Category Archives: Models

Bob Shell: Learning to See and Equipment Meditations

Portrait of Kimberly Kane. Photo: Tony Ward, Copyright 2020

 
Text by Bob Shell, Copyright 2020
.
 
Learning to See and Equipment Meditations 
.
 

Many people, when they get into photography, become “equipment freaks,”. buying lens after lens in a quest for better photographs. I know, I was one myself. Those people keep the camera companies in business. I didn’t understand that better photography comes from training the eye and mind, not from accumulating more equipment. Yes, you do need some good equipment to make the best photographs, but adding lens after lens won’t make you see better. After going lens crazy early in my career I reached a point of saturation. Then I began to pare down my equipment to just what I needed. For most of my travel I carried a simple outfit of a 24mm lens, a 28-80 zoom, and a 100-300 zoom. Depending on where I was going I might add a 20mm, 100mm macro or a 400mm and 2X tele converter. I found I could handle almost any contingency with that simple outfit. I rarely used the 24mm or the long end of the 100-300 zoom range. My kit fit handily in a medium sized camera bag with room left for a flash unit and a bunch of film. After digital my kit didn’t change much, just a bunch of storage cards instead of film.

One time when I was going to Las Vegas for a week I challenged myself and took only a little Leica point and shoot with a 28mm lens. I came back with a bunch of great shots, and only wished for my regular kit a couple of times. When you only have a lens with one focal length you learn to zoom with your feet. I wrote an article in Shutterbug about that experiment and illustrated it with some of the photos from the trip. The only time the 28mm was a problem was in closeup photos of people, but just stepping back took care of the distortion.

In my studio I found that I could do just about anything with a 28-80 zoom, and rarely attached anything else to my camera. For my outdoor nudes the 28-80 f/2.8-4.0 and 70-200 f/2.8 could handle all my needs. The 24 was in my bag, but rarely came out. I had a 20, but used it so seldom that I sold it. I kept a 16mm Russian fisheye around for those rare times that it made sense.

Try an experiment. Spend a week photographing with only one lens. Instead of changing lenses, change your point of view. Zoom with your feet. Force yourself to think in terms of that one focal length

Many of the world’s great photographers worked with the Rolleiflex twin lens reflex cameras, with their fixed 80mm lenses on 6 X 6 format. Those photographers learned to see in terms of that one lens, and produced some spectacular images.

In the 70s I tried that for a while. I bought a used Rolleicord, the cheaper model of Rollei TLR and worked with it all one summer. I had a lot of fun with that camera, and got some photos I like very much. That camera taught me the benefit of carrying a tripod for the sharpest possible images of non moving subjects, a lesson I’ve never forgotten. When a tripod was just too cumbersome to tote, I’d carry my lightweight Gitzo carbon fiber monopod, which doubled as a walking stick. A monopod is also great for getting shots from high angles by holding it up overhead and using a remote release or self timer to fire the camera.

My favorite tripod/monopod head is the Acratech ball head. Compact, light, and very sturdy. I’ve tried many other ball heads over the years when reviewing them for articles, but always found myself going back to the Acratech for my personal work. I used the version with the Arca-style quick release, which lets me put a camera and lens on and off very quickly and easily. The only time I used a different head is when shooting with a view camera, either my 4 X 5 Toyo monorail or my old Eastman 2D 8 X 10 field camera. For those heavier cameras I have a big ball head made by Schoon in Holland. Obviously, I really prefer ball heads. When using the big, heavy 8 X 10 I use a heavy duty wood tripod. Mine is the Brom Master, made in Germany. It will support damn near anything. But the times I’ve used my view cameras after I started working with digital can be counted on the fingers of one hand. I wouldn’t want to be a view camera salesman today. I even thought of selling my Toyo outfit until I saw the low prices they were going for, and decided just to keep it. Maybe one day the prices for digital backs for them will drop down to my level. There are many things you can only do with a view camera with full swings, tilts, and shifts. Tilt-shift lenses can come close, and are sufficient for many applications. Zorkendorfer in Germany makes adapters to allow tilt and shift on most digital SLR cameras using medium format or enlarger lenses (www.zoerk.com).

.

About The Author: Bob Shell is a professional photographer, author and former editor in chief of Shutterbug Magazine. He is currently serving a 35 year sentence for involuntary manslaughter for the death of Marion Franklin, one of his former models.  He is serving the 13th year of his sentence at Pocahontas State Correctional Facility, Virginia. To read more letters from prison by Bob Shell, click here: https://tonywardstudio.com/blog/civil-war/

Editor’s Note: If you like Bob Shell’s blog posts, you’re sure to like his new book, COSMIC DANCE by Bob Shell (ISBN: 9781799224747, $ 12.95 book, $ 5.99 eBook) available now on Amazon.com . The book, his 26th, is a collection of essays written over the last twelve years in prison, none published anywhere before. It is subtitled, “A biologist’s reflections on space, time, reality, evolution, and the nature of consciousness,” which describes it pretty well. You can read a sample section and reviews on Amazon.com.

Also posted in Accessories, Affiliates, Art, Blog, Cameras, Engineering, Erotica, Fashion, Film, Friends of TWS, Glamour, News, Photography, Popular Culture, Portraiture, Science, Women

A.H. Scott: Teddy Bare

Photo: Tony Ward, Copyright 2020

 

.

Text by A.H. Scott, Copyright 2020
.
 
Teddy Bare
.
 
Mary used her key that Teddy gave her to pop into his house when he wasn’t there to enjoy his pool in the back.
White dress with black buttons was quickly undone, as Mary peeled off blush colored bra and panty.
She knew he would be home soon and took a quick swim to cool off.  
Coming to the shallow end of the pool, she pulled herself partially onto the deck.
Resting her head atop of her arms on the edge of the pool, Mary closed her eyes with her legs lightly brushing against the Italian marble so cool.
Teddy had arrived to his home about ten minutes earlier and changed out of his boring attire into something frisky for this sunny afternoon in August.
Teddy bare was a pleasant sight out of the corner of Mary’s eye, as he dove into the opposite end of the pool.
Little was a splash made as his sights were set upon her.
Mary closed her eyes again and called out to the swimmer approaching her, “Teddy, how was your day?”
Coming closer to where she was, Teddy was eager to reply, “Better now to have your luscious body beaming beneath the sun’s rays”.
Mary was no fool, as she perched herself slightly outside of the waterline of that pool. Her ass was like a peach on the horizon of a ripple of water.
.

 

Photo: Tony Ward, Copyright 2020

.

Teddy had hands quite sizable, which Mary enjoyed in any kind of variable on her body.
That first touch of fingers making contact with her hips made Mary murmur a bit.
Scooping upward around both breasts, Teddy’s hands massaged each nipple slowly and pressed his body inside of her from behind.
Inside of Mary’s flower, she welcomed every insertion of this man’s desire.
Yet, this woman had her own sense of power in being with him.
Natural slip and slide of mutual inches of expanding pride were setting off sparks in the shallow end of that pool.
Teddy’s hands caressed her moist ass with adoring care, as Mary’s palms playfully drummed out a beat against the edge of that pool.
So good it was, as she made her move on him with measured pace of motioning herself around in that water to face this lusty man of this house.
Their eyes met as did their flesh again and again. Water moved between them with every point of contact, as intensity and serenity filled their gazes.
Tongues teased one another; with his tip racing along right side of her neck and soft kisses she was giving to his left cheek and parallel pectoral.
Feeling him inside of her, Mary’s soul pulsated with that headiness of horniness that she rarely revealed to anyone.
As for Teddy, he was a man consumed with pleasure in being with a woman who knew what she needed and expressed herself as wanting in fulfillment.
Locomotion of push and pull was theirs in that water, as Mary’s arms and legs wrapped around Teddy’s body.
Trickle of culmination, confidence and care came in satisfaction’s exhalation and roaring enthrallment in that pool area.
On a sun-drenched afternoon in August that was delightfully beyond compare, Mary expressed her deepest gratitude to Teddy bare.
.

Photo: Tony Ward, Copyright 2020

.
About The Author: A.H. Scott is a poet based in New York City and frequent contributor to Tony Ward Studio. To read additional articles by Ms. Scott, go here:https://tonywarderotica.com/onehundredthousand/
 
Also posted in Affiliates, Art, Blog, Environment, Erotica, Fashion, Film, Friends of TWS, Glamour, lifestyle, Men, Nudes, Photography, Portraiture, Women

Alejandra Guerrero: Wicked Women

Photo: Alejandra Guerro, Copyright 2020

 

Photography and Text by Alejandra Guerrero, Copyright 2020

.

WICKED WOMEN

.

Wicked Women is my first solo book and a photographic monograph of 12 years of my works in erotica with emphasis in fetish photography. It presents my vision of sensual, strong and sexually confident women, with images full of narrative and erotically charged stark portraits. It presents my visual aesthetic, including elements of fashion and fetishism blending seamlessly together. Fetishism relies heavily on garments as symbolic elements of power and surrender which I delight in using in my work. It presents a type of woman I like to call a “Vamp”, a seductress, dark and mysterious with a bit of film noir, Femme Fatale. She is in tune to her desires and her fantasies, without apologizing. It flows sensually and provocatively. 

.

Photo: Alejandra Guerrero, Copyright 2020

.

The story of how this project came about happened in New York City in the Spring of 2018, when I met David Jenkins, the editor in chief at Circa Press, London, England. He had an interest in doing a book with me. I had some ideas, but then a section on my web site I had called “Wicked Women”, to group the more fetish oriented photos caught his attention as well as the title I  used for the body of work. We settled in the name quickly and then worked on selecting photos I had already shot that fit the theme of the book.  After we met,  I shot a few new photos to add to the portfolio, as well as the cover image, but the work was largely there from our first conversation. 

.

Photo: Alejandra Guerreo, Copyright 2020

As a collector of books that have inspired and entertained me since getting into photography, I’m very excited and thrilled to launch my Wicked Women unto the world. Please support my Kickstarter campaign by clicking on this link: https://www.kickstarter.com/projects/1649001578/alejandra-guerrero-wicked-women

.

Photo: Alejandra Guerrero, Copyright 2020

.

 

.

Portrait of Alejandra Guerrero by Tony Ward, Copyright 2020

.

About The Author: Alejandra Guerrero is a photographer that has been establishing her unique vision for female empowered eroticism, fashion and fetish.  It is a vision that can be traced back to her early upbringing in Bogota, Colombia. A more conservative society, its constraints did wha  constraints so often do: the reverse of what was intended.  They filled her with a desire and curiosity that would eventually be satiated in the less judgmental underground communities in the US, where the erotic/fetish community would embrace her and show her that people could have more open minds about how they express their sexuality.  For Alejandra, this expression would take the form of a unique combination of seductive fashion, erotic fantasy and an unapologetic embracing of fetish as seen through the eyes of a powerful woman.

Also posted in Accessories, Affiliates, Announcements, Art, Book Reviews, Cameras, Current Events, Documentary, Environment, Erotica, Fashion, Film, Friends of TWS, Glamour, lifestyle, Photography, Popular Culture, Portraiture, Women

Light Table: Frank Kelly Style Icon

Frank Kelly. Philadelphia, 1983

 

Photography and Text by Tony Ward, Copyright 2020

.

I was looking through the archives recently and came across a photo of Frank Kelly, the man about town who defined mens fashion and style in Philadelphia during the 1970’s and 80’s. Frank was a style icon that I truly admired.  Always dressed to the nines, tall, handsome and seemingly always in a good mood.  He worked as a model between gigs in Philadelphia and New York and eventually became one of the most successful fashion salesman in Philadelphia, where his customers felt they could take  advice from him on what to wear in a boardroom or casually on the street.  He was incredibly charming and charismatic, qualities that defined his ability to sell to a wide range of customers.  Frank worked at various boutiques and eventually finished his career at Burberry’s until his retirement. Frank passed away in 2018 at the age of 79.

.

For additional Light Table posts, click herehttps://tonywardstudio.com/blog/light-table-portrait-of-the-day-2/

 

Also posted in Accessories, Blog, Diary, Documentary, Fashion, Film, Glamour, History, lifestyle, Light Table, Men, Philadelphia, Photography, Popular Culture, Portraiture, Travel

Picture of the Day: Ike’s Study

Photo: Tony Ward, Copyright 2020

 

Photography and Text by Tony Ward, Copyright 2020

.

Ike’s Study

.

I visited Ike Hay at his home on many occasions.  He was a great teacher of art and design at Millersville University where we first met when I was an undergraduate student from 1974 to 1977. I took several classes with him as he was a great teacher of art and design.  Ike’s first love was sculpture, but he had other interests as well.  Ike was a collector of Empire furniture and a significant amount of his scholarship was defined by his love for French culture, especially French antiquities and an emphasis on the history of Napoleon Bonaparte, the great French military leader and emperor of France. Ike’s study was a place where we often chatted about art and also life. He became a lifelong friend and confidant until his untimely passing in 2014 at the age of 69.  When I began the project of a book of Tableaux Vivants,  I selected Ike’s study as one of the nostalgic places I wanted to photograph because of my longstanding friendship with Ike and his family. So one summer day in 1994, I packed up my gear with models in tow and traveled from Philadelphia to Lancaster, Pennsylvania where he lived with his wife Teri and his daughters Miraya and Mistral. On this particular occasion I decided to shoot in black and white and in color, an unusual departure for me at the time. 

.

To see selected works from the book of Tableaux Vivants, click herehttps://tonyward.com/early-work/tableaux-vivants-1993-2000/

Also posted in Art, Blog, Cameras, Diary, Documentary, Environment, Erotica, Film, Friends of TWS, History, Jewelry, lifestyle, Men, Nudes, Philadelphia, Photography, Popular Culture, Portraiture, Travel, Women