Affiliates Archives - Tony Ward Studio

Daniel Gwynn: Interview

Daniel Gwynn exonerated death row inmate #197 — Daniel Gwynn 197. Photo Tony Ward, Copyright 2025

Daniel Gwynn: Interview

TW: Does the state of Pennsylvania provide reparations or any form of compensation for prisoners who were wrongfully convicted?

DG: No they don’t, not even an apology.

TW: When you were incarcerated, what was the thing you missed the most about loosing your freedom?

DG: I missed my family the most, especially when they started getting sick and dying. I couldn’t be there to hold their hands, say goodbye, or apologize for my misdeeds.

TW: What was a typical day like living on death row and in solitary confinement?

DG: Waking up every morning at 6am to stand at the door for count; catching the guard with the sign-up sheet for the yard/ shower; then the morning meal. Most of the day was spent in my 8’ x 10’ cell watching TV, painting and educating myself about fighting this injustice.

TW: You met the legendary Mumia Abu-Jamal who like you continues to profess his innocence. Why do you think the state of Pennsylvania won’t provide him with a new trial even though in 2011 he was taken off of death row and moved into the general population?

DG: In my opinion, Mumia is in a political quagmire that has spiraled out of control. His accusers forged this case against him to blame him for the death of Officer Faulkner in spite of the evidence leading to a more likely suspect. Mumia is a political activist in the wrong place whom they wanted to silence.

TW: What was that first day like when you were released from prison on February 28th, 2024.

DG: I was very disoriented and fearful, thinking that the guards were going to come after me and drag me back because I know how evil these people can be. Also, it didn’t feel real, even after I walked into my aunt’s house and saw my family standing there in front of me. Sadly, I couldn’t recognize any of them. I missed watching them grow up. I couldn’t feel the immediate connection.

TW: What was the key to surviving 30 years in prison mentally and physically?

DG: The keys to my survival were educating myself and learning to paint. Some of the other death row prisoners like Mumia taught me the importance of education and finding my strengths to make it from one day to the next. One of my strengths was painting. My paintings helped me navigate through my childhood traumas and pains. It also helped me acquire income to purchase books, commissaries and to provide charity to pay it forward.

TW: While incarcerated you started to tap your creativity as an artist by relaying on canvas the things that you went through leading up to and during your incarceration? How much did your creative pursuits assist you in enduring the daily trauma of prison life?

DG: Prison, especially death row solitary confinement is a Hell that can make you or break you. My righteous indignation over my unjustified imprisonment lit a fire in my belly to fight back. Through art, I found my voice to tell my story in a way that the public could relate and sympathize with what I was going through. I didn’t know this at the time. I was just trying to survive by putting one foot in front of the other. My art and story drew local and international attention.

Art work by Daniel Gwynn during his 30 year stay on death row — Artwork by Daniel Gwynn, Copyright 2025

TW: You have a perspective on life like most folks if fortunate never will have. What would say to those who have never been imprisoned that take their freedom for granted?

DG: I would say that it’s a shame that they are taking their precious freedoms for granted: the right to vote; the freedom to choose how you live; the freedom to have a family and raise them; and the freedom to make this world a better place. I was trapped in a box where the walls closed in on me day after day, and I was suffocated by the onslaught of corruption, biases and injustices with my hands tied. Out here, I see people walking around with their hands tied and taking for granted those precious freedoms; a self-inflicted debilitation that’s leaving people angry and feeling hopeless.

TW: Why do you think there is such a high recidivism rate amongst black men in America?

DG: I believe it’s due to the intentional systemic miseducation and socio-economic attack on the black community. The game is rigged, and with boots on our neck we can’t breathe. When I got out, I had to sign up for welfare benefits to help get me started. A couple of weeks later I found a part- time job and a place to live. Seeking to follow the rules, I reported this to the welfare office. Would you believe that they immediately cut my benefits.

TW: What is a typical day like for Daniel Gwynn these days?

DG: Most of my time is spent alone studying, working and exploring. I’m trying to learn about the world out here and how to be a good steward. Tackling technology and social scenes has been my greatest challenges. I’m also battling the mental imprint left on me by prison. I’m making progress though while advocating for the next wrongful conviction to be overturned.

To access the artwork of Daniel Gwynn, the 197th person to be exonerated from Death Row in America, link here: https://www.danielgwynn197.com

Daniel Gwynn: The Cell and The Yard

death row prison cell — AI Illustration by ImageFX

The Cell and The Yard

My cell was on the second tier on the very narrow part of the catwalk. The door was steel, with a sliver of a window and a horizontal slot in the middle of the door for passing meal trays through, and my hands for cuffing. The cell dimensions were 8-by-12 feet reinforced concrete steel walls. The metal furniture (bed frame, stool, desk cabinets & sink toilet combo) was bolted to the walls and floor. A flimsy plastic mattress and pillow were stuffed with some kind of synthetic fibers were provided to sleep on. On the back wall was a vertical sliver of a security window framed by steel bars. The colors were drab and depressing. The cell, dark and cold, was provided with central air circulated through ventilation systems crusted with dust & disease, where if one person got sick everyone was at risk of getting sick.

I was in solitary confinement, where I spent 22 hours a day (Mon-Fri) eating alone, reading, watching a television I had to purchase, and teaching myself how to paint. My time was plagued by neighbors who suffered from mental illnesses that caused them to relive their horrible crimes. Some professing their innocence and searching for someone to believe them. Others were so terrified of being executed that they cried themselves to sleep. Some were so miserable that they wanted others to be miserable too. So they would bang on the walls or metal furniture in the cell all times of the day and night.

Daniel Gwynn artwork created while he was on death row — Artwork by Daniel Gwynn, Copyright 2025

My cell was constantly assaulted by guards in search of contraband or those who just wanted to be an oppressor. Every time I exited the cell, I was strip-searched. There was no privacy to wash up in the sink or use the toilet. The guards wanted to be able to see me at all times. This is the excuse they used to justify keeping a security light on in the cell all day and night, disrupting my sleep.

I was very angry about what was happening to me. But instead of being negative, I turned it into a positive and armed myself with the education to fight back. I acquired my GED, Paralegal Degree and taught myself to paint. I exercised in that tiny cell to stay in shape and surrounded myself with positive influences that not only provided quality education but also lessons on how to survive. To alleviate the misery of my confinement, I would play Chess with a neighbor, hollering Chess moves across the tier or in the vents. Most of the time we were given respect by the other prisoners who would allow us to play. I chose not to let this experience break me. I survived.

prison yard for death row inmates — AI illustration by ImageFX

The yard was a tiny space. There were 23 cages no bigger than a parking space lined up side-by-side in rows. We were enclosed with cyclone fencing for the walls and ceiling. Each gate was secured with a padlock. Two prisoners in a cage for two hours. Not very much room to walk, run, or even move around in. You had to be really cool to be in the cage with someone or out to settle a dispute.

We weren’t really permitted to bring anything to the yard. It depended on the guards’ mood. Sometimes, we could bring a board game, a deck of cards and maybe a bottle of water. Sometimes nothing at all. There was a prisoner yard worker who was permitted to bring out a toy box full of board games (Scrabble, Chess, & Monopoly) and boxes of Dominoes. There wasn’t much to choose from.

Under the watchful glare of the CO, the yard worker would walk from cage to cage passing out a board game, tissue or some contraband he was given permission by the CO to hand out, like a Ziplock bag to pee in. Once outside you had to stay out. You could go in to use the bathroom, but you couldn’t come back out. Most times, it was difficult to get a CO’s attention to be escorted back to your cell to use the bathroom. The COs would be inside taking a nap or playing cards.

Many prisoners would have a workout regimen with a group of others in the neighboring cages. Everyone would have their own version of the best workout list and would consult or critique each other’s list. We didn’t have any equipment or mats. Just the hard concrete. We’d use our winter coats or padded gloves to get down on the ground. When we didn’t have a coat, we’d use our jumpsuits. There wasn’t any pullup bar, so we’d string our jumpsuit through the holes in the fence and tie it off. We needed to stay in shape, maintain some form of good health because the food was bad, and we were locked down 22 hrs. Mon-Fri. No yard on Sat & Sun.

When two prisoners didn’t get along, they would sign up to get into a cage with each other. Once the CO went inside of the building, the two combatants would mix it up. The yard would grow eerily quiet while spectators watched silently, cheering on whomever was their favorite. The combatants were oddly respectful as they went at each other, not wanting to do too much damage to avoid drawing the attention of the Cos or medical. Once they’ve made their point, they’d pick up the loser, dust them off and go to their respective corners to boast about how they held their own or lick their wounds.

In other cases where they wanted to do some damage, they would smuggle their makeshift weapons to the yard (a piece of sharpened steel they found or toothbrush) and go at each other before the COs noticed. No care or respect for each other’s life. They wanted to do some damage. All of this violence sickened me, and I refused to watch. Some loved the violence and instigated the animosity or goaded the protagonists.

On a normal day, we’re in the yard holding intelligent conversations about legal cases, improving our quality of life, fighting the system, or playing board games/cards through the fences. My favorite games were Scrabble, Chess and Pinochle. Some COs would let us pair up in the yard with adjoining cages, so we could get a game in.

About The Author: Daniel Gwynn is an artist and former death row prison inmate in the state of Pennsylvania who served nearly 30 years for a murder he did not commit. Since his release on February 28, 2024, Daniel received his CPS (certified peer support specialist) in the PA department of corrections. To access Daniel Gwynns amazing artwork, link here: https://www.danielgwynn197.com/

Bob Shell: The Perils of Prison Life and the First Amendment

man writing a letter from a prison cell — Image FX

The Perils of Prison Life and the First Amendment

I made my living for more than thirty-five years from writing and photography. In my current circumstances I am blocked from doing photography, but I haven’t been blocked from writing — until now.

A bit of history first: I grew up in a media family. My father was a TV news reporter for WSLS TV, the NBC affiliate in Roanoke, Virginia. He also wrote short stories for magazines. My mother worked for The Roanoke Times newspaper and became an early computer expert. I literally grew up in TV studios and newspaper offices. So I guess it was natural that I’d gravitate to the media.

In 1971 I started working for WRFT TV, the ABC affiliate in Roanoke. My boss there was Adrian Cronauer, the real man Robin Williams portrayed in ‘Good Morning Vietnam.’ While working for Ade, I was also writing a monthly column on UFOs for Gnostica magazine, my first paid writing gig.

In 1973 I invented the Harley Stone Detective Agency and wrote a number of genre detective stories. I didn’t have much luck in getting them published, but several did appear in limited-circulation ‘fanzines.’ I put the characters and story ideas aside and didn’t think about them much for years.

In 2018 I learned that it was possible to self-publish books through Kindle Direct Publishing, a division of Amazon. com . I wrote my philosophical/scientific book ‘Cosmic Dance’ between then and 2019, when I published it. Considering that I had a zero promotion and advertising budget, it has sold reasonably well worldwide, and has been positively reviewed.

In 2021, with a lot of time on my hands, I decided to return to the Harley Stone Detective Agency characters, so I started working on my first novel, titled ‘The Adventure of the Abducted Actress.’

I finished the book in near final form in 2024 and only needed to review the author’s proof for final editing and correcting. Then I hit a brick wall. When the proof arrived

in early March at Dillwyn Correctional Center where I’m currently housed, it was confiscated. It was sent to the Virginia Department of Corrections’ Publication Review Committee. In spite of the fact that it has not been published, and obviously isn’t yet a publication, they put it on the VDOC’s Disapproved Publications Listing. That listing is many unnumbered pages long with twenty or more items per page, hundreds of books and magazines.

I’m in good company. Dr. Anthony Fauci’s latest book is on there, as is a magazine banned for containing a recipe for sauerkraut!

Like most detective stories, my book has some sex scenes. But I was very careful not to include anything beyond what could be found in multiple books in the prison libraries, books by well-known authors, including a Nobel Prize in Literature laureate.

After fighting for months to get my proof back so that I may publish my book, I’ve exhausted all of my institutional remedies, and must now take the issue into court.

We all know that the First Amendment to the US Constitution guarantees us freedom of speech. Beyond that, I am in Virginia. Article One, Section Twelve, of the Virginia Constitution says “Any citizen may freely speak, write, and publish his sentiments on all subjects.”

I may be in prison, but I am still a citizen, and I have that right. But the Virginia Department of Corrections is interfering with my right.

The problem with taking this issue into court is that I am not a lawyer and have no money to hire one, while the Virginia Department of Corrections would be represented by the Virginia Attorney General.

I need help to defend my right to publish my book. If you watch TV, you’ve probably seen the commercials for the ACLU in which they beg for donations and say they defend freedom of speech. So far, the Virginia ACLU hasn’t even had the common courtesy to answer my letters.

If anyone reading this blog can help, or has suggestions on who might help me, you may email me via JPay.com

by using my name, Robert Shell, and my state ID number, 1201280, or write me at Dillwyn Correctional Center, P. O. Box 670, Dillwyn, VA 23936-0670. Thanks in advance for any suggestions.

About The Author: Bob Shell is a professional photographer, author, former editor in chief of Shutterbug Magazine and veteran contributor to this blog. He is currently serving a 35 year sentence for involuntary manslaughter for the death of Marion Franklin, one of his former models. He is serving the 17th year of his sentence at Pocahontas State Correctional Facility, Virginia.

On September 16, 2024 Shell’s release date got moved up six years due to new “mixed charges” law to February 2, 2030. It was 2036.

To read additional articles by Bob Shell link here: https://tonywardstudio.com/blog/bob-shell-nova-nonsense/

Brian Hunt: Testimonial

photo of nude dancer shot at Tony Ward Studio by Brian Hunt — Photo: Ethimo Foto, Copyright 2025

Testimonial

I’ve shot In lots of studios. Most of them are commercial spaces repurposed to be a studio space. They have the normal advantages of commercials spaces. Large doors to load equipment, lots of wall sockets for power, high ceilings etc. With that stated those facilities have disadvantages. They are sterile and lack any hint of inspiration. Can one create in a space of this nature? Yes, but you will be fighting uphill.

Sometimes the space is shared with other projects that are going on at the same time. You could be right next to a group that is playing loud music and running equally loud equipment. All while you are trying to create a connection with the client, model or subject and share a flow of conscientiousness to generate the images that you want. You could negate the possibility of distractions by renting the entire facility, but that doesn’t remove the environmental aspect and would cost much more money. You will still be in a facility that is probably better suited to making widgets, than it is to making Art.

Tony Ward has curated the environmental aspect of his property to be as inspiring as it is functional and accommodating. As soon as you arrive at the enclave you will know that you are in a space that is dedicated to the creation, and appreciation of Art. You are surrounded by Art in various forms including artwork produced by members of his family, namely his father Milton Ward. The exterior walls of the studio are painted in a multi colored patterns, a direct homage to the paintings of his father. The walls of the Ward residence are covered in framed Art in several different mediums by a variety of artists. The furniture is mostly vintage mid century modern and arranged to promote gathering of minds to share ideas. Collections of sculpture, tools, books, and artifacts gathered over a lifetime of artistic endeavors are all on display. The entire property is an Art gallery, with space reserved for you to create your Art.

To learn more about renting studio time at the Tony Ward Studio in Elkins Park, link here: https://tonywardstudio.com/rental/

Bob Shell: Nova Nonsense

Illustration_Roswell_lab-Nova — A.I. simulation of Roswell Lab.

Nova Nonsense

I was excited when I saw the announcement that the PBS science series NOVA was going to devote a program to UFOs. There have been several very good recent programs on NEWSNATION, so I had high hopes for PBS taking the subject seriously for a change.

Unfortunately, the NOVA program was a bunch of poorly researched nonsense. They ignored most of the good research done since at least the 1950s.

As just one example, Major Jesse Marcel, the man who first collected some of the debris from the Famous Roswell event, said on numerous occasions late in his life that the debris he was holding in the famous press conference photo was not the material he recovered from the Foster Ranch near Roswell, New Mexico in the summer of 1947. There was a coverup by the government, which was later admitted. But NOVA repeated the long debunked nonsense that what crashed was a Mogul Balloon Array.

I knew Jesse Marcel, Jr. He wrote the foreword for the 1997 book ‘Beyond Roswell,’ of which I was the coauthor.

Jesse Jr. was twelve years old when his father excitedly came home one night to show his wife and son some of the debris he’d collected on the Foster Ranch. It was not debris from a weather balloon, with which Marcel was quite familiar, nor was it debris from a Mogul Balloon train, which Marcel would easily have recognized.

Marcel Senior had been involved in balloon recoveries, and would never have confused balloon debris with exotic material. There was material that looked like tinfoil, but when crushed and released, returned to it’s original shape. (We are just learning to make such ‘memory materials.’) There were I-beams with ‘hieroglyphics’ on them that were as light as balsa wood but could not be bent or burned.

In that photo, taken by James Bond Johnson, General Ramey is holding a telegram. Image analysis has shown that it refers to ‘victims’ of the crash. Weather/Mogul balloon victims?

It was a disservice to PBS viewers to present long disproved material as factual and irrelevant pseudoscience about the videos taken by fighter pilots, the famous ‘TikTak’ and ‘Gimbel’ videos and others.

The program was essentially another tired old attempt to debunk the whole UFO phenomenon, attempts to explain the extraordinary as misinterpreted ordinary. We’re long past that.

Toward the end of the program, they repeated the old ‘They can’t get here from there’ mantra, because the universe is just so big. This reminds me of Lord Kelvin saying that heavier than air flying machines were impossible. Yes, they were — within the technological framework that Kelvin understood. Just because we can’t build faster than light (FTL) craft with our current technology does not mean that it is impossible. NASA is, in fact, exploring the possibilities of warp drive technology in Houston. A civilization even a hundred years in advance of ours probably has solved the problems of FTL travel, or might be using quantum teleportation to instantaneously jump from place to place in the universe. Physicists have already done quantum teleportation on a molecular level.

The argument that ‘they’ can’t get here is specious.

I have been researching the UFO phenomenon since the 1960s. In the early 1970s I wrote a regular column on the subject for Gnostica magazine. I have watched numerous feeble attempts to debunk the phenomenon over all of those years, but the UFOs ignored the nonsense and just kept doing their thing, and people worldwide kept seeing and encountering them.

It’s long past time to stop the silliness and admit that they are here, we don’t know what they are or where they’re from, and they’ve been here a very long time.

On September 16, 2024 Shell’s release date got moved up six years due to new “mixed charges” law to February 2, 2030. It was 2036.

To read additional articles by Bob Shell link here: https://tonywardstudio.com/blog/bob-shell-ancient-aliens/