Photography, Video and Text by Tatiana Lathion, Copyright 2020
The Man, The Basement
In this series, the artist chose to shoot in a basement. Why a basement? Well, in many ways, the basement symbolizes a sort of dark unfinished place, a place where our emotions dwell, where we experience the raw affect of feeling. In reality, many use the basement to store unwanted or unneeded items. It is often a place in a house that remains in a constant need of repair and disorder or casual place of gathering. It is never the first room to be shown to guests and is often times never shown to guests. In horror movies, it is the place where a character meets their death and is often associated with uneasy feelings. A finished basement is never the norm and is often met with surprise as people expect its rough edges. In this series, it symbolizes the place where we hide away our emotions. It represents the darkest and innermost sense of self, where we are allowed to express ourselves.
The subject of this series is a young black male, dressed in all black clothing. In this series of images, he expresses four emotions: sadness, despair, happiness, and love. In the hyper masculine society that we dwell within, there exists a societal standard that inhibits a free, uncritical expression of emotion from the male population. In many ways this is only intensified by the subjects blackness. In our society, the black population in the United States cannot afford to express emotions freely for being fearful of being viewed as weak, irrational, or unhinged by the ruling state. Instead, a burden is enforced in many minority households of this population to uphold and withhold their emotional state from others. Emotional expression is thus rejected two-fold for the subject of this series. However, in this darkened place, the subject is encouraged to express an emotional state. This symbolizes the inner emotional conflict of the subject, which is often never revealed to the general public.
In short, this series of images constitutes a small glimpse into the soul of the subject. It symbolizes the raw emotional state of the self and the continuous growth of human emotion. The subject and the setting are juxtaposed against shinny silver garland that is hung on the exposed pipes of the basement. For me, the reflective material represents an attempt to dress the dark unfinished parts of the human soul. It reflects the light and seems unnatural in the space and yet it adds to a concept of improving the self and allowing for emotional expression. I feel as though self-care and self-love has become this very surface level movement that attempts to improve years of trauma and emotional suppression with a face mask or some trivial material fix. However, to really heal and fix the human soul, it takes work and emotional upheaval of that suppression.
This series, attempts to create a visual representation of an abstracted construction of the holding place for the subjects emotions. It touches on the suppression of emotion by the subject and an expanded identity as well as attempts to reconstruct the artificial attempts to heal emotional trauma.
About The Author: Tatiana Lathion is a senior enrolled at Haverford College majoring Political Science and Government.