York City.  To learn more about Neal Slavin, access his web site herehttps://nealslavin.com/

Alcohol Consumption: Knowing When Enough is Enough

photograph in a bar from a drunk persons perspective
Photo: Tony Ward, Copyright 2023

Alcohol Consumption: Knowing When Enough is Enough

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Edited by Tony Ward

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Excessive alcohol consumption has been a pervasive problem in society for centuries, leading to numerous adverse health, social, and economic consequences. While moderate alcohol consumption can be part of social gatherings and cultural practices, going beyond the limits can have serious repercussions on individuals and communities. Understanding the dangers of excessive alcohol consumption is essential to promote responsible drinking and prevent the devastating effects it can have on lives.

Excessive alcohol consumption takes a severe toll on physical and mental health. Chronic alcohol abuse can lead to liver damage, cirrhosis, pancreatitis, and an increased risk of various cancers. The heart, brain, and nervous system can also suffer from long-term alcohol abuse, leading to cardiovascular diseases, cognitive impairments, and even permanent brain damage. Moreover, excessive drinking weakens the immune system, making individuals more susceptible to infections.

One of the most significant dangers of excessive alcohol consumption is the potential to develop addiction and dependency. Alcohol is a highly addictive substance, and individuals who consume large amounts regularly may find it challenging to control their drinking behavior. Over time, they become physically and psychologically dependent on alcohol, making it extremely difficult to quit without professional help.

Excessive alcohol consumption not only affects individuals but also has far-reaching social and economic consequences. Alcohol-related accidents, such as drunk driving, lead to injuries, fatalities, and property damage. The burden on healthcare systems increases due to alcohol-related illnesses and injuries. Additionally, alcohol abuse can contribute to unemployment, reduced productivity, and strained interpersonal relationships, placing a significant strain on communities and economies.

Alcohol impairs cognitive functions and judgment, leading to poor decision-making and risky behaviors. Individuals under the influence of alcohol are more likely to engage in dangerous activities, such as unprotected sex, drug abuse, and violence. This can lead to unintended pregnancies, sexually transmitted infections, and legal consequences, further exacerbating the negative impact of excessive drinking.

Excessive alcohol consumption can exacerbate existing mental health issues or contribute to the development of new ones. Alcohol is a depressant and can lead to increased feelings of anxiety and depression. Self-medicating with alcohol can worsen the symptoms of underlying mental health conditions, creating a harmful cycle that can be difficult to break.

Excessive alcohol consumption often strains relationships with family, friends, and partners. It can lead to conflicts, loss of trust, and emotional distance. Moreover, children growing up in households with alcohol abuse are more likely to experience neglect, abuse, and psychological trauma, affecting their development and well-being.

Knowing when enough is enough regarding alcohol consumption is vital to protecting our physical and mental health, preserving social connections, and maintaining a functional society. The dangers of excessive alcohol consumption are evident in the toll it takes on individuals, families, and communities. Raising awareness about the potential consequences of excessive drinking, offering support to those struggling with alcohol abuse, and promoting responsible drinking habits are essential steps in mitigating the impact of alcohol on our lives.

Ultimately, each individual bears the responsibility of knowing their limits and seeking help if they find themselves crossing dangerous thresholds. By acknowledging the dangers and making informed decisions, we can create a healthier and safer environment for everyone. Let us strive for a society where moderation, self-awareness, and support prevail, allowing us to enjoy life without succumbing to the perils of excessive alcohol consumption.

Studio News: A Masterclass in Portraiture by Neal Slavin

Large group photograph of fencers in ballroom photographed by the famous photographer, Neal Slavin
DC Fencers. Photo: Neal Slavin, Copyright 2023

A MASTER CLASS IN PORTRAITURE BY NEAL SLAVIN

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REGISTER TODAY: info@nealslavin.com

DATES:
TWO SPECIAL WORKSHOPS: Saturday, July 29 / Sunday, July 30, 2023 & Saturday, Aug 5th / Sunday, August 6th, 2023.

Requirements: camera & gear, a statement telling us something about yourself and your photography (may include a small sampling of your work) which should be sent to info@nealslavin.com before the workshop begins.

LOCATION: Neal Slavin Studio  62 Greene St. NYC.

DETAILS:  Workshop is limited to 8 students
10 AM – 5 PM / Morning coffee at 9:30 am / lunch included
Fee: $595.00 per student

TO REGISTER:  All participants must pay full amount via check or Pay Pal before start of workshop.

INSTRUCTOR:

Neal Slavin is a world – respected photographer and film director. His work includes a professional career of over 40 years, during which he has photographed a myriad of subjects including celebrities, notable dignitaries and is best known for his group portraits.

His teaching credits include classes and workshops at Les Recontres d’Arles in Provence, The Cooper Union, CUNY, SVA, the Ansel Adams Workshop in Yosemite, visiting artist at the Art Institute of Chicago and the International Center of Photography (ICP). His work is collected in both public and private institutions.

CLASS DESCRIPTION:

All artistic endeavors including photography come from the same place – in the belly!  Which one the artist uses to express him/herself is entirely the artist’s choice. What isn’t by choice is the influence the other arts contribute to the success of the artist’s chosen field, in our case photography. Through listening to music, drawing from the figure and listening to oral poetry we are able to create photographs that are honest and expressive. We will learn how to let those other disciplines help us in our creations. We come to understand that the rhythm we hear in a piece of music is the same rhythm made visible in a photograph. The lines in a drawing can be found in the shapes in a photograph. Sound crazy? Come aboard for a sensorial 2 days of experiencing the relationship between your photographs and the world of the arts!

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To access additional articles about Neal Slavin, link herehttps://tonyward.com/ted-kawalerski-the-saudade-of-neal-slavin/

 

Kristy Jessica: On The Art of Modeling-Part 1

Lingerie photo of Kristy Jessica by Etimo Photo copyright 2023
Kristy Jessica. Photo: Etimo Photo, Copyright 2023

Text by Kristy Jessica, Copyright 2023

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On The Art of Modeling-Part 1

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    To the folks who follow Tony Ward’s blog: Hey! I am Kristy Jessica 🙂 I have been modeling since the age of 18, despite my strict religious upbringing. I see my body as a celebration of lines and curves, as well as a poetic visual communication device to positively affect the outside world. I hope you can enjoy, appreciate, and respect my nude modeling work.

     This month is my birthday, I am turning 36 years old. Over the years of my career, I have learned that personality and reliability are more valuable assets than youth alone. My first photoshoot was with a predatory photographer who found me on Myspace. He lured me into his basement studio with the promise of $50 for a lingerie shoot, and tried to offer me extra money (and elicit drugs) to have sex with him on camera. He told me if I let him create a barely legal porn site I could be rich and famous”. The fear in my eyes as I bashfully declined his solicitation triggered him to force me to sign an NDA and run me off his property. 

     A valuable lesson was learned that day: the real world of freelance modeling is booby-trapped with creeps. I learned the hard way how to screen photographers. First, I would meet them at a coffee shop to talk about potentially shooting. Over time I learned the red flags in someones demeanor, even in their email and text communication. If a photographers Model Mayhem portfolio seemed themed by micro-expressions of fear or disgust, that is enough to tell me I do not want to be alone in a room with that person. The last thing I want is to be tricked into a studio or basement where the photographer is trying to touch me or pressure me into something I am not comfortable with. 

     Despite the gravity of this harsh learning curve …and the fact I had to overcome it at the ripe age of 18 after emerging from a strict religious upbringing… I have had a vast majority of positive experiences since then. Another element that has emboldened a positive strength to my career is my fellowship and camaraderie with other full time traveling nude models. Over the last decade, social media has improved our networking abilities. If a photographer puts his hands on one of us, the whole network finds out! The support I have gained with the advent of secret Facebook groups and mass IG dms with other models has allowed me to share my experiences, learn about new travel hacks, discover recommended hosts in different cities for our little traveling model Underground Railroad, and build relationships with each other. This has been the single most important tool in my career: community support. 

     The evolution of my modeling career started out as a form of rebellion against puritanical societal norms. The first 6 years of my modeling were mostly just creative shoots for self expression. It wasnt until I hit rock bottom in my alcoholism at the age of 24, got a second DUI, lost my relationship, got fired from my bartending job, lost my house, and fell into a depression that I decided I should pick my life up and attempt to model full time instead of trying to find a bartending job somewhere. From that point forward, I was being hired for a lot of glamour style shoots. I worked for many pushy and arrogant glamour photographers, and I racked up a long list of independent magazine covers, was featured in Playboy TV and Playboy Radio, featured in Penthouse Black Label, and I participated in glamour events like the Paradise Challenge and IBMS. By this point in my career I had moved to Southern California and produced a documentary about freelance modeling called Bring Something Sexy”. 

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To access, On The Art of Modeling Part 2, link here