The Photo Review: Auction

The Photo Review Auction October 2024 flyer
The Photo Review: Auction 10-26-2024

The Photo Review is a critical journal of international scope and readership. Publishing since 1976, The Photo Review covers photography events throughout the country and serves as a central resource for the Mid-Atlantic region. With incisive reviews, exciting portfolios, lively interviews, the latest in books and exhibitions, The Photo Review biannual journal has earned a reputation as one of the best serious photography publications being produced today. Our writers — including A.D. Coleman, Stephen Perloff, Shelley Rice, Peter Hay Halpert, Barbara L. Michaels, Jean Dykstra, and Mark Power — have weighed in on subjects as varied as the posthumous publication of work by Diane Arbus, women in photography, the growth of digital media, the historical movement from Pictorialism into Modernism, etc., etc. In his ongoing series, “The Censorship Diaries,” Editor Stephen Perloff was in the forefront in covering the controversy over funding for the NEA and censorship of the arts.

The Photo Review has earned a reputation for lucid and incisive writing aimed at an intelligent and informed audience, but free of the cant and jargon that infects much contemporary writing about art. Thus, both arts publications and the popular press have looked to us for interpretations of what’s happening on the photography scene. Articles have been reprinted in such publications as Afterimage, To, Photography in New York, American Photo, and others.

Editor Stephen Perloff, a respected writer, educator and photographer, has been interviewed for The New York Times, The Toronto Globe & Mail, The Wall Street Journal, the Philadelphia Inquirer, Photo District News, and the New York Observer. He has received two critic’s fellowships from the Pennsylvania Council on the Arts and the Colin Ford Award for Curatorship from the Royal Photographic Society.

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Tony Ward's portrait of four fetish models for famous Wasteland Poster 2005
Wasteland. Photo: Tony Ward, Copyright 2024. Available at Auction on October 26, 2024.

In The Moment: The Art & Photography of Harvey Finkle

Exhibition announcement for Harvey Winkle at the Woodmere Museum of Art
Harvey Finkle at The Woodmere Museum.

In The Moment: The Art & Photography of Harvey Finkle

About the Exhibition

The work of the Philadelphia-born photographer and activist Harvey Finkle offers an intimate view of the hardships, sacrifices, and joys experienced by members of the diverse communities and political movements he has engaged with over the course of his career. In the Moment explores photography’s ability to interrogate social inequities, arouse empathy, and inspire political action. Consisting of photographs that Finkle has taken over the past half-decade, the show surveys the multiple and sophisticated ways in which his work forges meaningful connections with its audiences. Guest-curated by Antongiulio Sorgini, categorical groupings take us through Finkle’s journey, chronicling the stories that shape our collective consciousness.
 
 

Behind The Scenes: KVaughn Summer Linen Collection 2024


Text by Tony Ward, Copyright 2024

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KVaughn Summer Linen Collection 2024

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Photography by Al B For, Copyright 2024

I thoroughly enjoyed hosting KVaughn’s  100% linen scarf collection photo shoot for summer 2024.  Veteran photographer Ted Kawalerski was the first to arrive driving in from Sleepy Hollow, New York.  Since he was a little early we had breakfast and started to plan out his shooting strategy.  He and  I have been talking about KVaughn’s extraordinary work and for this shoot Ted wanted to participate  because he knew there would be great fashion to photograph and amazing portraits to produce. Matt Sampson aka The Sneaker King and the rest of the crew followed shortly afterwards including KV’s creative assistant  Milton White,  photographer Brian Hunt drove his large van filled with camera and lighting equipment  and  his son aspiring model Larson Hunt enjoyed being photographed by all of the talented photographers on hand. Many thanks to my man AL B  for his amazing video and still work as well as photographer Isiah from Blacklight Studios.

Video Clip by AlB For. Copyright 2024

 

Stephen Mallon: Passing East

Caboose. Photo: Stephen Mallon, Copyright 2023

PRESS RELEASE

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Front Room Gallery located at 205 Warren Street, Hudson, NY is pleased to present, “Passing East” a solo exhibition of photographs by Stephen Mallon. “Passing East” is the third iteration of Mallon’s work following “Passing Freight” and “Passing West.” This series of photographs captures the still active rail lines that carry freight to destinations across the country.  Mallon’s industrial landscape photographs isolate singular freight cars within this iconic transportation system, which has played a critical role in supply infrastructure across the continent for hundreds of years.  

Boxcar CSXT. Photo: Stephen Mallon, Copyright 2023

 

These trains inhabit their environment, as characters that are not visibly moving but seem completely encapsulated with the landscape around them. Within the frame of the photograph the train cars take up almost all of the composition, yet the little hints above and below them place them in a singular space. In “Flatcar CSX” a rusty line of axls runs almost the length of the photograph sitting on a flatcar at the bottom of the frame. Above the flatcar a lush forest of trees is gently changing from green to orange in the autumn weather. In “Flatcar NOKL” the car seems to be carrying huge burnt umber barn through the snowy landscape. In “Tankcar GATZ” some trickster has graffitied “$20,000…” along the side of the tank car in large green and white cartoonish letters. One wonders what they were thinking, since surely $20,000 would be a bargain for whatever’s inside the tank. In “TOFC CTLZ” a flat car is carrying a trailer that is painted the identical color of the sky, with only the white seams standing out—like Wonder Woman’s invisible plane.

Flatcar CN. Photo: Stephen Mallon, Copyright 2023

These trains are all moving, quite literally. And while they might appear to be stopped in the photograph, it is only for that split second as they pass Stephen Mallon, his camera, and his tripod. Mallon’s procedure involves many elements including the perfect location, light, the individual personality of each car, the trickiness of getting exactly the right moment, and patience. The intersection of mechanical and natural worlds, singular encounters where the trains activate the landscape are hard to predict.

Flatcar NOK. Photo: Stephen Mallon, Copyright 2023

Stephen Mallon is well known for his series “Next Stop Atlantic,” featuring decommissioned NYC Subway cars as they are retired in the depths of the Atlantic 

Hopper NA. Photo: Stephen Mallon, Copyright 2023

Editor’s Note: For more information about Stephen Mallon’s exhibition, link here: https://www.frontroomles.com

Exhibition Announcement: Artist Statement

Portrait of dominatrix and sub wearing gas mask. She's holding a wip.
Photo: Tony Ward, Copyright 2023

Text by Tony Ward, Copyright 2023

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Artist Statement

Thirty years ago in 1993. I embarked on a new body of work that explored our rights in America to freedom of expression. My subjects were from all walks of life, from various races, religious backgrounds  and sexual persuasions. This melting pot that stubbornly defines America  formed the palette of a series of black and white photographs that defined an era.  What was that era?  It was the time in which sexual freedom and multiculturalism was on the rise. 

Unfortunately, in these times there are certain bigoted elements of our society that continue to attempt to roll back the hands of time. Sadly, Facisim in America is on the rise. Obsessions as a body of work reminds us of what we once were and still are, a free and open society in which each individual American is free to choose and be who they are.

To find out more about the exhibition, link here: https://tonyward.com/obsessions-vintage-prints-1993-1998/