Category Archives: Photography

Emily Williams: Home/Solitude

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Photography and Text by Emily Williams, Copyright 2020

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HOME/SOLITUDE

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I dedicate this series to my grandfather, Leon Williams.

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Driven by my frustration with the passage of time without a singular place to call home, I started to think about the meaning of home—a feeling rather than a physical space. A feeling that I chased, both literally and figuratively, while running countless miles on roads both familiar and unfamiliar. Listening to the sound of my own feet, in part, lead me to this series.

As the series grew, it started to center around solitude, the feeling I always circle back to when meditating on home. I wanted to explore the range of emotions contained in solitude—from loneliness, to peace, to anger. I aim to create visual representations of quiet that convey and explore the nuances among feelings that come with large amounts of time spent alone.

My photography searches for the evidence of humanity—an unmade bed, an abandoned shoe, an open window, a dilapidated gate—to discover who was or will be in that space. I want to find places that mean something to whomever may have inhabited them but appear vacant at the moment they are photographed. I felt the mundane, uninhabited nature of these scenes best convey solitude.

In the first few months of working, I mostly photographed inside houses. I was drawn to the easily recognizable evidence of their inhabitants. Later, other spaces that were not as easily recognizable as inhabited, such as landscapes and abstract pieces, were incorporated into my work.

Throughout the year, I have been consistently concerned with the geometry of my compositions with the exploration of different patterns of light. How light shapes what we see, how it defines space, and how its presence and absence creates mood fascinates me.

I used analog and digital processes in making and printing my photographs. I have printed on 11 in. x 14 in. Ilford warm tone, silver gelatin paper, and made inkjet prints on Baryta Photo Rag paper of the same size. I started by printing on the Ilford warm tone paper in the darkroom, and found that it allowed for more detail to be visible in heavy shadows. I chose the Baryta Photo Rag because it was the closest digital equivalent. I have used both the analog and digital processes in order to print each photograph in the process that suits it best. The photographs are taken primarily with Kodak 400TX film, in both the 35mm and 120mm sizes; I have on several occasions used Ilford HP5 for my 35mm photographs. Both of these films have a wide exposure latitude, allowing me to push and pull them as needed and giving me the flexibility to shoot in a wide range of lighting situations.

My work is inspired by that of Abelardo Morell, mainly from his three series Childhood, Still Lives, and Light, Time, and Optics. He records light and shadow, patterns, and domesticity to create compelling photographs of the everyday. I draw aspects of my creative process from Haruki Murakami’s book What I Talk about When I Talk about Running, where Murakami seamlessly connects his work as a fiction writer with running.

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About The Author:  Emily Williams is a recent graduate of Haverford College majoring in Fine Arts and History.  Class of 2020.

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A.H. Scott: Teddy Bare

Photo: Tony Ward, Copyright 2020

 

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Text by A.H. Scott, Copyright 2020
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Teddy Bare
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Mary used her key that Teddy gave her to pop into his house when he wasn’t there to enjoy his pool in the back.
White dress with black buttons was quickly undone, as Mary peeled off blush colored bra and panty.
She knew he would be home soon and took a quick swim to cool off.  
Coming to the shallow end of the pool, she pulled herself partially onto the deck.
Resting her head atop of her arms on the edge of the pool, Mary closed her eyes with her legs lightly brushing against the Italian marble so cool.
Teddy had arrived to his home about ten minutes earlier and changed out of his boring attire into something frisky for this sunny afternoon in August.
Teddy bare was a pleasant sight out of the corner of Mary’s eye, as he dove into the opposite end of the pool.
Little was a splash made as his sights were set upon her.
Mary closed her eyes again and called out to the swimmer approaching her, “Teddy, how was your day?”
Coming closer to where she was, Teddy was eager to reply, “Better now to have your luscious body beaming beneath the sun’s rays”.
Mary was no fool, as she perched herself slightly outside of the waterline of that pool. Her ass was like a peach on the horizon of a ripple of water.
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Photo: Tony Ward, Copyright 2020

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Teddy had hands quite sizable, which Mary enjoyed in any kind of variable on her body.
That first touch of fingers making contact with her hips made Mary murmur a bit.
Scooping upward around both breasts, Teddy’s hands massaged each nipple slowly and pressed his body inside of her from behind.
Inside of Mary’s flower, she welcomed every insertion of this man’s desire.
Yet, this woman had her own sense of power in being with him.
Natural slip and slide of mutual inches of expanding pride were setting off sparks in the shallow end of that pool.
Teddy’s hands caressed her moist ass with adoring care, as Mary’s palms playfully drummed out a beat against the edge of that pool.
So good it was, as she made her move on him with measured pace of motioning herself around in that water to face this lusty man of this house.
Their eyes met as did their flesh again and again. Water moved between them with every point of contact, as intensity and serenity filled their gazes.
Tongues teased one another; with his tip racing along right side of her neck and soft kisses she was giving to his left cheek and parallel pectoral.
Feeling him inside of her, Mary’s soul pulsated with that headiness of horniness that she rarely revealed to anyone.
As for Teddy, he was a man consumed with pleasure in being with a woman who knew what she needed and expressed herself as wanting in fulfillment.
Locomotion of push and pull was theirs in that water, as Mary’s arms and legs wrapped around Teddy’s body.
Trickle of culmination, confidence and care came in satisfaction’s exhalation and roaring enthrallment in that pool area.
On a sun-drenched afternoon in August that was delightfully beyond compare, Mary expressed her deepest gratitude to Teddy bare.
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Photo: Tony Ward, Copyright 2020

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About The Author: A.H. Scott is a poet based in New York City and frequent contributor to Tony Ward Studio. To read additional articles by Ms. Scott, go here:https://tonywarderotica.com/onehundredthousand/
 
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PSA: Pennsylvania Primary Day – VOTE!

PSA: Pennsylvania Primary Day – VOTE!

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Huiping Tina Zhong: Captivity

Photography and Text by Huiping Tina Zhong, Copyright 2020

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Captivity

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I have been following the update of the COVID-19 crisis since the very beginning when it was first discovered in China. Because I’m a Chinese international student, I’ve been worrying about my family and friends back home, although I did not expect that crisis to hit the US so soon and so hard, given that there were plentiful time for the government to execute precautions since the breakout in China in early January. I was in immense frustration, anger and sadness for the beginning of the social isolation period, yet now that intense emotions have passed, I’m increasingly aware of the fact that I’m not only physically trapped in my tiny apartment, but also am emotionally trapped in my lack of motivation and in my lethargy. Many have encouraged the public to face the current crisis with a positive attitude, yet it occurred to me that it was important to ponder negative feelings. Pondering and taking in these sensations in isolation is not only important for personal development, but also necessary for the progress of a society. Therefore, I shot these series of 24 pictures in my apartment to sit with the self that feels trapped.

When one is trapped, the positive thing is that one actually gets to spend more time with objects and self. As one observes the quotidian objects from different angles, the structures of these objects start to deconstruct. As their geometrical and linear structures get foregrounded, objects lose their identities while acquiring new poetic sensibilities. 

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About The Author:  Huiping Tina Zhong is a senior majoring in Art History at Bryn Mawr College. To access additional articles by Huiping Tina Zhong, click here: https://tonyward.com/iceland/

 

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Tatiana Lathion: Silence Among Chaos

 

Photography and Text by Tatiana Lathion, Copyright 2020

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Silence Among Chaos

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It is spring in the year 2020. The world is silent, as the pandemic has forced the voices of the people inside. For me, the pandemic has sent me back to my hometown of Ponte Vedra, Florida. This is the place that saw me ride a bike for the first time and the place that I said goodbye to my parents four years ago as I made my way to Pennsylvania for college. I grew up here, saw the infrastructure grow over the years and experienced the excitement of southern hospitality. My house was the place I went to sleep in and every waking minute was spent outside in the sun. The only memories spent indoors over the years were during hurricane season in which the howl of the wind and rain were too dangerous to be experienced outside. 

During this quarantine, my experience of this town has changed drastically. The once crowded restaurants, boardwalks and beaches now lay empty. The people I interact with are limited to just my mom, dad, and dog. In this series of images, I focused on this concept of emptiness and isolation juxtaposed with the growth that occurs in the absence of humans. The beaches and nature seem unbothered by the lack of people while the existing infrastructure seems out of place with nobody to utilize it. While the lasting impacts of this prolonged isolation are yet to be realized, the moments of joy throughout this process have been truly rewarding.

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About The Author: Tatiana Lathion is a senior enrolled at Haverford College majoring in Political Science and Government. To access additional articles by Tatiana Lathion, click here:https://tonywardstudio.com/blog/barbara-kruger/

 

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