Category Archives: Current Events

Tony Ward: A Sunday Ride to Atlantic City

A Sunday Ride to Atlantic City. Portrait of Howard Lee by Tony Ward, Copyright 2020

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Text by Tony Ward, Copyright 2020

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A Sunday Ride to Atlantic City

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I received a call recently from one of my childhood friends, Howard Lee to take some pictures of a group of motorcycle enthusiast that he put together for a ride to Atlantic City on August 30th..  Howard and I go back to the very beginning of our lives, as toddlers.  We grew up in the same neighborhood.  Our parents were friends.  We even went to the same Catholic elementary school for a brief period.  It wasn’t until we finished high school that we began to loose close contact.  I went on to college.  Howard  entered the  Philadelphia police academy where he served as a Philadelphia police officer until his retirement just a few years ago.

In his retirement years former officer Lee is enjoying being a landlord and an avid motorcycle enthusiast.  So when he called and asked me to photograph a group of his friends assembling for a ride to Atlantic City on a beautiful Sunday morning in August, I couldn’t resist.  I got there a little early to see the fellowship and bond that formed with a group of people from all walks of life.  Many in the group are active police officers, some retired as well as civilians who share a similar passion for riding bikes. 

It was great to share a new memory with an old friend.

Also posted in Blog, Cameras, Documentary, Environment, Friends of TWS, History, lifestyle, News, Philadelphia, Photography, Popular Culture, Portraiture, Travel

Dominic Mercier: Fleeing Opression, Finding Creative Freedom

Milt Ward. Circa 1960’s

 

Text by Dominic Mercier, Copyright 2020

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Fleeing Oppression, Finding Creative Freedom

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When Milt Ward arrived in Philadelphia in the late 1930s, he was fleeing the oppressive and segregated south. But what he found in his new home was a welcoming, creative community that would bolster his artistic skills and shape his distinguished career as a graphic artist.

Born and raised in Savannah, Ward, as a teenager, was captivated by the hand-lettered signage and point-of-purchase displays that local merchants used in their shops. He set himself to hours and hours of practice in pursuit of perfecting the art of hand lettering, which would later become the hallmark of his career, and found a way to support himself and his family by selling his services to local business owners.

When he arrived in Philadelphia in search of freedom and opportunities with his mother, Eva, and younger brother, Bennie, Ward sought to further his artistic training by enrolling in drawing classes at the Graphic Sketch Club, now better known as Fleisher. It was in the club’s studios, his son, Tony, says, that he connected with members of Philadelphia’s Jewish community and, quite possibly, our founder, Samuel S. Fleisher. Ward’s relationship with members of that community, built on a shared understanding of the perils of persecution and oppression, opened the door to his fruitful career.

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Milt Ward at work. Philadelphia 1950’s.

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“A lot of Jewish merchants at the time were looking out for Black folks. Throughout his entire career he worked almost exclusively for Jewish-owned businesses,” Tony Ward says. “There’s no question that they looked out for my dad. But it wasn’t just because he was African American. He had real talent and they weren’t prejudiced.”

For much of his career, Ward worked for the Roxborough-based Diversified Marketing Group, led by Stanley Ginsberg, with whom Ward shared both a collegial and professional relationship for much of his life. He also was one of the first Black members of the Philadelphia Art Directors Club, a venue in which he formed a lasting friendships with other like-minded artists. From his home office, Ward churned out work for freelance clients, chief among them the Mel Richman Advertising Group, and, after retiring at the age of 65, a significant number of paintings. His talent and dedication allowed him to establish himself firmly in the middle class, Tony says, a rarity for a Black artist at the time.

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“I knew being an artist would be an interesting career, because my dad worked days shifts and then at night on his freelance projects. That’s a sign that someone loves what they’re doing.” – Tony Ward

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While Tony says his father never really spoke of his youth, he did share with him his love of the arts. Tony is a widely-recognized photographer and visiting professor of fine arts at Haverford College and his work, which often explores the intersection of fashion and erotic photography, has been exhibited widely in Philadelphia and in galleries across the world. As a young man, Tony recalls spending hours sitting with his father, learning how to draw and letter. When she was younger, Tony enrolled his own daughter, Chanel, in Fleisher’s Saturday Young Artists Program. Chanel is now an educator and guides Fleisher’s programs as a member of the Programs Impact Committee.

“When I got to college, I realized I wasn’t going to be a hand-lettering specialist like him, I didn’t have the eye. But I pivoted to photography, which was really the right move for me,” Tony says. “I knew being an artist would be an interesting career, because my dad worked days shifts and then at night on his freelance projects. That’s a sign that someone loves what they’re doing.”

AV. From the Alphabet Series. Milt Ward. Copyright 1989

 

Today, Tony keeps his father’s legacy alive online. His website contains a gallery of paintings Ward produced between 1989 and 1993. Called the Alphabet Series, the bold paintings combine Ward’s two loves: painting and bold lettering. Tony’s home houses much of his father’s artwork, as well as a number of his brushes and the drawing table where his father honed his craft.

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About The Author: Dominic Mercier is the Communications Director at the Fleisher Art Memorial. To access the Fleisher web site, click here: https://fleisher.org

 

Also posted in Affiliates, Art, Blog, Documentary, Environment, Friends of TWS, History, lifestyle, Men, Painting, Popular Culture, Portraiture

Protected: Newlyweds: Mr. & Mrs. Sam & Chanel Ward Biddle!

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Also posted in Announcements, Documentary, Environment, Glamour, History, lifestyle, News, Popular Culture, Women

A.H. Scott: The Bridesmaid Question

Mike Pence: The Bridesmaid Question

Text by A.H. Scott, Copyright 2020

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The Bridesmaid Question
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Maybe it’s the question spoken in hushed tones. Or, just the obvious one which has some wondering out loud.
 
 
Why isn’t Mike Pence good enough to be the President of the United States of America?
 
 
Mike Pence can save America and put this country out of its’ misery right now, if he steps up to marry himself to a certain amendment and not a snotty brat with a constant pout.
 
 
 
After all, he’s a conservative’s conservative. Upright, uptight and potently pious is he. So, the question of him being the bridesmaid to a bride ever so shameless is an obvious one to take a peek under the tarnished, silken slip of this administration at hand.
 
 
An Evangelical base is more aligned with the life traveled by Mr. Pence. But, then again, it seems he is not the beloved one to stand in first place at the electoral altar.
 
 
Never the bride, but always the bridesmaid is Mike Pence.
 
 
Second-hand Mike!
Second-hand Mike!
 
 
Exactly what is it about you that people really don’t like?
Second-hand Mike is sanctimonious beyond anyone else on par
Yet, the one they love more is the boorish reality television star
Second-hand Mike wonders with stoic stare over why isn’t he worthy enough?
Amendment 25 is chiseled there in concrete
But, nobody’s calling in that bluff
Jobs may come
And, positions may transform
But, a certain bridesmaid sheds a tear when knowing that brass pinnacle is so near
Seems no matter how sincere you apply your gaze
Or, how earnest to the ideology you praise
Second banana is your finality of place
Choirboy or fornicator is the choice on the evangelical’s silver plate
Which will they cling to when the sins hit the fan?
The good boy who abides by all the perceived rules
Or, the problem child who kicks the golden can?
The answer is clear and Second-hand Mike weeps on his Missus’ shoulder
One spouse limit is his, as the bride’s been in triple-wedded bliss
At the head of the aisle one hand brushing another is a pliable second-hand job
Oh, Mother – clutch your pearls, if that be true
Let them pearls of fallacy scatter
When you couldn’t have that proclaimed Christian fortitude of humanity to say Black Lives Matter
Lacking a pair of spheres and absent a clue
You will never be the cream on top, because being the bride is just not you
Mike Pence is a bridesmaid, through and through
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About The Author: A.H. Scott is a poet based in New York City and frequent contributor to Tony Ward Studio. To read additional articles by Ms. Scott, go here: https://tonywardstudio.com/blog/bare/
 
Also posted in Affiliates, Blog, commentary, Environment, Friends of TWS, History, Men, News, Women

Bob Shell: Wuhan Virus & UFO’s

Covid-19

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Text by Bob Shell, Copyright 2020

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Wuhan Virus

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I usually like to be proved right in my predictions, but this time is an exception. I wrote most of my book COSMIC DANCE in 2018 and published it in March of 2019. In it (page 90), I predicted a plague caused by GMO (Genetically Modified Organisms) that would disrupt worldwide civilization. Now it has happened.

Luc Montagnier, the virologist who won the Nobel Prize for discovering the HIV virus, has examined the novel coronavirus that causes COVID-19 disease, and stated that it was genetically modified by splicing genetic material from the HIV virus into a bat coronavirus using genetic manipulation tools found only in labs. He speculates that this may have been part of an effort to develop an HIV/AIDS vaccine.

The virology lab in Wuhan had already been criticized for poor containment procedures, and was known to be collecting and working with bat coronaviruses. Coincidence? I don’t really believe in coincidence most of the time, but especially this time.

THE LANCET, the world’s oldest and most respected medical journal, says that the evidence that the virus came from the Huanan Seafood Market just isn’t there, and points out that the first cases in Wuhan had no connection to that market whatsoever. One of their contributors speculates that it escaped the virology lab either through poor waste disposal techniques or in the body of a lab worker who became infected.

These are facts, contradicting the propaganda spewed out by the Chinese government, which has tried to divert the world’s attention from their lab. The whole world is suffering from incompetent lab workers in that virology lab. It will be a long time before we see the end of this plague from a virus specifically created to infect humans.

Many, for political reasons, have attacked President Trump for casting the blame for this nightmare on China. I am emphatically not a Trump supporter. I think both major political parties are fucked-up disasters just waiting to implode our country, and, in fact, I think Mr. Trump just isn’t up to the job of President of the United States, but this time he’s right. China was at fault for operating a virology lab that could not contain the viral material it was experimenting on, and should be held accountable for this global catastrophe..

I’ve been concerned that we’d face a plague like this since genetic engineering tools like CRISP-R and others have been developed and unleashed with little or no control. Genetic engineering tools able to tamper with the DNA/RNA of organisms are available to anyone able to master the basics of their use. This is a ticking time bomb, just as if tactical nuclear weapons were sold openly on eBay. In fact, it’s probably far more dangerous.

Nature is a highly complex set of interrelated systems, all kept in balance by natural checks developed over millions of years. Creating GMOs and taking even a small risk that they will escape the lab is foolhardy and exceedingly dangerous. It’s happening today, worldwide, and it was just a matter of time before a plague was unleashed.

As we’ve begun to learn, putting the genie back into the bottle once its escaped is damned near impossible.

Sloppy lab work in China has already killed far more Americans than the entire Vietnam war!

And, news reports tell us that people are terrified. In states with newly reopened businesses, there was sparse turnout. Bar Axe in Atlanta reopened but there were only two customers all weekend. Shopping malls in Georgia and Texas reopened, but were nearly empty. A clothing store clerk at a mall in Austin said, “There’s absolutely no one coming around here!” Polls show that four out of five people won’t go to restaurants, gyms, movie theaters, or other businesses, even when those reopen. (Source THE WEEK magazine, May 15, 2020)

On another topic, in COSMIC DANCE I also talked about the “Tic-Tac” UFO videos unofficially released by the US Air Force. On April 27, 2020, the Department of Defense issued a press release laying to rest claims of fakery. The videos, one taken in November 2004 and the other two taken in January 2015 are authentic, according to the DOD. The officially released videos can be found at the Naval Air Systems Command FOIA Reading Room at:

https://www.navair.navy.mil/foia/documents

The press release states: “After thorough review, the department has determined that the authorized release of these unclassified videos does not reveal any sensitive capabilities or systems and does not impinge on any subsequent investigations of military air space incursions by unidentified aerial phenomena. DOD is releasing the videos in order to clear up any misconceptions by the public as to whether or not the footage that has been circulating was real, or whether or not there was more to the videos. The aerial phenomena observed in the videos remains classified as ‘unidentified.'”

I’m only sorry that my friend Stan Friedman didn’t live long enough to see the cause he devoted his life to acknowledged as real by the Department of Defense. And, as the press release reveals, that investigation of unidentified aerial phenomena continues, in spite of previous official denials. “The truth is out there,” as Fox Mulder told us.

Meanwhile, my personal legal battles are still all on hold, with the courts shut down except for emergency hearings. Until our law library reopens and I can get back in there, there’s very little I can do. It’s very frustrating to be so close to regaining my freedom and to be stymied by this damnable Chinese virus.

Stay well everyone!

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Portrait of Bob Shell, May of 2020. Pocahontas State Prison

About The Author: Bob Shell is a professional photographer, author and former editor in chief of Shutterbug Magazine. He is currently serving a 35 year sentence for involuntary manslaughter for the death of Marion Franklin, one of his former models.  He is serving the 13th year of his sentence at Pocahontas State Correctional Facility, Virginia. To read more letters from prison by Bob Shell, click here: https://tonywardstudio.com/blog/meditations-pandemics/

Editor’s Note: If you like Bob Shell’s blog posts, you’re sure to like his new book, COSMIC DANCE by Bob Shell (ISBN: 9781799224747, $ 12.95 book, $ 5.99 eBook) available now on Amazon.com . The book, his 26th, is a collection of essays written over the last twelve years in prison, none published anywhere before. It is subtitled, “A biologist’s reflections on space, time, reality, evolution, and the nature of consciousness,” which describes it pretty well. You can read a sample section and reviews on Amazon.com.

Also posted in Affiliates, Blog, commentary, Documentary, Engineering, Friends of TWS, History, Men, News, Politics, Popular Culture, Portraiture, Science