The Photo Review is a critical journal of international scope and readership. Publishing since 1976, The Photo Review covers photography events throughout the country and serves as a central resource for the Mid-Atlantic region. With incisive reviews, exciting portfolios, lively interviews, the latest in books and exhibitions, The Photo Review biannual journal has earned a reputation as one of the best serious photography publications being produced today. Our writers — including A.D. Coleman, Stephen Perloff, Shelley Rice, Peter Hay Halpert, Barbara L. Michaels, Jean Dykstra, and Mark Power — have weighed in on subjects as varied as the posthumous publication of work by Diane Arbus, women in photography, the growth of digital media, the historical movement from Pictorialism into Modernism, etc., etc. In his ongoing series, “The Censorship Diaries,” Editor Stephen Perloff was in the forefront in covering the controversy over funding for the NEA and censorship of the arts.
The Photo Review has earned a reputation for lucid and incisive writing aimed at an intelligent and informed audience, but free of the cant and jargon that infects much contemporary writing about art. Thus, both arts publications and the popular press have looked to us for interpretations of what’s happening on the photography scene. Articles have been reprinted in such publications as Afterimage, To, Photography in New York, American Photo, and others.
Editor Stephen Perloff, a respected writer, educator and photographer, has been interviewed for The New York Times, The Toronto Globe & Mail, The Wall Street Journal, the Philadelphia Inquirer, Photo District News, and the New York Observer. He has received two critic’s fellowships from the Pennsylvania Council on the Arts and the Colin Ford Award for Curatorship from the Royal Photographic Society.
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