Category Archives: Film

Picture of the Day: Caesars Palace, Las Vegas 1980

Caesars Palace Las Vegas 1980. Photo: Tony Ward, Copyright 1980

 

Photography and Text by Tony Ward, Copyright 2020

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When I first started my professional career in 1980 as a staff photographer for the behemoth pharmaceutical company, Smithkline & French I was assigned to photograph executives for the company at a sales meeting held in Las Vegas, Nevada.  I booked a hotel room at the casino in the over the top Liberace suite. For those readers who are unfamiliar with Liberace, he was a flamboyant pianist, singer and actor who performed regularly in Las Vegas and around the world until his death in 1987. Unfortunately, I didn’t take a picture of the suite, but I remember there was lots of red, and a giant mirror hanging on the ceiling over the master bed! This was quite the introduction to sin city.

After I got settled in, I loaded my camera with film to take a walk around the premises to take some pictures. As I entered an elevator to head down to the lobby, Roberto Duran was in the elevator. I noticed his large infamous “hands of stone” as he was also staying at the hotel for a fight against another great boxing champion, Sugar Ray Leonard.  This was the type of place where people watching was also a sport, especially by the outdoor pool where guests  enjoyed Pina Coladas while soaking in the blistering desert sun. 

This was the casino that became famous not only for the prize fights that were held there, but it was also where a dare devil on a motorcycle by the name of Evil Knievel staged his dramatic leaps in the air over the outdoor fountains at an unimaginable distance. This picture was taken on a walkway leading guests from a parking lot to the main entrance. 

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To access additional photos from the early days of my career, click herehttps://tonyward.com/early-work/

 

Also posted in Architecture, Blog, Cameras, Contemporary Architecture, Documentary, Engineering, Environment, History, lifestyle, Light Table, Photography, Popular Culture, Travel

Close Ups: 1990’s

Club Kid. Philadelphia, 1997. Photo: Tony Ward, Copyright 2020

 

 

Photography and Text by Tony Ward, Copyright 2020

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Close Up’s: 1990’s

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During the early 1990’s, I purchased what would eventually become an indispensable piece of equipment for my portrait photography, the ring flash.  This unique flash lamp that creates shadowless light on a subjects face at close range intrigued me from the first time I saw it being employed by fashion photographers beginning in the 1960’s. My work as an editorial photographer evolved in part because I developed a style of portraiture based on my use of the ring flash that captivated the attention of various picture editors at large circulation magazines including Vibe, New York, George, Cosmopolitan, Penthouse, and Max magazine in Europe.  

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To access the complete portfolio of this body of work, click herehttps://tonyward.com/early-work/close-ups-1990s/

 

Also posted in Art, Blog, Documentary, History, lifestyle, Light Table, Philadelphia, Popular Culture, Student Life

Studio News: A Return to Teaching

A Photography Critique at Haverford College. Photo: Dan Burns

 

Text by Tony Ward, Copyright 2020

After a two year hiatus from teaching, I have accepted an invitation as visiting instructor of Fine Arts at Haverford College. On December 17th, 2019 my first meeting with photography students took place at the Jane Lutnick Fine Arts Center. My colleague Professor William Williams asked me to join him for a final critique of student work performed during the fall semester. In preparation for lecturing at Haverford I am currently reading, Criticizing Photographs by Terry Barrett. I look forward to the opportunity of teaching a color course with these bright exceptional students at Haverford beginning this month.

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About Tony Ward:

Tony Ward began his professional career in 1980 as a corporate photographer for the pharmaceutical giant, Smithkline Corporation.  After several years of working in the department of corporate communications for Smithkline, he opened the Tony Ward Studio in Philadelphia, to service a variety of Fortune 500 companies and smaller business entities.

His personal work and research during the past 25 years has been rooted in exploring the visual cross sections of fashion and erotic photography by capturing the impact the sexual revolution of the 1960’s had on advertising and in particular magazine publishing.  His first book of photography, Obsessions with forward by A.D. Coleman was his first attempt at challenging the lines drawn between Art and Obscenity by questioning social mores, existing laws, and the evolution of photographic imagery that is viewed as inappropriate in some cultures and acceptable in others. He is particularly interested in further examining the first amendment right to freedom of expression and the impact censorship has had on the evolution of photography’s history.

To access Tony Ward’s curriculum vitae, click here:https://tonyward.com/about/

 

Also posted in Announcements, Art, Blog, Book Reviews, Cameras, Current Events, Documentary, Environment, Exhibitions, History, lifestyle, Men, News, Philadelphia, Photography, Popular Culture, Portraiture, Science, Student Life

Studio News: Recent Vintage Print Sales

Recent Sales

 

 

STUDIO NEWS:

A pair of limited edition vintage prints from the archives of Tony Ward have been purchased for $5500.00 by a wine connoisseur based in Geneva, Switzerland. Caress. New York, 1997, a vintage gelatin silver print in the size of 16 x 20 recently sold for $3000.00.  Surrogate. New York, 1997, was sold for $2500.00. 

For information regarding print sales contact: tony@tonyward.com

Also posted in Advertising, Announcements, Art, Cameras, Environment, Erotica, Fashion, Gifts, Glamour, History, lifestyle, Models, Nudes, Photography, Popular Culture, Portraiture, Travel, Women

Bob Shell: Political Correctness

The Kiss. Tony Ward, Copyright 2019

 

Text by Bob Shell, Copyright 2019

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Political Correctness

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I’ve never been a particularly politically correct person. I’ve lived my life my way, caring little for the prevailing winds of intellectual fashion. Today I learned of something that really takes the cake as far as PC nonsense is concerned.

We’ve all seen the famous photo of a serviceman kissing a nurse in New York City on VJ day, the day the Japanese surrendered, ending World War II. It was a nationwide block party, with everyone carried away in jubilation. The serviceman didn’t know the nurse, actually a dental hygeinist, and his girlfriend was a bystander. He and his girlfriend were later married, and their marriage lasted until his death recently at age 95. The dental hygeinist died last year. A statue was erected in Florida a while back based on the.photo to commemorate the event. Now that statue has been vandalized with graffiti as a protest because the woman was kissed without her consent. She was interviewed multiple times, and always said she didn’t mind the kiss.

We must beware of applying today’s standards to events in the past.

The only time I’ve experienced public jubilation like that of VJ day was when I had the serendipity to be in Bonn, Germany, on October 3, 1990, German Reunification Day. I left the apartment where I was staying and went out into the streets to experience this truly once-in-a-lifetime event. I had steins of good German beer pressed on me from all sides. People were dancing in the streets and singing the German National Anthem, Deutschland uber Alles (Germany over All), at the tops of their lungs. Men were kissing women, women were kissing women, men were kissing men, and I was right in the middle of it all. I was kissed a few times and no one asked my consent. And did I care? Absolutely not! The joy was infectious, and I let myself flow with it and into it. I got very drunk that night, and I suspect, so did the New York crowds on VJ Day. So why spoil that infectious joy all these years later? If you weren’t there, you’ve no right to criticize.

The trend to apply today’s standards to people and events of the past is very disturbing. People and events of the past must be judged by their own contemporary standards. Measured by the societal mores of today, just about every hero of the past will come up wanting. We wouldn’t have this country today if not for men like Thomas Jefferson, Benjamin Franklin, George Washington. Patrick Henry, and so many others who wouldn’t pass muster today. But they were creatures of their times, and outstanding thinkers who fought for the freedoms most take for granted today. They did things totally unacceptable today, like suppress women and own slaves. In the modern world their behavior would be contemptible, but they were. creatures of their times.

Probably, most of us will be very much out of sync with the mores and standards seventy-four years hence. Will people of 2093 judge us by the standards of their day? I certainly hope not.

My several times great grandfather, Hugh McCracken, was a Virginia farmer. He wasn’t wealthy, but he got by. When Virginia was invaded by Union troops at the beginning of the “Civil War” he joined the 36th.Virginia Infantry to defend his homeland. Was he wrong to do so? When Virginia joined the Union, she reserved the right to leave at any time. When she decided to exrrcise that clause and leave the Union, she had as much right to do so as Britain today has to leave the European Union. I don’t expect to see Brussels sending EU troops across the Channel to force Britain back into the European Union, but that’s exactly what Lincoln did.

Luckily for me Grandfather McCracken survived the war and returned to his farm to raise a family, or I wouldn’t be here today. I’ve read his war diary, and it’s horrible. He describes scenes of dead men and horses scattered across the landscape and streams running red with their blood, and having to drink from streams with bodies in them because it was the only water. I’m proud of him for defending his home against invaders, and resent anyone portraying him as anything but a brave patriot. Would he stand up well if judged by today’s standards, more than 150 years later? Probably not, but he stands up heroic by the standards of his day, and I’m proud to be his descendant. To hell with political correctness!

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About The Author: Bob Shell is a professional photographer, author and former editor in chief of Shutterbug Magazine. He is currently serving a 35 year sentence for involuntary manslaughter for the death of Marion Franklin, one of his former models.  He is serving the 11th year of his sentence at Pocahontas State Correctional Facility, Virginia. To read more letters from prison by Bob Shell, click here: https://tonywardstudio.com/blog/bob-shell-social-security-slavery-etc/

Editor’s Note: If you like Bob Shell’s blog posts, you’re sure to like his new book, COSMIC DANCE by Bob Shell (ISBN: 9781799224747, $ 12.95 book, $ 5.99 eBook) available now on Amazon.com . The book, his 26th, is a collection of essays written over the last twelve years in prison, none published anywhere before. It is subtitled, “A biologist’s reflections on space, time, reality, evolution, and the nature of consciousness,” which describes it pretty well. You can read a sample section and reviews on Amazon.com.

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