Category Archives: Glamour

Alejandra Guerrero: Wicked Women

Photo: Alejandra Guerro, Copyright 2020

 

Photography and Text by Alejandra Guerrero, Copyright 2020

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WICKED WOMEN

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Wicked Women is my first solo book and a photographic monograph of 12 years of my works in erotica with emphasis in fetish photography. It presents my vision of sensual, strong and sexually confident women, with images full of narrative and erotically charged stark portraits. It presents my visual aesthetic, including elements of fashion and fetishism blending seamlessly together. Fetishism relies heavily on garments as symbolic elements of power and surrender which I delight in using in my work. It presents a type of woman I like to call a “Vamp”, a seductress, dark and mysterious with a bit of film noir, Femme Fatale. She is in tune to her desires and her fantasies, without apologizing. It flows sensually and provocatively. 

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Photo: Alejandra Guerrero, Copyright 2020

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The story of how this project came about happened in New York City in the Spring of 2018, when I met David Jenkins, the editor in chief at Circa Press, London, England. He had an interest in doing a book with me. I had some ideas, but then a section on my web site I had called “Wicked Women”, to group the more fetish oriented photos caught his attention as well as the title I  used for the body of work. We settled in the name quickly and then worked on selecting photos I had already shot that fit the theme of the book.  After we met,  I shot a few new photos to add to the portfolio, as well as the cover image, but the work was largely there from our first conversation. 

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Photo: Alejandra Guerreo, Copyright 2020

As a collector of books that have inspired and entertained me since getting into photography, I’m very excited and thrilled to launch my Wicked Women unto the world. Please support my Kickstarter campaign by clicking on this link: https://www.kickstarter.com/projects/1649001578/alejandra-guerrero-wicked-women

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Photo: Alejandra Guerrero, Copyright 2020

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Portrait of Alejandra Guerrero by Tony Ward, Copyright 2020

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About The Author: Alejandra Guerrero is a photographer that has been establishing her unique vision for female empowered eroticism, fashion and fetish.  It is a vision that can be traced back to her early upbringing in Bogota, Colombia. A more conservative society, its constraints did wha  constraints so often do: the reverse of what was intended.  They filled her with a desire and curiosity that would eventually be satiated in the less judgmental underground communities in the US, where the erotic/fetish community would embrace her and show her that people could have more open minds about how they express their sexuality.  For Alejandra, this expression would take the form of a unique combination of seductive fashion, erotic fantasy and an unapologetic embracing of fetish as seen through the eyes of a powerful woman.

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Light Table: Frank Kelly Style Icon

Frank Kelly. Philadelphia, 1983

 

Photography and Text by Tony Ward, Copyright 2020

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I was looking through the archives recently and came across a photo of Frank Kelly, the man about town who defined mens fashion and style in Philadelphia during the 1970’s and 80’s. Frank was a style icon that I truly admired.  Always dressed to the nines, tall, handsome and seemingly always in a good mood.  He worked as a model between gigs in Philadelphia and New York and eventually became one of the most successful fashion salesman in Philadelphia, where his customers felt they could take  advice from him on what to wear in a boardroom or casually on the street.  He was incredibly charming and charismatic, qualities that defined his ability to sell to a wide range of customers.  Frank worked at various boutiques and eventually finished his career at Burberry’s until his retirement. Frank passed away in 2018 at the age of 79.

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For additional Light Table posts, click herehttps://tonywardstudio.com/blog/light-table-portrait-of-the-day-2/

 

Also posted in Accessories, Blog, Diary, Documentary, Fashion, Film, History, lifestyle, Light Table, Men, Models, Philadelphia, Photography, Popular Culture, Portraiture, Travel

Vibe Rouvet: Opera News From France

Vibe Rouvet

 

STUDIO NEWS

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On the 18th of January, 2020 French opera singer Vibe Rouvet continues to impress audiences at the New Year’s concert she performed at Pau’s conservatory in Lescar’s Cathedral, located in Pau, France.  She sang Mein Herr Marquis from Strauss’s opera Die Fledemaus, and the Flower Duet from Leo Delibes’ opera Lakme’.

Vibe Rouvet at Pau’s Conservatory in France

Vibe is a 19 year old student in Pau’s conservatory. The orchestra Chief is Guy Brunschwig a renowned director at the conservatory who performed with the students. 

Vibe had another concert at the Chapelle conservatory and sung the same song but with a higher end note (contre sol) higher than in the air of the Queen of the Night!

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For additional articles about this rising star in Opera, click herehttps://tonywardstudio.com/blog/vibe-rouvet-the-latest-from-france/

 

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Ed Simmons: Dancing Girls Harvard and Stone

Photography and Text by Ed Simmons, Copyright 2020

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Dancing Girls Harvard and Stone

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Chuck E Weiss. Yeah, I knew that guy. The dude from that Rickey Lee Jones tune, “Chuck E’s In Love”. I was hanging around with him back in the early 80’s at Hollywood’s Club Lingeri.  I read in the LA Weekly a few years back, that Chuck E Weiss was playing a late night set at The Piano Bar on Selma Avenue in Hollywood, so I go on down to check it out.

I bet around about now, you may be wondering how in the hell does this tie into “Dancing Girls”.  Austin was the door man at the Piano Bar that night, a Nigerian with one punch biceps, tells me that on Sundays, this spot, The Piano Bar, barbecues out back, and that I should start stopping by on a regular basis with my camera. I do and we become good friends.  As a photographer, the Sunday afternoon crowd at the Piano Bar was so interesting, so friendly and open to me, but like all slices of life in LA, this ends too before long.

Austin also informed he would be working the door at a spot in East Hollywood’s Thai Town, called Harvard and Stone, that I should start showing up there,  bring the camera, Austin, a bit of a ham…likes being photographed Hollywood ya know. This spot is sorta dark, I’ve got a pretty hot camera, I figure I can hang and see what unfolds. The location is built somewhat like a Hollywood set, lots of interesting industrial architectural treatments, a couple of bars, a smoking area in the back, a stage, live music, shoulder to shoulder people,  and very hard to move around this place, no tension though, everybody’s having fun!  

 One night, I’m  hanging by the front bar at Harvard and Stone chatting it up a bit with Yale, she’s cool, mostly says she bartends at the Hollywood Roosevelt, on this nite she was just filling in. The House Band steps onto the stage and start playing this raunchy tune with a filthy beat, then out from nowhere it seems as if dancing girls started to rain down through the rafters. They start dancing across the catwalks and bar, then down on to the stage. I was shocked, well… surprised,  I didn’t have a clue and couldn’t move. This crowd was thick, shoulder to shoulder.  Hell, no one in this mob was willing to give me an inch as I clicked away.

 The show ends, so I search out Austin as the crowd begins to thin out. He sees my look and ask’s well, did you get anything good? I’m like dude, I couldn’t even move but managed to get some great shots!

Two shows go on, Friday and Saturday nights.  I found the house always full, as I worked through a few months of making images at this venue, I found a need to pre plan. Photographing these dancing girls, week to week, nite by nite I had to pick my spot. If you are a photographer in LA its best to be friendly with door men.

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Ed Simmons photographed by Bonnie Schiffman. Copyright 1972

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Bob Shell: What’s in a Name

Portrait of Marion Franklin by Bob Shell. Copyright 2020

 

Photography and Text by Bob Shell, Copyright 2019

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What’s in a Name?

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I’m reading a very interesting book: Ancient History of Aratta-Ukraine by Yuri Shilov. I’ve read a lot of books on ancient history, but had never heard of Aratta, so when my friend Ed told me about this book, I just had to read it. Most traditional historians believe that writing originated with the Sumerian culture, but this book sets forth convincing evidence that writing originated much earlier in Aratta, in what today is Ukraine, perhaps as early as 20,000 BCE. The problem I’m having in reading the book is that the Ukrainians have recently changed all the names of places. Kiev is now Kyiv! Ruegen Island is now Ruyan. The Dnieper River is now Dnipro. The Dniester River has become the Dnistro. And so on, and because the book is translated from the Russian original, some of the maps are labeled in Cyrillic. The book is lavishly illustrated in black and white, and will fascinate anyone interested in ancient history who makes the effort to read it.

There’s an old song that goes something like:

Take me back to Constantinople,

No you can’t go back to Constantinople,

Now it’s Istanbul not Constantinople,

Why did Constantinople get the works?

That’s nobody’s business but the Turks.

I guess we should say the name changes are nobody’s business but the Ukrainians. But it sure can be confusing to an outsider trying to figure out where places mentioned in the text actually are. I have the same problem with India, where Bombay became Mumbai, and how did Burma become Myanmar and Rangoon turn into Yangon? I have a nice little Atlas I bought several years ago, but it hasn’t caught up with the dissolution of Yugoslavia or any of the more recent name changes. I think any book for outsiders should have the old name in parentheses after the new name, at least the first time it appears — Yangon (Rangoon).

Anyway, it seems that the Ukrainian legislature passed a law in 1995 requiring the use of the new names. But the Arsenal Factory certainly didn’t change the names of their cameras from Kiev to Kyiv! I have a collection of their cameras, many made after 1995, and the export versions all bear the KIEV nameplates. Those for domestic sale within the old USSR are marked KNEB with the N backwards, the equivalent of an “I” in the Cyrillic alphabet used by most of the countries of the former USSR, which looks like CCCP, but is actually SSSR. I had to learn the Cyrillic alphabet when I started collecting Soviet cameras in the 80s, so I’d know things like what looks like Zopkuu is actually Zorkii.

The folks at the Kiev factory struggled to make good products under the old Soviet system. My late friend Saul Kaminsky was the official US distributor of Ukrainian, Russian, Belarussian, etc., cameras, lenses, and other optical products. His company in Connecticut was called Kiev USA. He told me a story that once he went by the factory in Kiev to check on a shipment and found the factory shut down because there was no electricity. He located the manager who explained that the electric plant had no coal, so was shut down. He then went to the electric plant and they said they had no money to buy coal. So he went to the coal company and bought a trainload of coal that was delivered to the electric plant where they fired up the generators, and sent electricity to the camera factory, where the cameras Saul needed were then made. That’s how business was frequently done in the old USSR! One day Saul called me: “Bob, could I interest you in a hotel in Kiev?”. It seems that someone there owed him money and was trying to settle the debt with this hotel! Of course he knew I’d have no interest in a Ukrainian hotel, no matter how cheap! Selling cameras from the USSR was a sideline he’d stumbled into during travel for his real job, lighting technician for CNN. Saul used to say to me that I made him famous from my Shutterbug articles about his products. I used a number of his Soviet cameras over the years with good results, and have a bunch of them in storage right now. One of my first cameras was a Zenit B bought from the old Cambridge Camera Exchange in 1969 for $ 49.95 with 50mm f/2 Helios lens and leather case. The negatives I shot with that old beast are super sharp and contrasty. The folks in Russia, Belarus, Ukraine, etc. knew how to make good lenses.

This goes back to the end of WW II. The USSR troops, mostly Russian, took over the eastern part of Germany. They took the Zeiss-Ikon factory in Dresden, dismantled it, loaded it onto a train, and shipped it, lock, stock, and barrel, to Kiev. They also took the best Zeiss technicians. When I first learned of this in the 80s, many of those men were still living in and near Kiev, where they’d settled down, married, and raised families, and didn’t want to leave. Many of the first generation of Kiev cameras were built from German parts taken from Dresden.

The other best known Soviet cameras are the Fed series. The name Fed comes from the initials of Felix E. Dzerzhinsky, founder of the KGB, who wanted a quality camera to give his men. He had a factory set up to build the Fed camera, a part by part copy of a Leica. I don’t have my reference books here, but I believe they copied a Leica IIIa. I have around a dozen Fed cameras of different vintages. All are capable of taking excellent pictures. I also have a number of Russian fake Leica cameras, which enterprising Russians made from Fed cameras to sell to unsuspecting tourists. One of them is so good only an expert would know it wasn’t a real Leica. Saul picked most of them up for me on his trips to Russia and Ukraine. He also knew of my interest in mechanical watches and brought me a couple Shtermanskyi (Navigator) chronometers, the same watch Yuri Gagarin wore into space. They keep very accurate time but must be wound once a day. One has a rotating bezel for travel, and I used it for years in my trips to keep track of local time and time back home.

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About The Author: Bob Shell is a professional photographer, author and former editor in chief of Shutterbug Magazine. He is currently serving a 35 year sentence for involuntary manslaughter for the death of Marion Franklin, one of his former models.  He is serving the 11th year of his sentence at Pocahontas State Correctional Facility, Virginia. To read more letters from prison by Bob Shell, click here: https://tonyward.com/bob-shell-on-the-legal-front/ 

Editor’s Note: If you like Bob Shell’s blog posts, you’re sure to like his new book, COSMIC DANCE by Bob Shell (ISBN: 9781799224747, $ 12.95 book, $ 5.99 eBook) available now on Amazon.com . The book, his 26th, is a collection of essays written over the last twelve years in prison, none published anywhere before. It is subtitled, “A biologist’s reflections on space, time, reality, evolution, and the nature of consciousness,” which describes it pretty well. You can read a sample section and reviews on Amazon.com.

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