Text by Rachel Grand, Copyright 2021
Stephen Shore’s Merced River, Yosemite National Park, California, August 13, 1979
Stephen Shore is an American photographer still living and working today. Shore’s oeuvre is characterized by his highly detailed photographs. They are color film shots, taken on an 8×10 view finding camera. Shore is unique for this type of work. Early on in his career in the 1960s, photography was not so established as a form of high art. His fellow photographers were eager to establish themselves as “fine art” photographers, and used black and white, and or 35 mm film to do so. Shore’s color and large-scale works set him apart and was his form of rebellion against those conventions. Shore was never formally trained, nor an assistant to an established photographer. Nevertheless, by the time he was 23 he had already been exhibited at the Metropolitan Museum of Art.
The photograph that is in Haverford College’s collection, Merced River, Yosemite National Park, California, August 13, 1979 is a part of Shore’s series Uncommon Places 1973-81. This series is where Shore investigates the ambivalence of the American landscape. Because of the medium requirements of shooting with such a large camera, with a tripod and long exposure times, Shores photographs are deliberate, posed and complex.
Shore’s Merced River triumphs in its depiction of landscape, humans and their composition. If the sheer beauty of the landscape was not enough, his framing of it only heightens its intrigue; the curve of the river complements the mountains behind it. The smattering of people around the scene, all in their own world, show the human interaction with the landscape. Shore takes the photograph from a high vantage point, so the figures are small, and the enormity of the landscape takes precedent. What is most remarkable about this work, along with all of Shores work, is the fine detail of the print. With his process of using an 8×10 camera, he is able to sharply capture all of the detail present within the frame. Stephen Shore contributed to the history of photography by creating works of art that were unafraid, technically intricate and bold compositionally.
Dahó, Marta. Stephen Shore. First edition. New York: Aperture, 2014.
About The Author: Rachel Grand is a recent graduate at Bryn Mawr College majoring in Fine Arts and History. Class of 2021. To access additional articles by Rachel Grand, click here: https://tonywardstudio.com/blog/jewish-in-the-bi-co/